#21
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#22
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#23
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At long last , seems promising that Sept 4th may well transpire to be D-Day at Harlequin Towers |
#24
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I am sure it will be. I have to wait a little bit longer for my d-day for the new digital front end, probably September.
M.
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ARC Ref150, Ref40, DCS Scarlatti, ML CLX, ML Descent I * 2, Transparent MM2 cables |
#25
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By comparison, my U-1s each have 2200 square inches of radiating area. The steel tubular frame alone weighs more than a CLX for a total of 250 lbs. As a true full range design, there are not separate frequency specific panels. The entire face of the diaphragm delivers bass. Using a forest of bass traps and much experimentation, I get very good measurable results: +/- 1.5 db from 30 hz to 200 hz using third octave tones. Indeed, it drops rapidly below 30 hz, but that is good enough for a 16' foot organ pedal. They come in larger sizes, too. The 945 is a nine foot tall version delivering a 45 degree radiating angle. Because they are single diaphragm designs and they have controlled directivity, you can build arrays for even lower response and higher output without sacrificing coherency. Ray Kimber displayed some large arrays at RMAF a while back using triple 922s. I think double 945s would be sufficient for most purposes. Double 922s at CES Triple 922s at RMAF |
#26
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Paul Reale, a professional musician, composer and fellow SoundLab owner said "M-1 PX's with toroid upgrades eat Martin Logans like a junk food snack." |
#27
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My first experience with MLs was the first CLS which had response down in the 40s. They sounded nice to these ears. |
#28
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I feel that I must also add an without reservation co-desil that I consider the Soundlabs that I have experienced to be of truely Stella sonic proportions and that my point is more one of high quality similarity than disparity with Martin Logan full ESL panel transducers . Last edited by Harlequin; 09-05-2013 at 04:41 PM. |
#29
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subs
set up is not plug and play if you want the most out of them. I have clxs and 2 decent i with cards. first they take forever to break in. set up the clxs first or at lest that is how I did it then the subs dialing them in took a day and a half. a quarter inch move on clxs or subs made changes. Great sound when you get it right. With the dealers help I think it is pretty good.
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