#51
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I'm just checking back in with some further observations about my experience with the MP1100. I've had mine up and running for about four months now. I wrote a review of sorts when I first installed it. Now we're getting some miles on it.
What I have observed is that it continues to improve with time. I had been following the Audio Research threads here at AA and noted very long break-in periods for their products. I had never really considered that McIntosh was that needful of prolonged break-in periods. This MP1100 has me thinking otherwise. It sounds much more tube-esque than when I first installed it, when I thought its sonic leanings were more characteristic of solid state equipment. The other observation is that I find if I let it warm up for what I consider an extensive period -- maybe 45 minutes to an hour -- before I drop the needle on a piece of vinyl, it is much, much improved. So it benefits from a prolonged break-in period, measured over months rather than days. And it benefits from a prolonged warm-up period before being put in to service. Such are my thoughts. I'd love to hear from other owners whether this matches their experience. Last edited by MisterBritt; 09-28-2017 at 09:41 AM. |
#52
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Does the McIntosh MP1100 have enough gain for a low-output phono cartridge like Benz-Micro LP S?
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#53
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Quote:
http://www.6moons.com/audioreviews/benz/2.html |
#54
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Quote:
George |
#55
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#56
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I checked the ohm selection. If this doesn't answer your question let us know. I'm not the most tech savvy guy. The ohm preset options are 25, 50, 100, 200, 400, 1K and 47K.
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#57
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This MP1100 has my interest...especially in regards to the excellent C1100.
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#58
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Hi Brit...tks for the great right ups on the MP1100, you helped convince me to make the purchase, I’m actually going to pick mine up tomorrow afternoon. Currently just using the phono in my C2600 which is good...but, I’m just looking for a bit more.
Prior to the C2600 I was running a AR set-up which I thought was a bit too sterile. Tried the Octave Audio HP500SE for a few months but the non adjustable gain was a bit too much. My favorite so far has been the Aesthetix Rea Signature. Loved the sound but just couldn’t keep noise down. Jim White was awesome trying to get the unit to work but finally had the option to get out of the unit so I jumped on it. Hopefully after a bit of break-in and possibly some tube rolling I can get as good or better than the Rhea without the noise issues. |
#59
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Quote:
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#60
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MP1100 C2600 combo
I love my MP1100 with my C2600 combo.
The built in phono stage on the C2600 is great but the MP1100 is superb plus allows me to have my two tone arm turntable connected with MC cartridges on both. (BTW it has three inputs). As far as gain is concerned this unit has plenty. I have it on lowest gain with my Lyra Kleos and Medium with my Koetsu Black Goldline. Highest gain 62db (it may be 64db) going by memory here, may be good enough for some of the super low output ZYX or similar. If the output is .4mv your lowest MC gain setup should suffice. The features on this unit takes it a step above anything else available. Sound quality has been well reviewed and explained by some experts and I concur with the rave reviews. To top it all the looks are 10+ on the WAF.
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Luis D. Paret Keller, TX USA Mcintosh MX-151, C2600, MP1100, MC452 and MC205. SALK Streamer III Galibier Stelvio II turntable with Durand Kairos w/ Lyra Kleos and Abis 1.2 w/ Koetsu Black tonearms, Salk Song3 A fronts, Song 3 CC, Vapor Breeze Rears and 2 15" Rhythmic Subs Epson Projector |
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