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#31
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It is important to note that - technically speaking - the quantity of music in the classical repertoire is fixed and the listener is generally less likely to duplicate a given work with another when a later recording of the work appears.
This is especially true in the digital age where recordings do not "wear out" as had been the case when vinyl was in its prime. Therefore, I feel that sales figures alone of record/CD/other may be misleading in determining the amount of classical music listening actually taking place. Whether this applies to jazz as well, I really cannot answer. Last edited by 62caddy; 03-13-2015 at 12:22 PM. |
#32
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So if you compare the Beethoven that was recorded by Karajan in the 1970s with that recorded in the 1990s and 2000s from the likes of Jordi Savall and Jos van Immerseel is like night and day. That's why I keep buying new classical music music even though sometimes it's overlapping repertoire. I just can't have a single interpretation of the Eroica or the Resurrection symphony. |
#33
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Last edited by 62caddy; 03-13-2015 at 02:20 PM. |
#34
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Great minds think alike
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#35
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#36
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What is really sad jazz groups between 70's and mid 80's created music pieces that rival some of known jazz greats! No CD's where ever made, just those LP's I bought as kid or I find used. I KNOW.... I KNOW... no vocals can't sound good!! That is why SACD, Hi-REZ, and DSD have simply no value to me. NO CONTENT per my genre!!! Signed, SOOOOO FRIGGIN PISSED! Ken
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#37
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You dropped a "C", Ivan.
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