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MBL, dCS, Goldmund, Gryphon etc Ultra High End Equipment |
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Analog Domain DAC1 - be careful what you wish for
I'm about to hook up an Analog Domain DAC1 into my system.
I have had the pleasure of auditioning a prototype during an audio event...but having the opportunity to try it in one's own system is quite something else. I'm struck by a particular merciless strain of the LuFlu. If it is as high a jump in experiencing music as it was when moving to two Analog Domain M75P's I will be in deep trouble, and my bank balance even more so. So it is with slightly nervous anticipation that I'm embarking on this adventure. Many thanks to Guido and Katrien from Gydotron for lending their personal unit. ...to be continued |
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Oh dear....I'm in trouble
One word.... unrestrained |
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Jacques.......Analog Domain manufactures astonishing audio components so I had little doubt the DAC1 would not thrill you. It is a gorgeous looking DAC.
Looks like it's time to swim in the deep end of the pool. Your bank account will recover........eventually. To the best of my knowledge, you only live once. .
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Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A |
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Jacques... Welcome to the deep end!
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Ivan FLORIDA MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES CAPE COD MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES Last edited by Masterlu; 06-17-2017 at 11:56 AM. |
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Dear Jacques, Meta and I will conquer fierce and endless traffic jams to experience this little wondrous machine!
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Stereo: Hegel H590, Grimm Audio MU1, Mola Mola Tambaqui, Burmester 948 - V3 & V6 racks, Vivid Audio G2 Giyas, REL Carbon Special (pair), Silent Angel Bonn N8 Ethernet Switch & Forester F1, Wireworld Platinum Eclipse IC and SE SC, Furutech Digiflux AV: Hegel C-53, Marantz AV8802A, Oppo BDP-203EU, Pioneer Kuro 60", Vivid Audio C1 & V1w's, Wireworld Platinum Eclipse, SE & E Second system (veranda): Halgorythme preamp and monoblocks, Burmester 061, Avalon Avatar, Sharkwire & Wireworld cables |
#6
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Quote:
A single M75P in stereo mode excels at being not there, meaning no signature sound; the audio equivalent of being invisible, consistently so for all volume levels and across its frequency band. However that little devil on my shoulder kept whispering in my ear “If you don’t do it now, you’ll never do it”. As it played out that little devil turned out to be a little angel, no pun intended Mr. Despotov. The Proac Response D100 speakers are monolith manifestations of “current” voracity. As one Stereo M75P unshackled the lower regions, two amps in bridged mono made these speakers come alive in a way I didn’t even dare to think possible. That intangible holographic stage that is captured in some recordings could now manifest itself in my acoustically challenged living room. “Is it really necessary?” Yes, most definitely Yes. I’m sure I’m not alone in rating the McIntosh MDA1000 as one of their finest achievements. However the lure of new technology, DSP wizardry and new design insights kept feeding those elusive FOMO musings in the back of my mind. I had kind of set my sights on an ILLUSONIC IAP4 but hearing a prototype DAC1 changed things. Angel Despotov does things differently and as I understand it the single most important design goal of the DAC1 was to lower the noise floor to a point where it becomes irrelevant. Mission accomplished. One would be surprised how much information is contained in a lowly 16 bit 44,1 kHz Redbook CD, and just think of all that is captured in high res formats. A fathomless low noise floor allows all that detail to surface. It is early days and the unit on demo only has a few hours on it but I can already state with confidence that the DAC1 is unapologetic brutally honest and unrestrained in its music delivery compared to the rather polite and forgiving MDA1000. When playing certain tracks I just could not tear myself away from the music as new delicate details revealed themselves in a tidal wave of astonishment. It felt like crossing some event horizon, no escape. I can also say that the experience was quite eye, or should I say ear opening and that some will favor a more forgiving approach offered by other brands. I don’t want to use words like revealing or analytical because honestly they really don’t apply to the DAC1. It is now the third time I added an Analog Domain component and every time boundaries were pushed farther out. IMHO that is what Analog Domain does…push boundaries to a point where they become irrelevant and the experience of music is only constrained by our own bodies and the rooms we are in. Right now the unit is connected to the McIntosh C1000 pre-amp with the DAC’s volume control out of the circuit. Next weekend I will connect the DAC directly to the M75P’s. So…to be continued |
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Jacques.......Such a fun experience to read your well written impressions. I predict there is no way the Analog Domain DAC1 will be returned.
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Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A |
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Jacques, will be fun to hear a couple of well known recordings through that marvellous piece of gear!
And also to compare the internal preamp to the McIntosh. Looking very much forward! By the way, a splendid review. And things will further improve in the next days...
