#1
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Are racks important for your system?
Okay, I had a all Mcintosh system before C500T, Mc2301's, well not all Mcintosh cdp was Classe then Esoteric, and speakers B&W802D then Wilson Sasha. All the while I had some fabulous racks custom made that were great. That said they were just racks. I got something today in that is more than just a rack. I got the Critical Mass Systems Platinum racks. It warns you that upon first putting them together that they will sound listenable and ok but they will change undeniably over the next 300 hours or so and at times may not be listenable during this time. Well at first listen it was astounding the difference. The stage was definitely more transparent. The biggest thing I got right away was the bottom end got even better which I had no problem with the bottom before, thought it was as good as I had heard, then the "ch", the "T" and the "S" of everything had a chhht or a tee' or a sssts to it so to speak that I'm not sure I heard anywhere else ever before so nice except in Glenn Poors Audio when I heard the Sasha for the first time and the equipment was on Critical Mass System Racks. This is one of the things that made me sell my entire system was the explanation point on everything. The BAT stuff over the Mcintosh and Wilson Sasha over the B&W got me somewhat there but this rack is the final piece to the puzzle of sound. I'm just at the beginning the break in which they say is a good chance to listen now but be prepared for it to change for the better or the worse over the next 300 hours till it settles in. In the bass guitar I hear more of the upper frequency rattle of strumming of the string of a bass guitar. Its very hard to explain but everything just got naturally beautiful even more so. My pre is tube and my amps are solid state but these racks just made it as good and airy but more natural than any tube sound I've ever heard and the emphasis of the above is more so than I think I've ever heard in any sound system ever but if you hear it live you do hear that stuff. If this stays as it is or gets even better then this will be the best $17k I've spent for sure. As I try to explain this to and you will have to forgive me as I know you don't know me that well but my audio buddies know I'm not so brite and I don't know the audio terms a lot of people know but I do know what and how to listen and I'm telling you that these racks made an immediate improvement over my previous racks and to explain it is hard for me but to hear it is easy.
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#2
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Since they make more than one ......what model, # of shelves, height......details.
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Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters. Preamp:VAC Statement (on order) (Silver Flake) Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver) Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's. Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974). Vibration Control:TT on HRS M3X2-1921 shelf. Speakers:Wilson Audio Alexia V (on order in Ferrari Argento Silver/Parchment grills sitting on Acoustic Diode Kit). Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock. Power Distribution:Ansuz Mainz D3 Distributor & Ansuz Mainz C2 1M Power Cable Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers. Speaker Cables:2M Nordost Odin 2 Supreme Reference on Nordost Sort Lifts. Signal Cables:Nordost Odin XLR's on dCS DAC & Amps. Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC. Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital Ethernet Cable: WireWorld Platinum 1M Starlight® 8 Twinax Headphones:Vintage Koss Pro IV AA. RCM: Audio Desk PRO Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Power Amp & Preamp & Space Tech Labs ATT-3.02 tube test sets. |
#3
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It is the Platinum series which is for critical listening then there other ones I believe are for more home theater. The spacing is I think 10 or 12 inches between shelves to give the REX plenty of vent room since it runs very hot. 3 Tier and then the 2 amp stands. I will try to post a pic right here in a minute if I can find me camera. These have bearings and machined holes for them to sit in and a machined cup to go over them which floats so to speak over the bearing then the filtering shelf sits over the cup. Its to late to get a pic of that now but I can once broken in I can remove the top shelf to get a pic and put it back.
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#4
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Posted these pictures of Neals' (beerdraft) racks on his behalf. Pretty.
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Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters. Preamp:VAC Statement (on order) (Silver Flake) Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver) Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's. Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974). Vibration Control:TT on HRS M3X2-1921 shelf. Speakers:Wilson Audio Alexia V (on order in Ferrari Argento Silver/Parchment grills sitting on Acoustic Diode Kit). Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock. Power Distribution:Ansuz Mainz D3 Distributor & Ansuz Mainz C2 1M Power Cable Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers. Speaker Cables:2M Nordost Odin 2 Supreme Reference on Nordost Sort Lifts. Signal Cables:Nordost Odin XLR's on dCS DAC & Amps. Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC. Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital Ethernet Cable: WireWorld Platinum 1M Starlight® 8 Twinax Headphones:Vintage Koss Pro IV AA. RCM: Audio Desk PRO Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Power Amp & Preamp & Space Tech Labs ATT-3.02 tube test sets. |
#5
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More from Neal
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Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters. Preamp:VAC Statement (on order) (Silver Flake) Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver) Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's. Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974). Vibration Control:TT on HRS M3X2-1921 shelf. Speakers:Wilson Audio Alexia V (on order in Ferrari Argento Silver/Parchment grills sitting on Acoustic Diode Kit). Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock. Power Distribution:Ansuz Mainz D3 Distributor & Ansuz Mainz C2 1M Power Cable Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers. Speaker Cables:2M Nordost Odin 2 Supreme Reference on Nordost Sort Lifts. Signal Cables:Nordost Odin XLR's on dCS DAC & Amps. Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC. Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital Ethernet Cable: WireWorld Platinum 1M Starlight® 8 Twinax Headphones:Vintage Koss Pro IV AA. RCM: Audio Desk PRO Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Power Amp & Preamp & Space Tech Labs ATT-3.02 tube test sets. |
#6
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Thats awesome Bob, thanks for posting those for me. I just couldn't figure it out.
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#7
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I just have one question. How does a rack change the sound? How do you know the sound has changed if they state 300 hours?
I love a nice rack as much as the next guy (which these undoubtedly are), but it seems to me that companies that know a thing or two about pshycoacoustics always fall upon the "you have to wait a couple 100 hours to notice the difference". The subjectivity of this hobby is what we all enjoy, but objectivity is also important. |
#8
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Neal,
Great looking system you have. The new racks are awesome looking. Keep us posted with your findings. Dave
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It's About The Music... |
#9
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Neal,
Is this system in the same place your old system was? It looks like you have made considerable changes to the room. Terry |
#10
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