#111
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well
I'm no expert but the materials used in most drivers have a 'cost' that is miniscule. The cost is the years of research to perfect the behavior of the material, the physics behind the enclosure and so forth. Just because the driver material is not exotic does not mean it cannot work very well. Given the multi-driver concept, it seems that the individual driver does less work so the tolerances could be lower than a design that relies on, say two drivers to reproduce a wide bandwidth at high volume.
Then there's the whole concept of vertical integration: a mfr. that makes it's own drivers can 'cut out the middle man' on some things. Maybe this is true; maybe not. The point is that you really cannot judge the sound of a speaker by the cost of it's raw materials. Indeed, if you look at some six figure speakers, you probably would have to wonder why they cost so much if they are 'just some drivers in a box'. |
#112
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I am not surprised that it is hard to find speakers in high gloss piano black since that is so labor intensive to do. The good part is that finish goes so well with many furnishings.
XR200s do have 3 LDHP woofers, 12 midranges and 7 tweeters in each cabinet for a total 22 drivers. In this model the titanium dome mids and tweeters act like and measure as a point source. The drivers are timed with inductor transformers so the output tapers away from the center row of drivers. The advantage is very high power handling, low distortion and pinpoint imaging with great depth and spatiality. The disadvantage is cost in both the increased driver count and crossover complexity. The complex, top ported cabinet allows maximum performance from the three custom 8" woofers which use the McIntosh LDHP patented, twin shorting ring design on their voicecoils which lowers distortion by a factor of 10 and flattens the impedance curve. This allows the speakers to be much cleaner and more extended in the bass than others of this price range. Thanks, Ron-C
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Ron-C |
#113
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Quote:
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John Houston Upstairs - C1000C/T, MX170, MC1.2KW x 4, MC501 x 2, MC252, MVP881, MCD1100, MDA1000, MEN220, MPC1500, XRT1K's, XCS1K, XLS320's, Gotham, Sony VPL-VW675ES, Sony XBR-55X930E, Panasonic DP-UB9000, Apple TV 4K, Kaleidescape Strato C, Roon Core on Nucleus & MS600 Houston Downstairs - Den (Zone A): MX122, MR88, MCD500, MVP871, MC207, DD18, Sony XBR-75Z9D, OPPO BDP-203, Sonos Port, Apple TV 4K, Sooloos MS200, B&W 805 Diamond x 2, B&W HTM4 Diamond, B&W CWM8 x 2; Living Room (Zone B): Sony XBR-65Z9D, MC402 & XR200's Austin Theater - MX180, MC8207, MI254; Lumagen Radiance Pro; Kaleidescape Strato; OPPO UDP-203; Sooloos MS200; Apple TV 4K; Sonos Connect; Paradigm Signature S8 (2), C5, SIG-1.5R-v.3 (4) SIG-1.5R-30 v.3 (4), SUB2; JVC RS3100; Sony XR-85X95K; Screen Innovations Black Diamond 2.35:1 Austin Den - Marantz AV7701, MM7055; Paradigm Studio 10 v5 (2), Studio CC-590 v5, RVC-12SQ, SA-10R (2); Sony XBR-65Z9D; Apple TV 4K |
#114
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We can choose to smile or frown, the choice is ours. The most important thing to remember is each of us controls our own attitude. There will always be differing opinions. How one deals with the differences is the key.
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Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A |
#115
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As for opinions, well, we all know what they are like.
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John Houston Upstairs - C1000C/T, MX170, MC1.2KW x 4, MC501 x 2, MC252, MVP881, MCD1100, MDA1000, MEN220, MPC1500, XRT1K's, XCS1K, XLS320's, Gotham, Sony VPL-VW675ES, Sony XBR-55X930E, Panasonic DP-UB9000, Apple TV 4K, Kaleidescape Strato C, Roon Core on Nucleus & MS600 Houston Downstairs - Den (Zone A): MX122, MR88, MCD500, MVP871, MC207, DD18, Sony XBR-75Z9D, OPPO BDP-203, Sonos Port, Apple TV 4K, Sooloos MS200, B&W 805 Diamond x 2, B&W HTM4 Diamond, B&W CWM8 x 2; Living Room (Zone B): Sony XBR-65Z9D, MC402 & XR200's Austin Theater - MX180, MC8207, MI254; Lumagen Radiance Pro; Kaleidescape Strato; OPPO UDP-203; Sooloos MS200; Apple TV 4K; Sonos Connect; Paradigm Signature S8 (2), C5, SIG-1.5R-v.3 (4) SIG-1.5R-30 v.3 (4), SUB2; JVC RS3100; Sony XR-85X95K; Screen Innovations Black Diamond 2.35:1 Austin Den - Marantz AV7701, MM7055; Paradigm Studio 10 v5 (2), Studio CC-590 v5, RVC-12SQ, SA-10R (2); Sony XBR-65Z9D; Apple TV 4K |
#116
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YEP. I've got one, too.
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Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A |
#117
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#118
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#119
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XRT1K is a line source where the XR200 is a point source. A point source will work at close distances where you need to be back a bit for the line sources. XRT1K plays louder but the XR200 will play louder than other like priced speakers so this may not be important.
As far as bass the XR200 and XRT1K are very close in both extension and power. These two models will outperform most subwoofers. Thanks, Ron-C
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Ron-C |
#120
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They are beautiful loudspeakers.
Dave
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It's About The Music... |
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