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Stereo: Hegel H590, Grimm Audio MU1, Mola Mola Tambaqui, Burmester 948 - V3 & V6 racks, Vivid Audio G2 Giyas, REL Carbon Special (pair), Silent Angel Bonn N8 Ethernet Switch & Forester F1, Wireworld Platinum Eclipse IC and SE SC, Furutech Digiflux AV: Hegel C-53, Marantz AV8802A, Oppo BDP-203EU, Pioneer Kuro 60", Vivid Audio C1 & V1w's, Wireworld Platinum Eclipse, SE & E Second system (veranda): Halgorythme preamp and monoblocks, Burmester 061, Avalon Avatar, Sharkwire & Wireworld cables |
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“Quid Apparatus Magnifice”, what a Magnificent Apparatus. I’m trying to make it sound like some Wizard’s spell. A feeble attempt on my part at describing the magic the Analog Domain DAC1 will bring into your listening space.
The plan was to compare Angel Despotov’s latest creation with the MDA1000, both using their respective internal volume controls. It seemed like a good plan; two, albeit long, Steven Wilson’s songs later that plan became irrelevant. I never was a fan of the variable output stage of the MDA1000; IMHO it needs its sibling, the C1000, to shine. Kind of overkill if all your sources, but one, are digital. In fact, past experiences had left me with a bias that volume controls in DAC’s were for the most part subpar afterthoughts. Today that bias went the way of the Dodo. As the songs “3 Years Older” and “Routine” unfurled layer upon layer, alternating oases of intimate delicacy with crashing crescendo’s, the DAC1 bought me a seat at the mixing desk. Somehow I should have known; the MDA1000 never stood a chance. As it would play out, another assumption had to be revisited as well. With every addition of an Analog Domain component in my system I had to recalibrate my expectations of what was possible in my listening space aka living room. Two M75P amplifiers had liberated my speakers to feast on all the Amperes the wires would carry but still there were constraints on what was possible. I attributed this to the acoustical parameters set by that listening space. Ladies and Gentlemen, was I wrong. Staying with Steven Wilson, before today his album “The Raven That Refused to Sing (And Other Stories)” always was hard to enjoy at higher volume levels, the finely crafted layers would tangle up and create this fatiguing mess. Not anymore; enter the DAC1, the Great Enlightener. Expertly mixed and mastered recordings will delight you to no end as the DAC1 unveils their entire splendor. Other, less blessed, recordings will make you shake your head in disbelief muttering “what were they thinking” as the DAC1 mercilessly leaves no stone unturned. That “sitting at the mixing desk” experience, some recordings are able to deliver if the DAC lets them, has caught me completely off guard. There is simply more to hear, the pieces of the puzzle fit. More is good. Encouraged by these revelations other tracks just had to reveal their true colors. From darkened death metal to new classical, acoustic gems to full on electronic assaults on the senses, the DAC1 unassumingly weaved its spell. By the time “And the Sky Began To Scream” by “How to Destroy Angels” had finished melting the walls of my living room I began doing the math. I’m pretty sure all members know exactly in what kind of headspace I find myself right now. The immaculate finished unit has no sonic signature I can discern. For all intents and purposes it is as invisible as its amplifier stable mates. The room still needs work. At some lower frequencies some annoying droning still builds up. But the full Analog Domain setup seems to corner these gremlins so as to make them manageable. There is a possibility an Analog Domain DAC with analog input will be brought to market. This would allow one to hook up a phono-stage and use the excellent volume control now available in the M75D and DAC1V. Some brands already offer these hybrid preamp / DAC’s, be it with mixed results. It is reassuring to know that I could part with my C1000 and lose nothing. On the contrary, I know now that a DAC1V connected directly to the amplifiers is the way to go. No doubt some of the experience will be psychological but this direct hookup allowed me to connect more intimately with the music to a point it was very hard, nearly impossible, to go back to the old setup. “Be careful what you wish for”…how prophetic these words turned out to be. Last edited by JemHadar; 06-27-2017 at 05:47 AM. |
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Jacques, seems you are in audio heaven.
I can't wait to see you next Friday!
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Stereo: Hegel H590, Grimm Audio MU1, Mola Mola Tambaqui, Burmester 948 - V3 & V6 racks, Vivid Audio G2 Giyas, REL Carbon Special (pair), Silent Angel Bonn N8 Ethernet Switch & Forester F1, Wireworld Platinum Eclipse IC and SE SC, Furutech Digiflux AV: Hegel C-53, Marantz AV8802A, Oppo BDP-203EU, Pioneer Kuro 60", Vivid Audio C1 & V1w's, Wireworld Platinum Eclipse, SE & E Second system (veranda): Halgorythme preamp and monoblocks, Burmester 061, Avalon Avatar, Sharkwire & Wireworld cables |
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