#11
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Grasshopper, if you are all digital you should definitely try room correction/equalization. But make sure you give it a looooong good listen. It's easy to be impressed at first and then get tired of the sound.
Some people tried digital EQ/correction and kept it. Other people (me included) have tried it and moved on. A lot depends on your ears, your room and your system. In my case, treating the room with strategically placed acoustic panels did the trick wonderfully for mid to high frequencies ... but does squat for bass problems. I am interested in your opinion after your trial. Best of luck, we are all rooting for you to find a solution and move a step closer to your own audio nirvana. Alberto |
#12
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My room is a bass killer (I used to compensate with a 15" sub, but with the MEN220, I didn't need a sub...not by a long-shot). I'm really hoping to find a cheaper room correction unit (like the Dspeaker) since I don't need all the crossover settings the MEN220 offers.
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Main > Aurender N10/N100 / Antipodes K50 > Aries Cerat Kassandra mk2 - Playback Designs Dream DAC > D'agostino Momentum HD > PS Audio P10 > D'Agostino S250 > Sonus Faber Aida / REL S812 Six Pack + 4 JL Audio F113 Fathoms > B&W Signature HTM > Anthem Statement D2v > Mcintosh MC205 > Focal 1000 (side surrounds) > Bryston TIW (rear surrounds) Secondary System > Aurender N100h> AMR777SE > D'agostino Momentum Integrated > Wilson Sasha DAW |
#13
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When the MEN220 is to expensive i would search for a (used) Tact or Lyngdorf. |
#14
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I've pulled the trigger and purchased a Dspeaker anti-mode 2.0 dual core. We shall see if it does the trick. It should arrive Saturday. I'll report what I discover.
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Main > Aurender N10/N100 / Antipodes K50 > Aries Cerat Kassandra mk2 - Playback Designs Dream DAC > D'agostino Momentum HD > PS Audio P10 > D'Agostino S250 > Sonus Faber Aida / REL S812 Six Pack + 4 JL Audio F113 Fathoms > B&W Signature HTM > Anthem Statement D2v > Mcintosh MC205 > Focal 1000 (side surrounds) > Bryston TIW (rear surrounds) Secondary System > Aurender N100h> AMR777SE > D'agostino Momentum Integrated > Wilson Sasha DAW |
#15
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I hope this doesn't appear to be a thread hijacking but I have a few questions about the MEN220. I recently moved to a new home with a dedicated music room. I've treated it with corner traps, first reflection point panels, front & rear mid-high freq disipating panels and after all that....the sound does not even come close to what I was experiencing before in my rented house. Larger room before but the same treatments basically.
So now I' contemplating a MEN220. It just pains me to think of active equalization especially downstream of the best DAC (dCS Vivaldi) I've ever experienced. I'm on the verge of pulling the trigger because I don't know what else to do. I'm not hearing the soundstage depth, crystal clear reproduction of even the smallest sounds/instrument that I grew used to. All the gear is operating properly. I think I'm just looking for emotional support here. Do any of you MEN220 users feel like analogue equalization improved the sound of your very pricey systems/components? Cincy
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MSB Select II DAC MSB M500 Monoblocks Magico M3 Speakers Magico Q-Sub 15 Subwoofers (2) Transparent Opus Gen5 speaker cables and Interconnects PS Audio P20 regenerator Roon file management |
#16
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Did you experience the sonic nirvana you mentioned in your current room with current speakers? If not it may be best to try some acoustic treatment or speaker repositioning before going the MEN220 route. I was blown away by how a 2" change in speaker position along with some minor room correction (basically high-freq absorption at first reflection points) brought up detail and soundstage that was missing. Alberto |
#17
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Never felt good about the sound in the new room. I've been tweaking the treatments and equipment position since Feb. Nothing works. Can't add any more treatments. The room is on the slippery edge of dead. I'm thinking because its smaller, the walls are causing some time domaine issue with reflections which active EQ would address.
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MSB Select II DAC MSB M500 Monoblocks Magico M3 Speakers Magico Q-Sub 15 Subwoofers (2) Transparent Opus Gen5 speaker cables and Interconnects PS Audio P20 regenerator Roon file management |
#18
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At this point you should try an active EQ to see if it addresses those problems. If it doesn't you can eliminate that variable, if it does ... well then it might be tough to accept the fact that your amazing DAC system has to go through a lesser DAC ... But it's an experiment that you should do! Keep us posted. Alberto |
#19
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Read jdandy's opinion. He felt as though the MEN220 was a bottleneck due to inferior dacs after he upgraded his digital front end. For me, I'd use room correction knowing its at the expense of the nth degree of detail, but shining in soundstage and other areas. You really need to home demo to be sure. My guess is with a stellar front end, you'll see loss of resolution. Whether the final product is what you want...you'll have to see. Men220 worked miracles for my room, even if I lost some resolution.
__________________
Main > Aurender N10/N100 / Antipodes K50 > Aries Cerat Kassandra mk2 - Playback Designs Dream DAC > D'agostino Momentum HD > PS Audio P10 > D'Agostino S250 > Sonus Faber Aida / REL S812 Six Pack + 4 JL Audio F113 Fathoms > B&W Signature HTM > Anthem Statement D2v > Mcintosh MC205 > Focal 1000 (side surrounds) > Bryston TIW (rear surrounds) Secondary System > Aurender N100h> AMR777SE > D'agostino Momentum Integrated > Wilson Sasha DAW |
#20
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There is a Mc dealer in Tampa. Working him for a demo. That is for sure the only way to tell. Plan B is a used unit off of Audiogon.
Cincy
__________________
MSB Select II DAC MSB M500 Monoblocks Magico M3 Speakers Magico Q-Sub 15 Subwoofers (2) Transparent Opus Gen5 speaker cables and Interconnects PS Audio P20 regenerator Roon file management |
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