#11
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I currently have an Allnic H-1201 which I find to be superior to the phono stage in both my C100 and C2300. The biggest difference I noticed was the treble became smoother and more pleasant. Next week I'm going to demo a two year old Audia Flight phono.
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Turntable: VPI Prime Signature Cart: Benz Micro LP-S DAC: Lampizator Golden Atlantic Preamp: Mac C500T, Mac MX121 Amps: Mac MC75 * 2 60th Anniv., Mac MC205 Speakers: Dynaudio C1 Platinum, B&W 804S, Totems Headphone amp: Glenn 300B Headphones: LCD-4 |
#12
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Maybe the new MP1100 will beat the integrated phono pre in the C52. Will probably cost as much if not more than the C52 though
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Turntable: VPI Prime Signature Cart: Benz Micro LP-S DAC: Lampizator Golden Atlantic Preamp: Mac C500T, Mac MX121 Amps: Mac MC75 * 2 60th Anniv., Mac MC205 Speakers: Dynaudio C1 Platinum, B&W 804S, Totems Headphone amp: Glenn 300B Headphones: LCD-4 |
#13
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Added Ayre, Aesthetix and Electrocompaniet to the list...
Audia Flight ModWright Pass Audio Research Ayre Aesthetix Electrocompaniet Whest (models bigger three sig.) Now I hear a lot of talk about the Audia Flight here - is it really that good and such a gain over the C52? Also - has it been compared to other phono stages other than the C52? On my List of possible alternatives I have the Pass and Audio Research models, also the Audia Flight and other mentioned here. @Leftside looking forward to you experience/report with the Audia Flight!
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Christoph Last edited by bruno2009; 12-11-2016 at 06:26 AM. |
#14
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Been trying out the Audia Flight for the last couple of evenings. Very nice phono pre. I've been doing extensive A/B testing against the Allnic. At first I couldn't hear too many differences. Even now the differences are subtle, but the Audia Flight seems to add a slight layer of depth and clarity. I'd be more than happy to have either in my setup, but one must go. I also have a tube headphone amp, and with tubes on either end of the signal this can sometimes be slightly noisy on the quietest passages of vinyl - so I'll be keeping the Audia Flight.
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Turntable: VPI Prime Signature Cart: Benz Micro LP-S DAC: Lampizator Golden Atlantic Preamp: Mac C500T, Mac MX121 Amps: Mac MC75 * 2 60th Anniv., Mac MC205 Speakers: Dynaudio C1 Platinum, B&W 804S, Totems Headphone amp: Glenn 300B Headphones: LCD-4 |
#15
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Turntable: VPI Prime Signature Cart: Benz Micro LP-S DAC: Lampizator Golden Atlantic Preamp: Mac C500T, Mac MX121 Amps: Mac MC75 * 2 60th Anniv., Mac MC205 Speakers: Dynaudio C1 Platinum, B&W 804S, Totems Headphone amp: Glenn 300B Headphones: LCD-4 Last edited by jdandy; 12-23-2016 at 02:22 PM. Reason: enlarge photos |
#16
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Quote:
I like what 6moons reviewer Frederic Beudot had to say, "Moving to its musical performance, I sense that even the most blasé will pay attention to the way the FL treats music in a unique combination of boldness and finesse that I usually associate only with the very best electronics in any category. It’s a sense that nothing can faze this component out of absolute silence of operation, transparency and refinement of tone to give an impression of rare elegance." I think that about sums it up.
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Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A |
#17
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C52 Phono - which Phono Stage to seriously beat the integrated section?
If you are considering the Audia Flight, add Esoteric E-03 to the list.
