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  #221  
Old 05-21-2018, 10:03 PM
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MrG,

Thanks for the Monday smile.
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  #222  
Old 05-22-2018, 05:08 PM
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Quote:
Originally Posted by crwilli View Post
That’s funny and many of us can relate!
I'm one who can. I probably wouldn't have a C2300 if not for AA. Yes, it's an individual decision ultimately, but help going over the edge is always available here.
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  #223  
Old 06-11-2018, 08:01 PM
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TAS Review of the c52


http://www.theabsolutesound.com/arti...-preamplifier/
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  #224  
Old 06-12-2018, 12:25 PM
damacman damacman is offline
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Nice review - like I always say, McIntosh allows me to focus on the music.
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  #225  
Old 06-12-2018, 02:27 PM
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Kind of nice to see the McIntosh C52 preamplifier gracing the May/June cover of The Absolute Sound magazine.
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STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario
LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113
VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A
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  #226  
Old 06-12-2018, 03:16 PM
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I agree Dan.
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  #227  
Old 06-15-2018, 11:56 AM
bruno2009 bruno2009 is offline
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Default McIntosh C52 Preamplifier Review

... always thought the C52 could play MQA when addressed by my Auralic Aries Femto. Seems this is not so though (although it does display the correct signal - 88.2 kHz or 192 kHz f.e.). Can anyone clarify? And if not - is there an external DAC that clearly beats the integrated DAC and does MQA?
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  #228  
Old 12-31-2018, 04:03 PM
John Clark John Clark is offline
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JDandy, you're always, well informed, considered and measured thoughts on the C52, back in the beginning of this discussion, are, to me, a very significant and meaningful commentary on this unit. Especially as you are given to be a major fan, as I have long been, of the tube side of the world. Note your dearly appreciated C2300.

I am in a bit of an unusual position at the moment. A short time back, I was able to get an unbelievable deal on a DAC I have coveted thse past few years, the Lampizator Golden Gate. Unfortunately the preamp I have (which I absolutely loved prior to this) does not play well with the Golden Gate. When connected together, my system sound gets muddy, and the bass diminishes in a major way in both impact and solidity. When the Golden gate is connected dicrectly to my amp, and I use the optional volume control, this all clears up.

However, I am being told by the Golden gate guru's that the Golden Gate cannot reach it's optimal performance unless mated with a VERY good preamp. The problem is that my Manley Neo Classic 300B is simply too warm to work well with it. Of course, they are recommending many preamps they have found to work well with the GG, but they are all ridiculously expensive.

The Golden Gate has simply amazing clarity, detail, and depth, without even a hint of harshness or brightness. I only need a preamp that will pass on those strengths, while adding more of it's own, in addition to just a bit of fluidity and warmth. Do you feel that the C52 would likely provide that? My concern is that the C2300-C2500 would be a bit too much in that direction.

Also, in your opinion, as I would not be using the C52 as a DAC, obviously, or make use of its phono section, or headphone amp, does it, solely as a preamplifier, remain a good buy, and top performer as simply a preamp?

I would love to add a McIntosh piece to what has essentially become, my long time, retirement system. Thanks for any help. Anyone's perspective is appreciated on this. Thanks.

JC
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  #229  
Old 01-01-2019, 04:06 AM
Charles Charles is offline
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Quote:
Originally Posted by John Clark View Post
JDandy, you're always, well informed, considered and measured thoughts on the C52, back in the beginning of this discussion, are, to me, a very significant and meaningful commentary on this unit. Especially as you are given to be a major fan, as I have long been, of the tube side of the world. Note your dearly appreciated C2300.

I am in a bit of an unusual position at the moment. A short time back, I was able to get an unbelievable deal on a DAC I have coveted thse past few years, the Lampizator Golden Gate. Unfortunately the preamp I have (which I absolutely loved prior to this) does not play well with the Golden Gate. When connected together, my system sound gets muddy, and the bass diminishes in a major way in both impact and solidity. When the Golden gate is connected dicrectly to my amp, and I use the optional volume control, this all clears up.

However, I am being told by the Golden gate guru's that the Golden Gate cannot reach it's optimal performance unless mated with a VERY good preamp. The problem is that my Manley Neo Classic 300B is simply too warm to work well with it. Of course, they are recommending many preamps they have found to work well with the GG, but they are all ridiculously expensive.

The Golden Gate has simply amazing clarity, detail, and depth, without even a hint of harshness or brightness. I only need a preamp that will pass on those strengths, while adding more of it's own, in addition to just a bit of fluidity and warmth. Do you feel that the C52 would likely provide that? My concern is that the C2300-C2500 would be a bit too much in that direction.

Also, in your opinion, as I would not be using the C52 as a DAC, obviously, or make use of its phono section, or headphone amp, does it, solely as a preamplifier, remain a good buy, and top performer as simply a preamp?

I would love to add a McIntosh piece to what has essentially become, my long time, retirement system. Thanks for any help. Anyone's perspective is appreciated on this. Thanks.

JC
John, I'm obviously not Dan and don't possess his knowledge or expertise by a pretty good bit but I'd say you might like the C52. I don't think you give up much in the way of the Mac sound with addition of the phono section or DAC, etc. And with the C52 you have excellent backups already built in if your main equipment goes down which I think to be quite important.

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  #230  
Old 01-01-2019, 03:56 PM
xv21 xv21 is offline
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Quote:
Originally Posted by John Clark View Post
However, I am being told by the Golden gate guru's that the Golden Gate cannot reach it's optimal performance unless mated with a VERY good preamp. The problem is that my Manley Neo Classic 300B is simply too warm to work well with it. Of course, they are recommending many preamps they have found to work well with the GG, but they are all ridiculously expensive.

The Golden Gate has simply amazing clarity, detail, and depth, without even a hint of harshness or brightness. I only need a preamp that will pass on those strengths, while adding more of it's own, in addition to just a bit of fluidity and warmth. Do you feel that the C52 would likely provide that? My concern is that the C2300-C2500 would be a bit too much in that direction.

Also, in your opinion, as I would not be using the C52 as a DAC, obviously, or make use of its phono section, or headphone amp, does it, solely as a preamplifier, remain a good buy, and top performer as simply a preamp?
Accuphase C-3850 might be the best option, but it is really expensive.

McIntosh C52 sounds a little bit brighter than C2600. Maybe LampizatOr Golden Gate sounds too warm with McIntosh C2600. If you want to add a little bit warmth to sound, then C52 might not be best option. Maybe McIntosh C1100 is, what you are looking for?
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