AudioAficionado.org  

Go Back   AudioAficionado.org > Audio & Video > Cables Galore

Cables Galore Speaker cables, Interconnects & Power cords

Reply
 
Thread Tools Display Modes
  #11  
Old 07-13-2019, 11:26 AM
damacman damacman is offline
Blown & Injected
 
Join Date: Jun 2015
Location: Gilbert, AZ
Posts: 794
Default

Science is no friend of audio as it governs all aspects of our hobby. A signal between two points can certainly be different and the difference with respect to the original is distortion. Therein lies the rub with cable discussions. I prefer this distortion vs that distortion.

In addition, science calls for repeatability in an effort to draw a conclusion. So, if the new power cord on an amplifier has a tangible result in sound quality, could we then use the same power cord on a toaster and get better tasting toast?

What I find most interesting about the debate is that subjectivity is embraced and scientific discussion rebuked.
Reply With Quote
  #12  
Old 07-13-2019, 11:31 AM
PHC1 PHC1 is offline
Guest
 
Join Date: Apr 2009
Location: Pa
Posts: 23,609
Default



Reply With Quote
  #13  
Old 07-13-2019, 11:36 AM
PHC1 PHC1 is offline
Guest
 
Join Date: Apr 2009
Location: Pa
Posts: 23,609
Default

Quote:
Originally Posted by damacman View Post
Science is no friend of audio as it governs all aspects of our hobby. A signal between two points can certainly be different and the difference with respect to the original is distortion. Therein lies the rub with cable discussions. I prefer this distortion vs that distortion.

In addition, science calls for repeatability in an effort to draw a conclusion. So, if the new power cord on an amplifier has a tangible result in sound quality, could we then use the same power cord on a toaster and get better tasting toast?

What I find most interesting about the debate is that subjectivity is embraced and scientific discussion rebuked.
The whole point of the video to understand that the DIFFERENCE between the cables was amplified many times over and came back as silence or background hum at best.. There was NO DIFFERENCE.

That's all there is too it. Now, it would have been interesting to keep going and testing the UBER cables but I don't think anyone wants to play that game...
Reply With Quote
  #14  
Old 07-13-2019, 11:41 AM
PHC1 PHC1 is offline
Guest
 
Join Date: Apr 2009
Location: Pa
Posts: 23,609
Default

My solution to this whole dilemma was to simply plumb my system with “quality” but “reasonably” priced level of cables. It has been a satisfying compromise. No harm no foul one way or the other.
Reply With Quote
  #15  
Old 07-13-2019, 11:45 AM
Poppyhome's Avatar
Poppyhome Poppyhome is offline
Member
 
Join Date: Dec 2009
Location: New Jersey
Posts: 1,094
Default

Quote:
Originally Posted by Antonmb View Post
Because most of pro audio is in it to make money, not great sound, and produces compressed recordings with poor sound targeted at 256-320kbps streaming.
That would then mean pro audio uses low quality cheap recording equipment, mixers, mics, amps, etc.

Or, is it that the pro audio industry uses well made regular wires because there is no real difference.

Ron
__________________
Ron
Processor: McIntosh MX170, Amp: Legacy Audio i-V7, Digital: Benchmark DAC3B, Roon Music Player, Oppo UDP-205, Apple TV 4K, Fire TV Stick 4K Max, Analog: Gold Note Pianosa Turntable, Gold Note PH-10 Phono Preamplifier, Donatello MC Cartridge, Speakers: Legacy Audio Signature SE Natural Sapele Pommele, Silverscreen HD Center, JL Audio e112-Gloss Sub
Reply With Quote
  #16  
Old 07-13-2019, 11:48 AM
PHC1 PHC1 is offline
Guest
 
Join Date: Apr 2009
Location: Pa
Posts: 23,609
Default

Let’s not forget that some cable manufacturers simply source the cables from the same sources as the pro audio folks do but add a fancy jacket and a trinket or two at multiples of the price.
Reply With Quote
  #17  
Old 07-13-2019, 11:51 AM
Poppyhome's Avatar
Poppyhome Poppyhome is offline
Member
 
Join Date: Dec 2009
Location: New Jersey
Posts: 1,094
Default

Quote:
Originally Posted by PHC1 View Post
Let’s not forget that some cable manufacturers simply source the cables from the same sources as the pro audio folks do but add a fancy jacket and a trinket or two at multiples of the price.


