#21
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I do recall the Crimson cable thread as being a little on the "tough love" side of the equation. |
#22
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Last edited by PHC1; 10-24-2009 at 09:42 PM. |
#23
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I'll take some Nagra with my Ear's any day. But I eat green egg's and Lamm's, so quoth the Raven.
Shindo on this, and Koetsu to you, and a Mcintosh a day will make the doctor's go away, so quoth the Raven. Linn's and SME's may break my bank but Naims will never hurt me. So quoth the Raven. Real people playing real music, sounds might fine to me. says Sam I am. I've only heard Dynavector's on Rega's, one was a Rega P9, It had a great immediacy but, was lacking in the bass, could have been the recording, but it kicked the NAIM cd player they had to dust. I will say Lyra and Ear's play very well together, and I think would be worth a hearing. My dealer told me at one time the guy that runs Ayre uses a Lyra Skala. My dealer sells Lyra/EAR/Ayre/Transparent, and since PHC1 you have much of that the Lyra MIGHT be to your liking. just curious what do you guys think the weak link in your systems are? Mark
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Quad ESL-63 USA Monitors * Purist Audio Aqueous Anniversary Speaker Cable * MC275mkV * Homemade Silver Cable * Bottlehead Quickie* Red Dawn RCA* EAR 834P Deluxe * LP12/ Ittok VII & Lyra Skala * Last edited by markc2; 10-24-2009 at 11:02 PM. |
#24
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If going Clearaudio, their 9 gm effective mass (low mass) Satisfy arm should really be matched to the cartridges in the compliance range of about 13-18 and cartridge weight of 6-9gm according to my calculations. I think most of the Clearaudio cartridges fall into that range? I know the Maestro Wood sounds superb on the Satisfy arm, not sure what the lower compliance Dynavector XX-2 will bring since the resonant frequency will be a bit higher but it will be interesting to find out. I already know the Phantom II and XX-2 will fall into the optimal range of 10Hz.
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#25
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Curious to learn what you find out with the XX-2 on the Satisfy. I drool when I see the Phantom II.
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Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters. Preamp:VAC Statement (on order) (Silver Flake) Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver) Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's. Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974). Vibration Control:TT on HRS M3X2-1921 shelf. Speakers:Wilson Audio Alexia V (on order in Ferrari Argento Silver/Parchment grills sitting on Acoustic Diode Kit). Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock. Power Distribution:Ansuz Mainz D3 Distributor & Ansuz Mainz C2 1M Power Cable Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers. Speaker Cables:2M Nordost Odin 2 Supreme Reference on Nordost Sort Lifts. (on Order) Signal Cables:Nordost Odin XLR's on dCS DAC & Amps. Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC. Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital Ethernet Cable: WireWorld Platinum 1M Starlight® 8 Twinax Headphones:Vintage Koss Pro IV AA. RCM: Audio Desk PRO Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Power Amp & Preamp & Space Tech Labs ATT-3.02 tube test sets. |
#26
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The Phantom II is a seriously well designed arm and sounds great from what I've gathered. It's looks also border on "audio porn". Notice the new "micropoise" bubble level for setting the VTA level, very clever! Here is the picture of the new version of the Phantom II showing the micropoise bubble level. http://i3.photobucket.com/albums/y76/crystalref/012.jpg Last edited by PHC1; 10-26-2009 at 05:50 PM. |
#27
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Just sweet, Serge.
Wish McIntosh would have resurrected their 80's alliance with Graham this time around (but I know why they went the way they did). When things improve & I decide to upgrade the analog, the Phantom II will be my choice as well (unless they make a model III by that time, ha). For now, I'm completely satisfied (and that's a good thing).
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Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters. Preamp:VAC Statement (on order) (Silver Flake) Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver) Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's. Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974). Vibration Control:TT on HRS M3X2-1921 shelf. Speakers:Wilson Audio Alexia V (on order in Ferrari Argento Silver/Parchment grills sitting on Acoustic Diode Kit). Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock. Power Distribution:Ansuz Mainz D3 Distributor & Ansuz Mainz C2 1M Power Cable Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers. Speaker Cables:2M Nordost Odin 2 Supreme Reference on Nordost Sort Lifts. (on Order) Signal Cables:Nordost Odin XLR's on dCS DAC & Amps. Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC. Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital Ethernet Cable: WireWorld Platinum 1M Starlight® 8 Twinax Headphones:Vintage Koss Pro IV AA. RCM: Audio Desk PRO Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Power Amp & Preamp & Space Tech Labs ATT-3.02 tube test sets. |
#28
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Phantom II in real life.
Last edited by KMC45; 10-26-2010 at 02:19 PM. |
#29
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I knew someone on this forum had a Phantom II -- but couldn't think of who it was. Both you and Serge have made a fantastic choice, is all I can say.
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Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters. Preamp:VAC Statement (on order) (Silver Flake) Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver) Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's. Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974). Vibration Control:TT on HRS M3X2-1921 shelf. Speakers:Wilson Audio Alexia V (on order in Ferrari Argento Silver/Parchment grills sitting on Acoustic Diode Kit). Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock. Power Distribution:Ansuz Mainz D3 Distributor & Ansuz Mainz C2 1M Power Cable Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers. Speaker Cables:2M Nordost Odin 2 Supreme Reference on Nordost Sort Lifts. (on Order) Signal Cables:Nordost Odin XLR's on dCS DAC & Amps. Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC. Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital Ethernet Cable: WireWorld Platinum 1M Starlight® 8 Twinax Headphones:Vintage Koss Pro IV AA. RCM: Audio Desk PRO Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Power Amp & Preamp & Space Tech Labs ATT-3.02 tube test sets. |
#30
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Excellent! Graham can upgrade it for you to the latest spec if you want to do that by the way.
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