#11
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Thanks -- I was curious more than anything if your auditioning impression of "GREAT" with the subs happened to compare the SF's w/o a sub & if it did, would the SF's then just have been "GREat." I couldn't ascertain that w/o asking.
Bob
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Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters. Preamp:VAC Statement (on order) (Silver Flake) Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver) Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's. Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974). Vibration Control:TT on HRS M3X2-1921 shelf. Speakers:Wilson Audio Alexia V (on order in Ferrari Argento Silver/Parchment grills sitting on Acoustic Diode Kit). Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock. Power Distribution:Ansuz Mainz D3 Distributor & Ansuz Mainz C2 1M Power Cable Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers. Speaker Cables:2M Nordost Odin 2 Supreme Reference on Nordost Sort Lifts. (on Order) Signal Cables:Nordost Odin XLR's on dCS DAC & Amps. Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC. Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital Ethernet Cable: WireWorld Platinum 1M Starlight® 8 Twinax Headphones:Vintage Koss Pro IV AA. RCM: Audio Desk PRO Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Power Amp & Preamp & Space Tech Labs ATT-3.02 tube test sets. |
#12
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I think we can safely say the Strads with Fathoms were GRRRRREAT.
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Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A |
#13
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OverKill IMO. But then I don't listen at 120db neither.
Bob
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Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters. Preamp:VAC Statement (on order) (Silver Flake) Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver) Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's. Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974). Vibration Control:TT on HRS M3X2-1921 shelf. Speakers:Wilson Audio Alexia V (on order in Ferrari Argento Silver/Parchment grills sitting on Acoustic Diode Kit). Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock. Power Distribution:Ansuz Mainz D3 Distributor & Ansuz Mainz C2 1M Power Cable Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers. Speaker Cables:2M Nordost Odin 2 Supreme Reference on Nordost Sort Lifts. (on Order) Signal Cables:Nordost Odin XLR's on dCS DAC & Amps. Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC. Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital Ethernet Cable: WireWorld Platinum 1M Starlight® 8 Twinax Headphones:Vintage Koss Pro IV AA. RCM: Audio Desk PRO Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Power Amp & Preamp & Space Tech Labs ATT-3.02 tube test sets. |
#14
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Hey I'm with you got to ask! The only other thing I can share is when I'd heard the Strads before they were with different electronics and no subs. During that demo, I thought they sounded good but not great. I think the electronics were probably more to blame than the lack of subs.
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Dennis C500, MX123, MC501 (2), MC207, MCD500, Silenzio, Bryston BDA3, Shunyata Denali 6000/S, Panasonic UB900, Canton Reference 3K, Canton Reference 50K, Fresco, Descent |
#15
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This endorcement has been approved by Tony!
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Dennis C500, MX123, MC501 (2), MC207, MCD500, Silenzio, Bryston BDA3, Shunyata Denali 6000/S, Panasonic UB900, Canton Reference 3K, Canton Reference 50K, Fresco, Descent |
#16
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It all depends on the room. As I said earlier the sub was not necessary with my Elipsa's and I prefered the sound without a sub. The truth is Ivan has the subs dialed way down with his strads. Ivans systems are examples of the best in the world so don't go by him unless you are ready to spend close to 7 figures. I could buy a vacation home Florida with just his cable bill. .
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#17
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Quote:
I don't listen at 100db. |
#18
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Quote:
Elipsa/Strads $25,000.00 $48,000.00 501s/2300s $10,000.00 $22,000.00 C2300/C500 $6,000.00 $12,000.00 JL112/212 $5,000.00 $12,000.00 MCD500 $6,500.00 $6,500.00 PPP $2,000.00 $4,000.00 Cables $5,000.00 $5,000.00 Treatments $5,000.00 $5,000.00 $64,500.00 $114,500.00
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Dennis C500, MX123, MC501 (2), MC207, MCD500, Silenzio, Bryston BDA3, Shunyata Denali 6000/S, Panasonic UB900, Canton Reference 3K, Canton Reference 50K, Fresco, Descent |
#19
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Personally I much prefer my REL sub with the Strads in my largish room, 26 x 20.
Then again my cj prem8a's don't have the same bass drive as some other amps. Funny when I tried out the ML 33h's and Gryphon Collseum I preferred the sub with them as well. Overall, the room dictates your choices more than anything and the luv of some bass slam!! |
#20
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Can you amaze me with price too.
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