From recollection, they are same price. They are both Silver and Solid state. Both are beautiful. The outboard power supply may give the AF the edge but E-03 is so easy to operate with all settings available on front plate and can accommodate 2 turntables. Plus, and this is a big plus, Ivan can get you a screaming good deal. If you ever need service, esoteric may prove easier to deal with. I owned the E-03 and believe it was "better" than the on board phono in my C500T. But it was close. It bettered the C500 with a benz LPS cart on a VPI. The E-03 sounded very very similar versus the C500 with the McIntosh MT10 and stock cart. Point is, some of this depends on your cart. I don't see in OP which cart you own. The better your cart, the greater potential. Either way, you can do better than the c52 phono. The C1100 phono will be a fairly big jump and the AF sounds even better than that, as testified above. For me, I sold the E03 but only because I couldn't stand mixing silver gear with my McIntosh gear. YMMV.
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Preamp: McIntosh C1100T/C1100C, McIntosh MX180 Amp: McIntosh MC611 (2), MC601 (3), MI254 Digital: McIntosh D1100, McIntosh MCT450, Meridian 808v6, Aurender N20, Aurender ACS10, Oppo 203 Analog: McIntosh MT10, Hana Umami Red Phono preamp: Simaudio Moon 610LP, 820S Signal cables: WW Gold Eclipse 7 speaker cables; Shunyata Sigma v2 XLR (2); Sigma v1 XLR (2), Transparent Ref XL (MM2) XLR; WW Silver Eclipse 7 (4) Digital cables: Shunyata Omega USB, Omega Ethernet, Sigma Ethernet; WW Platinum 7 Coax, AES/EBU Switch: Innuos PhoenixNet Power: Audioquest Niagara 7000, Audioquest 5000, Audioquest Dragon, Hurricane PC, Shunyata Alpha HC, AQ NRG Edison outlets, (8) 20 amp dedicated lines, 125 amp subpanel Speakers: Wilson Sasha DAW, Dynaudio Contour 30, Dynaudio Contour 25C Subs: REL s/812 (6), REL s/510 (3) Accessories: HRS M3X2 shelf (MT10), Stillpoints Ultra II v2 w/ bases (21), Ultra SS (12), Mini (12), LPi v1 Sound treaments: Artnovion Last edited by j3brow; 12-23-2016 at 04:17 PM. |
#18
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All good points. I wonder how the MP1100 is going to compare? It will be a while before they hit the used market, and even then it will be considerably more than I paid for the Audia Flight.
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Turntable: VPI Prime Signature Cart: Benz Micro LP-S DAC: Lampizator Golden Atlantic Preamp: Mac C500T, Mac MX121 Amps: Mac MC75 * 2 60th Anniv., Mac MC205 Speakers: Dynaudio C1 Platinum, B&W 804S, Totems Headphone amp: Glenn 300B Headphones: LCD-4 |
#19
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I prefer my Audia Flight phono stage over my C1100 phono stage. Picture of both shown together. Sorry about the quality of the picture, I took it with my iPhone in low light. The two parts of the Audia Flight are shown at different heights since I have rollerblocks under the unit but since the power supply is thin I can't get anything under it that keeps it balanced.
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Paul Harbeth 40.3 XD, Sound Anchor stands w/ Stillpoints, Luxman M900 & C900, Aurender N20, Jay's Audio CDT3 - MK3 CD player, Mola Mola Tambaqui DAC, Shunyata Everest, Altaira |
#20
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I own the C52, and I just ordered my turntable and cartridge, and know that the C52 has a great stage in it, and probably don't plan on making major changes just yet.
I listened to the Audio Research PH9 yesterday vs just the C52 alone and the difference was night and day. The base was very clear and impactful, and the midrange clarity tightened up dramatically. Only issue I see is you will likely need a step up transformer as the gain on this is only 55 DB, particularly if you have a low output cart. However the electronics on this particular piece seem to be very well built.
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Magico M3 Mcintosh 601 monos Boulder 2110 Pre Nordost Odin 2 cabling Clearaudio Master Innovation with Goldfinger cartridge Esoteric E03 phono Esoteric D02X Esoteric P02X Aurender W20 HRS SXR-Signature 4V X 2 rack Incoming: Magico Q15 subs (2) |
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