Ron
__________________
Ron
Processor: McIntosh MX170, Amp: Legacy Audio i-V7, Digital: Benchmark DAC3B, Roon Music Player, Oppo UDP-205, Apple TV 4K, Fire TV Stick 4K Max, Analog: Gold Note Pianosa Turntable, Gold Note PH-10 Phono Preamplifier, Donatello MC Cartridge, Speakers: Legacy Audio Signature SE Natural Sapele Pommele, Silverscreen HD Center, JL Audio e112-Gloss Sub
Reply With Quote
  #18  
Old 07-13-2019, 11:54 AM
Masterlu's Avatar
Masterlu Masterlu is online now
AA Founder, Legend AV Owner



 
Join Date: Apr 2009
Location: South FL & Cape Cod MA
Posts: 78,528
Default

Quote:
Originally Posted by PHC1 View Post
My solution to this whole dilemma was to simply plumb my system with “quality” but “reasonably” priced level of cables. It has been a satisfying compromise. No harm no foul one way or the other.
What happened when you were a huge fan of, and owned expensive Transparent Cables.
__________________
Ivan
FLORIDA
MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES
Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES
CAPE COD

MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES
Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES
Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES

Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES
Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES
Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES
Reply With Quote
  #19  
Old 07-13-2019, 12:01 PM
PHC1 PHC1 is offline
Guest
 
Join Date: Apr 2009
Location: Pa
Posts: 23,609
Default

Quote:
Originally Posted by Masterlu View Post
What happened when you were a huge fan of, and owned expensive Transparent Cables.
I’ve “visited” both camps and schools of thought. Starting from a skeptic, to experiencing nirvana among the Uber cables, then having my doubts, confirming my doubts to finally letting it all go and settling down with a mix of cables from WireWorld and Transparent but nothing even remotely “expensive” (by audiophile standards at least) anymore. I’m good now.
Reply With Quote
  #20  
Old 07-13-2019, 12:05 PM
Mikado463 Mikado463 is offline
Guest
 
Join Date: Aug 2011
Location: SE Pa
Posts: 3,925
Default

Quote:
Originally Posted by jzzmusician View Post
I kept waiting for him to explain why cables sound different but he never did.
first off not all cables sound different but for those that do it is traced back to inductance, capacitance and or resistance which me mentions at about 2'20" into the video.


Quote:
Originally Posted by PHC1 View Post
Good video Greg.

I applaud his enthusiasm and the effort of building the equipment to prove whether there is or there is not a difference using the Null method. He seems like a very rational, knowledgeable and enthusiastic audiophile and a professional audio engineer.

Pretty sure most of us are aware that cables have never been successfully tested by any scientific instrument or method to prove once and for all they can make a difference, at least not in any way, shape or form that would actually apply to the audio band frequencies or parameters that would indicate it would be audible and relevant to our systems. The Null test only confirms the fact that even if there is a difference due to resistance, capacitance or inductance of a cable, it would be way below the audible threshold of a human ear.

At the end of the day it all boils down to only one thing. If one "believes" he should be hearing a difference, a difference will be heard. It is human nature. For the same reason that there is always a "placebo" group that has spontaneous healing because they "believe" they are getting the medication and a cure for their ailment. Science is aware of that fact hence there is typically a placebo group included in trials.

When faced with the task of a blind test, no one can hear a difference and be 100% right all the time, hence the 50/50 results which are the norm and confirms statistical "guess" at best.

Now, unbox an Uber expensive cable, insert into a system and the first few moments may be those uncomfortable moments of hesitation and doubt which will quickly fade as the ears start to convince otherwise... Listen some more, log into your favorite audio forum and be forever convinced that your doubt about the Uber cable purchase is unwarranted. The cable needed a "settling" and a "break in" period, that John, Ed, Joe and Stewart have indeed heard a difference and it wasn't trivial. Confirmation!

So what just happened? Did science just fail us? Nope, it didn't, it is all perfectly normal, science did tell us there is such a thing as "psychoacoutic effect" as well as showing us there is no significant enough difference in cables that matters.

Let's not ignore the fact that the "imagined" difference because it is expected to be there is just as "real" to our ears and brains.

We choose to go on with the "mystical aspect" instead and the most important part as any cable manufacturer knows all too well, is the "getting the people to believe" part. Hence the fancy marketing.


So in the end, I think it is best not to try to convince each other either way. It is a personal choice after all. If folks hear a difference and believe in the difference, even if it is not measurable or confirmed by science, so be it. The cables may not hold up to scrutiny of science but they sure generate lots of interest, wonder, expectations, expenditure and satisfaction. We are human after all.
well put Serge ....
Reply With Quote
Reply


Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is Off

Forum Jump

Audioaficionado.org tested by Norton Internet Security

All times are GMT -4. The time now is 12:06 PM.



Powered by vBulletin® Version 3.8.10
Copyright ©2000 - 2024, vBulletin Solutions, Inc.
©Copyright 2009-2023 AudioAficionado.org.Privately owned, All Rights Reserved.
Audio Aficionado Sponsors
AudioAficionado Subscriber
AudioAficionado Subscriber
Inspire By Dennis Had
Inspire By Dennis Had
Harmonic Resolution Systems
Harmonic Resolution Systems
Wyred4Sound
Wyred4Sound
Dragonfire Acoustics
Dragonfire Acoustics
GIK Acoustics
GIK Acoustics
Esoteric
Esoteric
AC Infinity
AC Infinity
JL Audio
JL Audio
Add Powr
Add Powr
Accuphase - Soulution
Accuphase - Soulution
Audio by E
Audio by E
Canton
Canton
Bryston
Bryston
WireWorld Cables
WireWorld Cables
Stillpoints
Stillpoints
Bricasti Design
Bricasti Design
Furutech
Furutech
Shunyata Research
Shunyata Research
Legend Audio & Video
Legend Audio & Video