AudioAficionado.org  

Go Back   AudioAficionado.org > Manufacturers Forums > Audio Research

Audio Research State of the Art Audio Reproduction

Reply
 
Thread Tools Display Modes
  #1  
Old 09-26-2012, 05:03 AM
Robert_Anderson's Avatar
Robert_Anderson Robert_Anderson is offline
Senior Member


 
Join Date: Nov 2010
Location: Poland
Posts: 3,499
Default Audio Research Rant

I have been buying exotic gear since I was 12 years old, and over the years, one brand has kept me coming back and set the bar; Audio Research. I love their gear, and currently own some. I think it’s great the Reference 10 is coming out, but I am disappointed with their seemingly aggressive marketing. The Reference 1 and 2 preamps allowed for upgrades. When I buy a product of “Reference” caliber, I don’t think it’s too much to expect to own it for up to say, five years, and have available upgrades to stay on the cutting edge. I don’t think it is too much to ask for engineering architecture with upgrades in mind. Surely, a company of ARC’s caliber can engineer such products without rendering the older ones out-dated after 18 to 24 months. Just my two cents about a company I love………………
__________________
Poland:
Silenzio, Simaudio, Luxman, Bricasti, Bryston, Shunyata, Stax, Meze, Linn, Audeze, and Dan Clark Headphones, Stax, Wireworld, Crystal, Nordost, Siltech.

Home Main System:
Magnepan 20.7, Pass Labs XA 100.5, Audio Research Reference 6, Esoteric P-03, D-03, G0-Rb, DV-60, Clearaudio Innovation & Tangent arm, VPI HW19 MK4 & ET 2.5 arm, Mark Levinson 37, Aesthetix Rhea Signature, Magnum Dynalab Etude, Kiseki PHS, Sumiko Palos Santos Presentation,Wireworld, Crystal Absolute Dream, Shunyata, Acoustic Zen, and Stealth cables

Other
Avalon Arcus, Snell Type AIII, Tympani IV, Green Mountain Europa, Martin Logan CLS, Tympani 1D, Counterpoint, GAS, Yamaha, Levinson, Perreaux, Proceed, Theta, Linn, and other collectibles, including 60 different headphones and 30+ headphone amps, over 60 cartridges, and too many cables, stands, and tweaks to list.
Reply With Quote
  #2  
Old 09-26-2012, 05:48 AM
Myles B. Astor's Avatar
Myles B. Astor Myles B. Astor is offline
Member
 
Join Date: Nov 2011
Location: New York City
Posts: 1,316
Default

I think that complaint has been levelled against ARC since their beginning.

You can look at the situation though in several ways. Many companies business model, take Linn for instance, is to allow for retrofittable updates to their basic model. Being able to update your gear tends to build customer loyalty and from a business model, ongoing business. Good and bad though as sometimes it seems like updates are really bandaids and the product is in need of a major overhaul.

Others such as ARC obviously seem to be constantly tinkering with the circuit and as they find something better, release it as a new update. OTOH, would you rather wait three or five years for all the updates to be released as a single unit?

As far as new products, I think one needs to look at the market and where the unit fits in. I think companies more and more are trying to get away from just building uber priced gear and trying to make (remember these are essentially handbuilt products) products that deliver more of a bang for the buck--and have several in house now
__________________
Myles Astor, Senior Editor., Positive-Feedback.com, Goldmund Telos 300 amplifier, Goldmund Mimesis 37S Nextgen preamplifier, Doshi EVO phono and tape stages; Zellaton Plural EVO speakers; VPI Vanquish Turntable, VPI 12-inch Fat Boy gimbal arm and SAT LM-12 arm; Lyra Atlas SL Lambda, Fuuga mk.2, vdh Colibri Master Signature cartridges; Technics 1506/FM heads; Various cables including TA, MIT, Kubala-Sosna, Skogrand, Viero L3 Equilibrio speaker cables, Audience, SRA Craz 3 rack, Isobase and OHIO Class XL+2.1 platforms.
Reply With Quote
  #3  
Old 09-26-2012, 06:07 AM
Robert_Anderson's Avatar
Robert_Anderson Robert_Anderson is offline
Senior Member


 
Join Date: Nov 2010
Location: Poland
Posts: 3,499
Default

Good point, Myles. I suppose it doesn't matter - I am going to keep coming back as long as my wallet will handle the burden............
__________________
Poland:
Silenzio, Simaudio, Luxman, Bricasti, Bryston, Shunyata, Stax, Meze, Linn, Audeze, and Dan Clark Headphones, Stax, Wireworld, Crystal, Nordost, Siltech.

