#341
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Hey Guys
Please give me a few of the best articles to read on Bass traps, room treatments etc. I am visual so if there is a video to watch thats even better. Thanks |
#342
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Take a look at GIK Acoustics.
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Indeed, if facts were available, then faith is not required, so in a sense, faith can be based on the absence of evidence-a fiction. |
#343
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Bill - here is the ones I use: http://www.atsacoustics.com/
They have a free room calculator to get your started. I like their Art Acoustic Panels. |
#344
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Thanks KMC45 and Mike; I thought I would educate myself about the science of treatment. The only concept I understand right now is that of "standing waves". I have a lot to learn but I did not want to "google" just any old site. Thought I would ask the experts.
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#345
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Converting Speaker Boxes to Bass Traps
But seriously I am curious how people store their speaker boxes. The Elipsas boxes are huge. I have been told that they can not be broken down because they will never have the same integrity when rebuilt. So where do you store your boxes?
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#346
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Quote:
If you do not have room, suggest maybe looking into a small storage facility -- maybe you could make wide use of the rental by adding some other stuff that is lying around. That is good advise on the the Elipsa boxes -- having just boxed up the Strads, the boxes would lose their integrity if you broken them down to a 'flat' state. Happy Holidays Folks, Bob
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Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters. Preamp:VAC Statement (on order) (Silver Flake) Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver) Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's. Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974). Vibration Control:TT on HRS M3X2-1921 shelf. Speakers:Wilson Audio Alexia V (on order in Ferrari Argento Silver/Parchment grills sitting on Acoustic Diode Kit). Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock. Power Distribution:Ansuz Mainz D3 Distributor & Ansuz Mainz C2 1M Power Cable Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers. Speaker Cables:2M Nordost Odin 2 Supreme Reference on Nordost Sort Lifts. Signal Cables:Nordost Odin XLR's on dCS DAC & Amps. Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC. Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital Ethernet Cable: WireWorld Platinum 1M Starlight® 8 Twinax Headphones:Vintage Koss Pro IV AA. RCM: Audio Desk PRO Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Power Amp & Preamp & Space Tech Labs ATT-3.02 tube test sets. |
#347
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I rent a storage unit. I have all my boxes in there, the Christmas stuff and all sorts of crap my wife refuses to sell or give away. Bill, don't you need a storage unit for all your work stuff (nudge, nudge, wink, wink)?
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#348
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I have a couple of academic questions for the experts. If one has speakers with 91 db sensitivity and one is listening from 3 meters away and you like average listening levels of 85 db what is the minimal level of power an amp must have to hit 100 db such as a cannon shot in the 1812 overture? Also if the cannon sound is at 8hz how does a speaker that only goes down to 30 reproduce that sound?
Last edited by william13; 12-29-2012 at 11:27 PM. Reason: spell |
#349
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I don't know the answer to the first question, but the answer to the second is that the speakers will NOT go down to 8 H. But they may distort like crazy trying to do so. Be careful trying to hit 100 dB output from something that low from a speaker that cannot do it and an amp that is not strong enough - you may clip the amps and thereby damage the speakers.
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#350
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exactly
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Amplifier Power Required Calculator I learned that the 275s mono'd even with the Elipsa SE could not meet these demands. Thats fine with me because 98% of the music I like would never be this taxing. But I am beginning to get insight into why many like "the power". Another big question I have is about "loudness" I have trouble with sustained listening over 85db. I read that if there is distortion the music sounds louder. So I am wondering if my intolerance to loudness is really my reaction to distortion. But I do not hear any sounds I feel are unnatural. The question is "is distortion always evident or can it be subliminal?" |
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