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#1
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Preamp outputs - balanced vs unbalanced
i see that the balanced outputs of a preamp have higher voltage ratings than unbalanced. does this translate into loudness or better sound quality for the balanced outputs?
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#2
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Generally speaking, balanced outputs have higher gain (6db) and are quieter.
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System: ML:5206,5302 Serafino's Nordost Lumin U1 RM15 |
#3
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But beware, not all gear with balanced connections are actually fully balanced.
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2CH: W4S DAC-2, W4S STP-SE, W4S SX-500, Custom ScanSpeak/SEAS Towers, Hot Rodded Rega TT and Jolida JD9 Phono Pre, Asynch PC Transport, WireWorld Gold Eclipse 6 XLR HT: Marantz AV7005, W4S Mini MC-5, Custom Waveguide Towers, SVSPB12-Plus/2 |
#4
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Just the connectors alone are worth it IMO even if they sound the same. I liked the sound better going from the D100 to the 452. Sounded a bit more clear and dynamic. More ballsy as well.
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#5
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Just like anything in this crazy hobby the end results are in the implementation rather than the technology used. Some of the most respected brands are single ended only.
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#6
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-- I agree with Face just above; it has to be truly fully balanced (in & out), and from the amp, the preamp, and the source, to truly make a sound improvement.
Not all products are truly fully balanced. What they do mostly is to add a 6dB gain. But there is no guaranty of better Channel Separation (Crosstalk), THD+N, Signal-to-Noise Ratio, and Frequency Response over unbalanced RCA connections. For short runs, say less than two meters, unbalanced RCA connections are just fine. But XLR connections "can" give you a more solid connector. ..."Can" because we got excellent RCA locked connectors (plugs). Noise contamination, not in short runs; only for longer runs, like in a recording studio for example (30 feet or so). ...Then XLR is their prime goal. ...Professional applications, for immunity to noise in the microphones. Last edited by LordoftheRingsEE; 03-04-2013 at 06:54 PM. Reason: typo |
#7
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I frantically compared the two to conclude that there is no difference between the two (cable of 1 to 2m) but I'm keeping the xlr for the better connectors, they just feel more solid. |
#8
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antipop.......How can there be "no difference" and "better connectors" at the same time?
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Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A |
#9
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-- He's talking "difference" in sound quality. ...He heard no difference.
The connectors are different though; 'generally' a more solid connection with the XLR end connectors. |
#10
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Better connector in term of use and quality of fabrication. I don't need to worry if it's air tight or not. |
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