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McIntosh Audio A Tradition of Excellence |
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#21
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Excellent summary Tom.
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#22
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Best Sir, Bob
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Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters. Preamp:VAC Master Preamplifier (Silver Flake) Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver) Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's. Analogue Sources:SME 20/2 w/SME V arm & Nordost Valhalla TA cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974). Vibration Control:TT on HRS M3X2-1921 shelf. Speakers:Wilson Audio Alexia in Argento Silver/Black grills sitting on Acoustic Diode Kit. Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock. Power Distribution Bar:Shunyata Everest 8000 w/Omega XC Power Cable. Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers. Speaker Cables:3M Nordost Odin Supreme Reference on Nordost Sort Lifts. Signal Cables:Nordost Odin XLR's on dCS DAC & Amps. Digital Cables: Nordost Odin 2's, 110 ohm AES/EBU on dCS Transport to DAC. Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital Ethernet Cable: WireWorld Platinum 1M Starlight® 8 Twinax Headphones:Vintage Koss Pro IV AA. RCM: Audio Desk PRO Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Preamp & Space Tech Labs ATT-3.02 tube test sets. |
#23
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I think crwilli was quoting used prices for the pair of MC275's too.
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McIntosh MC462, C22 IV, and MR7084; Simaudio Moon 300D V2 DAC; Technics SL1200G, Mac Mini Server; Sonus Faber Grand Piano Home; and Wireworld Cables. |
#24
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Yes I was and have edited my post to be clearer.
The list price of one MC275VI is $5,500. A pair of MC2301s is $24,000.
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Main Equipment: Kharma Elegance dB11-S, JL Audio F113v2 X 2, Block Audio Line & Mono SE Amplification, Bricasti M21 DAC, Antipodes Kala K-50 Server Power: Shunyata Everest 8000, Sigma XC v2, Sigma NR v2, Block Audio PCs, Defender, ADDPowr Wizard Grounding: Shunyata Altaira CGS - 4 X Alpha CGS cables, Network : Supra Cat 8+, Twin (Nenon) Modified Buffalo GS2016 Switches, Keces P3 LPSU, Cables: Wireworld Platinum 8 USB, Wireworld Platinum Eclipse 8 Speaker cables, 6M & 1M Tubulus Concentus ICs, Other: Multiple GIK products, Stillpoint Apertures, Stillpoint Minis and Ultra SS, Three 20 Amp lines, Furutech GTX - Gold outlets, Adona Rack |
#25
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I have a fairly good sized room so I auditioned the above with SF's Lilium and Wilson Audio's Alexx and Alexia I & II. I preferred the way the 1.2kw's commanded the speakers over the other two choices.
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Regards, Terry |
#26
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Quote:
B |
#27
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I appreciated the help Brian.
From someone who had mono MC275's, there is no like-for-like comparison between them & a pair of MC2301's. Period. They are completely two different tube amps of course -- it's just the bigger amp 'out smacks' the other. Everyone I know who has gone from mono MC275's to MC2301's basically says the same thing in so many words. Getting back on topic, both though work extremely well with the C1100. Marvelous really. Best Sir, Bob
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Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters. Preamp:VAC Master Preamplifier (Silver Flake) Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver) Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's. Analogue Sources:SME 20/2 w/SME V arm & Nordost Valhalla TA cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974). Vibration Control:TT on HRS M3X2-1921 shelf. Speakers:Wilson Audio Alexia in Argento Silver/Black grills sitting on Acoustic Diode Kit. Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock. Power Distribution Bar:Shunyata Everest 8000 w/Omega XC Power Cable. Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers. Speaker Cables:3M Nordost Odin Supreme Reference on Nordost Sort Lifts. Signal Cables:Nordost Odin XLR's on dCS DAC & Amps. Digital Cables: Nordost Odin 2's, 110 ohm AES/EBU on dCS Transport to DAC. Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital Ethernet Cable: WireWorld Platinum 1M Starlight® 8 Twinax Headphones:Vintage Koss Pro IV AA. RCM: Audio Desk PRO Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Preamp & Space Tech Labs ATT-3.02 tube test sets. Last edited by vintage_tube; 01-09-2018 at 02:21 PM. |
#28
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Quote:
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Main System: Amati Futura Mains Amati Homage VOX Center, Proac Response 1sc Rears, Three MC2301's for L,C,R MC 602 for the rears C 1100, MX 151, MCD 1100, MR 80 Nottingham Dais with Wave Mechanic Sumiko Palo Santos Presentation SurfacePro 3, RPi 4, ROON, WW Starlight Platinum USB, Schiit Yggdrasil, Benchmark DAC3 HGC MX 151, OppO BDP-95, JVC RS-500 DILA projector, 106" diagonal Stewart Luxus Screenwall Deluxe with Studiotek 130 G3 material. Lake House: Ohm F, MC 275V, C2300, MR 77, Rega P3 OnDeck: McIntosh MAC 4300v |
#29
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I am bi amping 601s (woofer) and 2301s (mids, tweeters) from my C1100. I have rolled all tubes (MP1100, C1100, and 2301s) to Gold Lions. Once the tubes get good and warmed up, it’s like you could just get up and walk around the room and stand next to the musicians while they’re playing. It is the cleanest, most open sound I have ever heard. No kidding, I could make a commercial for this combination. Get the 601s and the 2301s both. I have recently traded in the JBL 1400/1500s for some B&W 800 D3s and a set of JL Audio Gothums. The JBLs were no slouch, but these B&W/Gotham’s are almost sexual.
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