|
JL Audio Ahead of the Curve |
View Poll Results: Which setup | |||
2+1 F112 | 2 | 6.67% | |
2 F113 | 21 | 70.00% | |
2 F212 | 7 | 23.33% | |
Voters: 30. You may not vote on this poll |
|
Thread Tools | Display Modes |
#1
|
||||
|
||||
JL Fathom Options, Help me choose
I have definitively settled on JL Audio subs. What I can't decide on is which model. My room is 28x22x10 with the screen on the wide wall. The room is open to a 14ft tall stairwell with a half height wall at the the top of the staircase. I will add bass treatments as necessary in the future and of course sound anchor sub stands Ivan.
My front mains are SF Liuto if that helps your thoughts any. The setup is for 50/50 2 channel (jazz, classic rock, a little classical) and HT. I am considering a pair of F112 in front and possibly a 3rd in the back down the road for HT only if the 2 aren't enough. The other options are either a pair of F113 or F212 - these 2 options would be one now and one later due to cost. I'm not a bass nut but I do love to feel the impact of the material being played. What are your thoughts and can anyone tell me where I can demo any of these models in Houston, tx? |
#2
|
|||
|
|||
Two F113's is ample if you're not planning on dislodging the frame of your home from the foundation. JL subs are incredible. I have the baby F110's. Still scratching my head at how musical they are. My seaton submersives are fine for HT, but I would never have them see any serious two channel work. The JL's are so versatile.
|
#3
|
||||
|
||||
F212 for 2 of these I think they are like a small Goth, bass is even faster and tighter INOP than the 213, but the 213 is great too.
|
#4
|
|||
|
|||
Quote:
back to reality, a pair of F113s is really the sane limit.. and just a guess 3,000 cu ft plus or minus.. Three F112s is an accurate assessment, in my un professional opinion, for you room. :-) Sent from my iPhone using A.Aficionado |
#5
|
||||
|
||||
Quote:
|
#6
|
||||
|
||||
I replaced my 1 F112, with 2 F113's on stands. I was not looking for a lot of bass but I do like to feel the bass even at low volumes and my room is not as large at yours. I use it mostly for stereo. I moved the f112 to the HT system in the man cave.
__________________
Paul Harbeth 40.3 XD, Sound Anchor stands w/ Stillpoints, Luxman M900 & C900, Aurender N20, Jay's Audio CDT3 - MK3 CD player, Mola Mola Tambaqui DAC, Shunyata Everest, Altaira |
#7
|
|||
|
|||
Quote:
Here is one of my JL 113 Sent from my iPad using A.Aficionado Last edited by o0OBillO0o; 11-03-2012 at 04:46 PM. |
#8
|
||||
|
||||
I had two Fathom F113's doing LFE duty for HT in a 24 x 16 room and they were just loafing along at barely 9:00 on the gain dial. The room is heavily bass trapped. A Gotham or a F212 would be massive overkill in my room.
I just converted to using the two F113's in a stereo sub format for two channel. They are very musical, but now I am missing the LFE channel in HT, so I am going to add a third F113. I do not know how the F112 compares to the F113 for "musicality." |
#9
|
|||
|
|||
Defiantly the 2 F113's
|
#10
|
||||
|
||||
Take 2 F113's and call me in the morning.
__________________
Ivan FLORIDA MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES CAPE COD MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES |
|
|
Audio Aficionado Sponsors | |