#231
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Stereo: Hegel H590, Grimm Audio MU1, Mola Mola Tambaqui, Burmester 948 - V3 & V6 racks, Vivid Audio G2 Giyas, REL Carbon Special (pair), Silent Angel Bonn N8 Ethernet Switch & Forester F1, Wireworld Platinum Eclipse IC and SE SC, Furutech Digiflux AV: Hegel C-53, Marantz AV8802A, Oppo BDP-203EU, Pioneer Kuro 60", Vivid Audio C1 & V1w's, Wireworld Platinum Eclipse, SE & E Second system (veranda): Halgorythme preamp and monoblocks, Burmester 061, Avalon Avatar, Sharkwire & Wireworld cables |
#232
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I am new here .
I was about to pull trigger for Classe SSP 800 and I happend to read about SP3. Since I have gone through this thread where people like Kal and James Tanner are commenting on SP3 and am inclining toward Bryston Sp3. My only concern is EQ issue with Bryston. I am also new to HiFi audio thing not much experience . Can any one advise how big is this EQ issue (not having that option on SP3. I have recently built a room (hometheatre) as my system did not sound good at all and some one suggested my room is a problem. Mohammad |
#233
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jamshed/Mohammad, welcome!
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#234
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Thanks for welcome
I feel great to be able to interact with such a great group. Sent from my iPhone using A.Aficionado |
#235
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jamshed... Welcome!
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Ivan FLORIDA MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES CAPE COD MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES |
#236
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I am currently auditioning an SP3 in my home. What is the difference between HDMI OUT downmix vs loop through in the HDMI Setting in the source setup in the Other. Also What is the PCM ZR setting?
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#237
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Has anyone been able to compare the SP3 to the Krell S1200?
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Amps: McIntosh MC611’s Preamp/Processor: MX150 Sources: Esoteric K-01X, OPPO BDP95, Speakers: Canton Ref K3 |
#238
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Downmix is the stereo mix of a multichannel digital input if one is used. The ZR (zero run) settings allows you to set (per source) the delay in how fast the SP-3 looks for a change in bitstream. Hope you are enjoying the sound james |
#239
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A2k, please do let us all know your opinion of the SP3 once you are finished with your audition. You seem to have gone through many top shelf prepros recently (Cary C12, Classe SSP800, etc), so you are in a unique position to provide very relevant comparisons that would be helpful to us all.
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Amps: McIntosh MC611’s Preamp/Processor: MX150 Sources: Esoteric K-01X, OPPO BDP95, Speakers: Canton Ref K3 |
#240
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Only you can really answer these questions, but if your room was built to a spec and includes or can include necessary and significant room treatment, perhaps #1 is not an important consideration. However, as good as your room is, you may still want to re-adjust your room treatment to accomodate the specific frequency anomalies of the speakers you choose. If you cannot, EQ may just add that last bit of fine adjustment. If you simply built a dedicated room and the acoustics suck and you cant add any physical treatments to the room, then a prepro with a robust EQ might very well be a better answer. Having said that, I've had numerous web discussions with Kal at Sterophile over this, and he believes that, even within his moderately treated room, the SP3 sounds better than any other prepro he's auditioned in recent memory (Kal, I hope I'm stating that correctly). Hope that helps a little bit.
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Amps: McIntosh MC611’s Preamp/Processor: MX150 Sources: Esoteric K-01X, OPPO BDP95, Speakers: Canton Ref K3 Last edited by jeffkrag; 09-08-2012 at 05:09 PM. Reason: spelling |
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