#41
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Quote:
Does this mean you will pair the R1s also with the 212SEs eventually? |
#42
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Yep. R1s plus 212SEs. That’s been the plan in my head for months.
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#43
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Update (with E650 and new subs)
Well, we finally got our permit (after the normal bureaucratic BS). They've done internal demo and will take out the trees tomorrow (which required a separate permit (it's Atlanta after all)). I have settled on the dimensions of the room, with all the quiet batt/whisper clips/green glue/separate breakers/double doors/dedicated lines one could ever imagine (and I could ever afford).
In the interim, I actually have a better room here in the rental (about 14 by 20 with 9 foot ceilings) than I had in my other house. I also have no wife or family traffic in this room, so I'm free to pull the TADs out into the room and away from the walls - which makes all the difference in the world. Just that difference alone makes the system sound better over here than in my living room over there. Never able to leave well enough alone, I am running the E650 here, which took some time for me to get right. At first, like my other Accuphase components, it just sounded like a tin drum - it was difficult to stay in the same room with it. Then, I let it run for about a week uninterrupted and things started getting much better. After things had settled, I compared it to the A200s - and there was, of course, not much of a comparison (but more than you would expect). Where the 2X A200s were the entire brigade with the heavy guns, the E650 was the Rangers - light and quick and precise, but just lacking on the lower end when compared to the big guns. As I said, it sounded better overall than my living room system because of the speaker placement, but it still lacked a bit on the lower end compared to the two big monoblocks (and the C3800). Then, light shines on marble head, and I ordered a set of REL 212SEs (yes, two of them, with four woofers and 1000 watts each). I was previously running the SHO3s (which I got because they were all I could fit in my living room). Now, the 212s aren't placed perfectly, but they are so easy to integrate into the sound and just absolutely sound great. I have no idea why subwoofers make the mids and highs so much better, and seem to exponentially expand the sound stage (width and depth), but for me - they absolutely do. I was planning to do the 212s when I moved to the new room (with the TAD R1s), but figured this way I could break them in here in the "lab" and they'd be ready to go. Having gotten the system sound ironed out to a good degree, I am really struggling with digital only sources. I miss the physical aspects of actually spinning a record (insert one's flame here), but in particular, I miss the DJs that I've listened to for decades on my local public and community radio stations. So, I've got an indoor antenna on order from Magnum Dynalab and will set up the 108T/SEs when I get back from a trip to Europe in the next several weeks. I know that FM is dead and all of that, but these guys are always thinking about new and old music to spin and I just really enjoy it. They have engineers that care about the signal, and it just really sounds good. Somehow, the Roon algorithm just hasn't replaced that for me. I guess this makes me a relic, but there it is. The thought of setting up the turntable and unboxing the LPs in the middle of all of this is just too much for me. A couple big boxes for the subs I could handle, but unpacking/organizing/cleaning/repacking the LPs and then dealing with the turntable set up is more than I can do for nine months or so (and then have to break it all down and set it up over there). Much easier just to run a coax from the indoor antenna to the tuner. So, that's it from here in the rental, with new subs and a new integrated amp - all of which is sounding very good. |
#44
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Glad you finally got your audio fix.
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Ivan FLORIDA MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES CAPE COD MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES |
#45
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Jim - I know what you mean about the trees.....my best friend lives off Northside Dr. in the southern end of Buckhead....he had to get two diseased pine trees removed from his front yard which faces Northside. He had to hire an arborist and get permits and all kinds of stuff from the city. It took an act of Congress to get it done. He was also informed of the fines if you were to remove a tree without permission. It was insane!
- Buck
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Library: Speakers: Avalon Acoustics Isis, Subwoofers: (2) REL Acoustics 212SE Amplification: D’agostino Momentum preamplifier, D’agostino S250 stereo amplifier Digital: dCS Rossini CD/SACD transport, dCS Rossini DAC/streamer/master clock. Analog: Brinkmann Taurus table, Lyra Etna Lambda, Audio Research Ref. Phono 3 |
#46
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Yep. Same here (except it was worse as I only had one dead tree - the others were to accommodate the build).
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#47
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Quote:
Perhaps there will be some beautiful music in this hole in the next several months ...IMG_2457.jpg |
#48
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The “Music Womb” (aka my room build thread)
From these subwoofers, and the big brothers (very big) of these speakers ...IMG_2459.jpg
Last edited by Weirdcuba; 10-03-2019 at 10:17 PM. |
#49
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I guess my wife has been listening to all of my craziness for too long. When I told her tonight that I wanted to hang a signed Michael Jordan Jersey in the music room when it was done, she immediately replied that it was covered in glass and would interfere with the acoustics ....
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#50
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Quote:
She’s right you know!? |
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