#21
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#22
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The MCD1000 transport is made by Linn and is the same as the famous Linn CD12 transport widely acknowledged in its day as being the best. Time flies however and it seems all the top brands use Esoteric transports now (DCS, Playback Designs, Orpheus, Soulution, Wadia (some), Mark Levinson) etc... |
#23
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Red Book Standards Issue
Gavin: I had the same issues with my Levinson 37 transport & 360S dac. I called Levinson to discuss the issue and their answer was surprising. I'll bet your player never fails to read red book Cd's. Levinson designed the transport with strict adherance to red book standards. Most Cd's, now, have a lot of other data on them for multi-media uses and may be longer than the 71 minute requirement for Red Book Cd. It would not decode the TOC and would puke, "ERROR BAD DISC"
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System: ML:5206,5302 Serafino's Nordost Lumin U1 RM15 |
#24
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At this in time I do not believe they are as good as the the best transports and DAC's, but any differences are minimal and for many people the additional cost is not worth it. The best systems that I have heard that use computer based CD/DVD transports are the ones that read and re-read the data into a buffer and do the error correction before writing the data to disk (I guess Meridian now falls into this category. Most PC's and laptops attempt the correction on the fly correction using drives that are not built to the specs of those used by Esoteric, DCS, etc. and do not clamp the discs as accurately. Jim |
#25
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So using a computer or music server drive to rip discs using something like the EAC (Exact Audio Copy) software that supposedly does a bit-perfect copy does not solve that problem?
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#26
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I am not sure. It just seems to me that reading reflected light is a bit of art as well as science If you read that reflection incorrectly then you are not going to put everything back together again properly. For data with check sums etc I think it would work perfectlty. Jim |
#27
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has anyone ever recorded:
the digital stream from a cheap transport vs one from an expensive one? perhaps a 60 sec byte then compared them with telecom software used for error checking/signal analysis? obviously the recording media may introduce some error, but we can assume that will be the same for both... imo the biggest influenced (at least on the 'sound', tone, tempo, etc.) is the system clock, not the reader or DA conversion per se...
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"Two things are infinite: the Universe and human stupidity...I'm not sure about the the universe." "If A is a success in life, then A equals x plus y plus z. Work is x; y is play; and z is keeping your mouth shut." Albert Einstein
Last edited by ArthurPE; 08-08-2010 at 01:05 PM. |
#28
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Jim |
#29
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With all that being said, I still love my MCD1000 and would do it all over again.
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Ivan FLORIDA MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES CAPE COD MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES |
#30
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Ken
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McIntosh C2300:Gold Lions 12AX7, McIntosh MC452, McIntosh D1100 , Bryston bdp-3, McIntosh MEN220 Linn Sondek 25th LP-12 upgraded, Encounter MK-3, Lyra Delos, Wegne Plinth, Ultra Origin DC motor, Cetech Subchassis Sonus Faber Cremona, (2) JL Audio F110 subs, Squeeze Server v7.9 Windows 2012 Server 25TB, Audio Metallurgy GA-0 XLR & RCA, Wireworld Silver Eclipse speaker cable, PS Audio Power Plant Premier (2), WireWorld Silver Power Cables, Tascam DA3000 |
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