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I believe you either met 10,000 or 11,000 vice 111K. I do agree with you on the KT120's. Anyway, 9K for the most part, beats the average GL Reissue numbers of late that many have tried and like. Bob
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Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters. Preamp:VAC Statement (on order) (Silver Flake) Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver) Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's. Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974). Vibration Control:TT on HRS M3X2-1921 shelf. Speakers:Wilson Audio Alexia V (on order in Ferrari Argento Silver/Parchment grills sitting on Acoustic Diode Kit). Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock. Power Distribution:Ansuz Mainz D3 Distributor & Ansuz Mainz C2 1M Power Cable Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers. Speaker Cables:2M Nordost Odin 2 Supreme Reference on Nordost Sort Lifts. Signal Cables:Nordost Odin XLR's on dCS DAC & Amps. Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC. Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital Ethernet Cable: WireWorld Platinum 1M Starlight® 8 Twinax Headphones:Vintage Koss Pro IV AA. RCM: Audio Desk PRO Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Power Amp & Preamp & Space Tech Labs ATT-3.02 tube test sets. |
#12
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Investigating with a number of mfrs, it does seem to be a case by case situation and the designers I've talked to already (ARC, CJ, Prima Luna and Octave) have all said that to take maximum advantage of the tube, a redesign would be in order. However, the question was, how do they sound? If you're relying strictly on numbers to determine how anything sounds, that's kind of silly. That's why I bought a couple of quads, to actually investigate. |
#13
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Jeff...I totally agree. I would not call the current ARC amplifier line-up as "dry." In fact I think they are tonally very dense.
On the KT120 tubes, I just called ARC and they are shipping the current line up of amps (VSi60 integrated, the VS115 stereo power amp, and all the Reference line power amps - 110/210/610) with the KT120 tubes. In the ARC designs, they are a straight drop-in replacement for the 6550s. No circuit or transformer redesign needed to accomodate the new tube. They have not changed the bias on any of the designs so the KT120s will pull the same current as the 6550s before them, so in essence they will be run more conservatively than the 6550s. That will translate into longer tube life and with less tube failure rates. In my situation the tube swap on the REF 110 will take the power output from 110wpc to 130wpc. They seem to think that the KT120s add bass weight, punch and articulation, providing a better foundation to the music, as well as a wider dynamic presentation to the music, as compared to the 6550s. I hope this helps. Last edited by cmalak; 12-01-2010 at 03:23 PM. |
#14
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Which brings us to the fact that many people who prefer tubes generally, often wind up with a preference just for amps that utilize one of the major power tubes such as EL34's, 6550's, etc. I think that's where the real preferences occur among tube amp lovers. So it's going to take time, and the appearance of other KT120 offerings, before a clear KT120 identity or sonic profile can emerge. In the meantime, if you are someone who, for instance doesn't care for the sound of KT88's, you're likely to describe the KT120 as "just a KT88 on steroids" , whereas if one likes KT88's, and wished only for a bit more power so they could (also) get good bass performance out of a full range speaker, then a KT120-based amp might be just the ticket! The Shuggie KT88Z is just an amazing sounding KT88 in my opinion. If the KT120 achieves the same sonics but with more power, that would be a real treat! I wonder what NOS KT120's sound like compared to the new Russian ones? Last edited by nsgarch; 12-01-2010 at 03:26 PM. |
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Yeah, I got carried away Bob! I guess we're all hoping for a few more zeros these days
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So, what's the point you are trying to make? |
#17
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Just out of curosity more than anything else, spoke to ARC tech support and they are now installing the KT120's in their newer amps as of the 3d (or 3d week) of November. They believe the KT120 tube has better foundation, more weight, bass and more authority than the 6550's (may have been the same guy I spoke with...dunno). However, regarding their legacy amps, they have not yet tested them in those and to be on the safe side, recommend no one try as yet until they have a better idea on the range of biasing on the legacy amps, etc. They will eventually evaluate the KT120's in the legacy products and will post their findings on their web site. As a side note, of course, the KT120 will not fit some of those legacy amps. Bob
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Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters. Preamp:VAC Statement (on order) (Silver Flake) Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver) Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's. Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974). Vibration Control:TT on HRS M3X2-1921 shelf. Speakers:Wilson Audio Alexia V (on order in Ferrari Argento Silver/Parchment grills sitting on Acoustic Diode Kit). Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock. Power Distribution:Ansuz Mainz D3 Distributor & Ansuz Mainz C2 1M Power Cable Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers. Speaker Cables:2M Nordost Odin 2 Supreme Reference on Nordost Sort Lifts. Signal Cables:Nordost Odin XLR's on dCS DAC & Amps. Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC. Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital Ethernet Cable: WireWorld Platinum 1M Starlight® 8 Twinax Headphones:Vintage Koss Pro IV AA. RCM: Audio Desk PRO Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Power Amp & Preamp & Space Tech Labs ATT-3.02 tube test sets. |
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Bob...I didn't ask about their legacy amps. The guy I talked to said they are shipping the KT120s in their current amp line up (as I listed above). Sounds like we may have talked to the same person. Thanks for clarifying for those who own legacy amps.
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