Home Main System:
Magnepan 20.7, Pass Labs XA 100.5, Audio Research Reference 6, Esoteric P-03, D-03, G0-Rb, DV-60, Clearaudio Innovation & Tangent arm, VPI HW19 MK4 & ET 2.5 arm, Mark Levinson 37, Aesthetix Rhea Signature, Magnum Dynalab Etude, Kiseki PHS, Sumiko Palos Santos Presentation,Wireworld, Crystal Absolute Dream, Shunyata, Acoustic Zen, and Stealth cables

Other
Avalon Arcus, Snell Type AIII, Tympani IV, Green Mountain Europa, Martin Logan CLS, Tympani 1D, Counterpoint, GAS, Yamaha, Levinson, Perreaux, Proceed, Theta, Linn, and other collectibles, including 60 different headphones and 30+ headphone amps, over 60 cartridges, and too many cables, stands, and tweaks to list.
Reply With Quote
  #4  
Old 09-26-2012, 07:23 AM
Myles B. Astor's Avatar
Myles B. Astor Myles B. Astor is offline
Member
 
Join Date: Nov 2011
Location: New York City
Posts: 1,316
Default

And of course since ARC always uses the same faceplate, the wife doesn't realize you bought another piece of audio gear (Yeah like they don't notice that money missing from the bank account!)
__________________
Myles Astor, Senior Editor., Positive-Feedback.com, Goldmund Telos 300 amplifier, Goldmund Mimesis 37S Nextgen preamplifier, Doshi EVO phono and tape stages; Zellaton Plural EVO speakers; VPI Vanquish Turntable, VPI 12-inch Fat Boy gimbal arm and SAT LM-12 arm; Lyra Atlas SL Lambda, Fuuga mk.2, vdh Colibri Master Signature cartridges; Technics 1506/FM heads; Various cables including TA, MIT, Kubala-Sosna, Skogrand, Viero L3 Equilibrio speaker cables, Audience, SRA Craz 3 rack, Isobase and OHIO Class XL+2.1 platforms.
Reply With Quote
  #5  
Old 09-26-2012, 07:31 AM
joeinid joeinid is offline
Guest
 
Join Date: Mar 2010
Posts: 8,386
Default

Quote:
Originally Posted by Myles B. Astor View Post
And of course since ARC always uses the same faceplate, the wife doesn't realize you bought another piece of audio gear (Yeah like they don't notice that money missing from the bank account!)
Since when are they allowed to access the bank account
Reply With Quote
  #6  
Old 09-26-2012, 07:42 AM
Robert_Anderson's Avatar
Robert_Anderson Robert_Anderson is offline
Senior Member


 
Join Date: Nov 2010
Location: Poland
Posts: 3,499
Default

Quote:
Originally Posted by joeinid View Post
Since when are they allowed to access the bank account
It's not required?
__________________
Poland:
Silenzio, Simaudio, Luxman, Bricasti, Bryston, Shunyata, Stax, Meze, Linn, Audeze, and Dan Clark Headphones, Stax, Wireworld, Crystal, Nordost, Siltech.

Home Main System:
Magnepan 20.7, Pass Labs XA 100.5, Audio Research Reference 6, Esoteric P-03, D-03, G0-Rb, DV-60, Clearaudio Innovation & Tangent arm, VPI HW19 MK4 & ET 2.5 arm, Mark Levinson 37, Aesthetix Rhea Signature, Magnum Dynalab Etude, Kiseki PHS, Sumiko Palos Santos Presentation,Wireworld, Crystal Absolute Dream, Shunyata, Acoustic Zen, and Stealth cables

Other
Avalon Arcus, Snell Type AIII, Tympani IV, Green Mountain Europa, Martin Logan CLS, Tympani 1D, Counterpoint, GAS, Yamaha, Levinson, Perreaux, Proceed, Theta, Linn, and other collectibles, including 60 different headphones and 30+ headphone amps, over 60 cartridges, and too many cables, stands, and tweaks to list.
Reply With Quote
  #7  
Old 09-26-2012, 07:52 AM
Myles B. Astor's Avatar
Myles B. Astor Myles B. Astor is offline
Member
 
