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#1
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Balanced vs unbalanced connection with Accuphase
Hi all,
I would like to have your opinion regarding balanced vs unbalanced connection with Accuphase gear. As far as I understand, not all Accuphase gear are really balanced designs, and as far as I understand from people more knowledgeable than me, for short cable runs in this situation the balanced connection should not bring any advantage over the unbalanced one. Some even argue that the unbalanced connection should be more transparent because it has less electronics in the signal path, in a non balanced design gear. I tried my Accuphase XLR and RCA cables (the "brown" series, all 1 meter long) with all my electronics (se my signature) and honestly I could not ear noticeable differences. So maybe it is because my gear is not fully balanced designs, but witch Accuphase gear is nowadays (c-3800/3850?). In the past there was the P-102 that was a really balanced amp, even with its "base" price. Now? (p.s. one aspect that I prefer with balanced interconnect is the Cannon plug: absolutely better, friendlier and more robust in my opinion.) Last edited by Mattia; 04-26-2016 at 12:02 PM. |
#2
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Balanced inputs and outputs need to be properly designed. In the first generation of balanced outputs (e.g. C-280L, DC-81L) Accuphase simply used an additional phase inverting stage. This was not an ideal solution and therefore quickly abandoned from the next generation on (e.g. C-280V). On some gear (e.g. DC-901) Accuphase use completely independent circuitry for balanced and unbalanced outputs. The only fully balanced pres are C-3800 and C-3850. AFAIK there were only very few fully balanced stereo amps: P-102 and P-800. The rest of the stereo amps mostly have a balanced input and driver stage, but the output stage is not balanced. Monoblocks are usually fully balanced. The brown Accuphase cables are not bad and relatively reasonably priced. But there are better (albeit more expensive) cables out there. I recently replaced a 0.5m AQ WEL Signature older plugs XLR version with a 1m AQ WEL Signature current plugs XLR version. After some time I finally decided to go for a new DG-58 measurement. I definitely had not expected that much more transparency and clarity just because of improved XLR plugs (the design of the cable itself had not changed)! Martin Last edited by meltemi; 04-27-2016 at 01:19 PM. |
#3
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There is an Accuphase product(can't remember which one) that Accuphase themselves recommends using an unbalanced cable with. If memory serves me correctly, they even include the unbalanced cabled with the product. Anyone know what I am thinking of?
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#4
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Most new Accuphase gear in the USA includes unbalanced cables.
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Ivan FLORIDA MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES CAPE COD MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES |
#5
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The Accuphase gear I bought here in Japan also include unbalanced cables. Personally I use balanced cables with the 3850, d-37, a-70. Have not compared balanced to unbalance.
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#6
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Martin,
thank you for your impressions and explanation regarding the ways that Accuphase uses/used to implement the balanced out since the '80. Regarding the plug, I intended that I prefer the XLR ones compared to RCA: more durable, elegant and robust. In my pre I already see some light scratches on the RCAs, even if I don't have plugged/unplugged too many times. Exceptions are the rhodium plated RCA on the DC-81L and DP-80L: those are really perfect even after many years, but I read that the rhodium cost skyrocketed from the early '90, so Accuphase sadly never used that material after that period. Greekgod I think that Accuphase only includes unbalanced cables everywhere in the world. The difference is that in "top" level gear they are the brown ones (I had those with DG-58) while in mid to low level gear the are the blue ones (I had those with C-2420). With the A-46 there was no signal cable included. As for power cables, if that matters, here in Switzerland I had included some good cables but really subpar compared to the top Japanese units (and perhaps US ones?), with their reassuring fat and good looking cable with oversize plug (the "mid to low" power cable is normal instead), in line with the price of the gear. Sadly my preferred shop keeper said that is normal for Swiss market units. Maybe the German ones (the wall plug here is different from Germany, so we have a different cable) are similar to the Japanese ones regarding "size and look", I don't know. Last edited by Mattia; 04-27-2016 at 07:38 AM. |
#7
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Quote:
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Because Japan has less than half the voltage of Europe, thicker cables must be used to cope with the resulting higher currents. If you'd use a German power strip, you could use the included German 3x1mm2 cables with Schuko plugs. Martin |
#8
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Martin
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My only regret is mainly a "look and feel" one. For example the Japanese package of the DG-58 sports a surely costly and very well built big cable, absolutely exaggerated for the 24W required by the unit. But boy feels nice and in line with the unit. In the Swiss DG-58 (and C-2420 and also the power amp A-46) I found a cable that is same as a normal cable, like the one you find in a CHF 200.- PC monitor package... perfectly fine, just a bit underwhelming if one considers the price of the units. In the end, we pay way more and even get a bit less. That's my only problem. Last edited by Mattia; 04-28-2016 at 09:03 AM. |
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