Join Date: Nov 2011
Location: New York City
Posts: 1,316
Default

Or recommended
__________________
Myles Astor, Senior Editor., Positive-Feedback.com, Goldmund Telos 300 amplifier, Goldmund Mimesis 37S Nextgen preamplifier, Doshi EVO phono and tape stages; Zellaton Plural EVO speakers; VPI Vanquish Turntable, VPI 12-inch Fat Boy gimbal arm and SAT LM-12 arm; Lyra Atlas SL Lambda, Fuuga mk.2, vdh Colibri Master Signature cartridges; Technics 1506/FM heads; Various cables including TA, MIT, Kubala-Sosna, Skogrand, Viero L3 Equilibrio speaker cables, Audience, SRA Craz 3 rack, Isobase and OHIO Class XL+2.1 platforms.
Reply With Quote
  #8  
Old 09-26-2012, 09:35 AM
jdandy's Avatar
jdandy jdandy is offline
Merry Christmas to all



 
Join Date: Apr 2009
Location: North Central Florida
Posts: 53,224
Default

No wife, no worries!
__________________
Dan



STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario
LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113
VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A
Reply With Quote
  #9  
Old 09-26-2012, 11:36 AM
vintage_tube's Avatar
vintage_tube vintage_tube is online now
Just Pure Lucky



 
Join Date: Apr 2009
Location: East Coast
Posts: 8,834
Default

Understand your frustration and dedication with a well known company, etc.

Question -- now that ARC is under the Fine Sounds Spa ownership, have you ever entertained the thought of speaking to Fs or in the past with ARC to make your disappointment(s) known, especially from someone with the loyality you portrey?

Best

Bob
__________________
Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters.
Preamp:VAC Statement (on order) (Silver Flake)
Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver)
Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's.
Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974).
Vibration Control:TT on HRS M3X2-1921 shelf.
Speakers:Wilson Audio Alexia V (on order in Ferrari Argento Silver/Parchment grills sitting on Acoustic Diode Kit).
Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock.
Power Distribution:Ansuz Mainz D3 Distributor & Ansuz Mainz C2 1M Power Cable
Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers.
Speaker Cables:2M Nordost Odin 2 Supreme Reference on Nordost Sort Lifts.
Signal Cables:Nordost Odin XLR's on dCS DAC & Amps.
Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC.
Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital
Ethernet Cable: WireWorld Platinum 1M Starlight® 8 Twinax
Headphones:Vintage Koss Pro IV AA.
RCM: Audio Desk PRO
Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Power Amp & Preamp & Space Tech Labs ATT-3.02 tube test sets.
Reply With Quote
  #10  
Old 09-26-2012, 01:30 PM
djcxxx djcxxx is offline
Senior Member
 
Join Date: Jan 2012
Location: Florida
Posts: 216
Default

I look at this very differently. If the particular component I have purchased is to my liking and serves me reliably then those that inevitably supercede it are irrelevant until such time that I have either become dissatisfied (for whatever reason) or I believe that the technology has significantly improved in the interim to justify a new purchase. I typically own my ARC gear for 8-10years on average. The flip side of this is that I have not discerned that immediate sucessors in a given series represent the monumental improvements that are often claimed by ARC, the audio press, and owners. I owned an SP6 from 1977 to 1998. I replaced it with an LS16 which was frankly a disappointment, and then a Ref3 which I believe represents one of ARCs best fundamental circuit designs which the current Ref series has built upon.
__________________
Wilson Alexia V; ARC Ref 6SE; ARC Ref Phono 3SE; Boulder 1160; Esoteric K1X; Artisan Fidelity Garrard 301 Statement; Ikeda 407; Koetsu Leopard, Coralstone; Shunyata Denali 6000T; Shunyata AC cables; Siltech Prince speaker cables; Siltech Princess interconnects, Avondale II phono.
Reply With Quote
Reply


Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is Off

Forum Jump

Audioaficionado.org tested by Norton Internet Security

All times are GMT -4. The time now is 11:00 PM.



Powered by vBulletin® Version 3.8.10
Copyright ©2000 - 2024, vBulletin Solutions, Inc.
©Copyright 2009-2023 AudioAficionado.org.Privately owned, All Rights Reserved.
Audio Aficionado Sponsors
AudioAficionado Subscriber
AudioAficionado Subscriber
Inspire By Dennis Had
Inspire By Dennis Had
Harmonic Resolution Systems
Harmonic Resolution Systems
Wyred4Sound
Wyred4Sound
Dragonfire Acoustics
Dragonfire Acoustics
GIK Acoustics
GIK Acoustics
Esoteric
Esoteric
AC Infinity
AC Infinity
JL Audio
JL Audio
Add Powr
Add Powr
Accuphase - Soulution
Accuphase - Soulution
Audio by E
Audio by E
Canton
Canton
Bryston
Bryston
WireWorld Cables
WireWorld Cables
Stillpoints
Stillpoints
Bricasti Design
Bricasti Design
Furutech
Furutech
Shunyata Research
Shunyata Research
Legend Audio & Video
Legend Audio & Video