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  #31  
Old 04-03-2015, 12:39 PM
BlueFox BlueFox is offline
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Myles
No. I am saying that in general there are really no bad sources. There are no garbage in.
Agreed. At this level, people are just splitting hairs trying to differentiate sound when comparing gear, and then pronouncing one thing is better than another. While it might be true for them, someone else might prefer Plan B.
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  #32  
Old 04-03-2015, 02:27 PM
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It is the S7, which is what it looked like.

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  #33  
Old 04-03-2015, 03:37 PM
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Myles B. Astor Myles B. Astor is offline
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Myles No. I am saying that in general there are really no bad sources. There are no garbage in.
Well we'll have to disagree on that.
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  #34  
Old 04-03-2015, 04:50 PM
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It is the S7, which is what it looked like.

Magico Technology
Hmmm... Wonder what MSRP is and when it will be available?
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  #35  
Old 04-03-2015, 07:09 PM
Still-One Still-One is offline
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Well we'll have to disagree on that.
That sources is the important link was just a marketing tool initiated by Ivor Tifenbrun to sell his turntables which was the only product he produced at the time.
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  #36  
Old 04-03-2015, 07:32 PM
The Sandman The Sandman is offline
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Myles
No. I am saying that in general there are really no bad sources. There are no garbage in.
So, go cheap on the front end to conserve resources for amps and speakers ?
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  #37  
Old 04-03-2015, 09:27 PM
cmarin cmarin is offline
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That sources is the important link was just a marketing tool initiated by Ivor Tifenbrun to sell his turntables which was the only product he produced at the time.
I would suggest that the important link is the weakest one you can control.
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  #38  
Old 04-03-2015, 09:50 PM
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It is the S7, which is what it looked like.

Magico Technology
It seems to be constructed like the S5, rather than the monocoque of the S1 and S3.
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  #39  
Old 04-03-2015, 09:59 PM
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That sources is the important link was just a marketing tool initiated by Ivor Tifenbrun to sell his turntables which was the only product he produced at the time.
You are kidding right? You listen to one medium while I have three in here. And that's a valid conclusion?

So if that's the case and the importance of the source is a myth, then why even bring your own software when auditioning equipment?

Digital (and yes that includes 4X DSD), LP and tape are all quite different sounding, believe me.
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Last edited by Myles B. Astor; 04-03-2015 at 10:03 PM.
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  #40  
Old 04-03-2015, 10:05 PM
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Agreed. At this level, people are just splitting hairs trying to differentiate sound when comparing gear, and then pronouncing one thing is better than another. While it might be true for them, someone else might prefer Plan B.
How about providing some examples for us.
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Myles Astor, Senior Editor., Positive-Feedback.com, Goldmund Telos 300 amplifier, Goldmund Mimesis 37S Nextgen preamplifier, Doshi EVO phono and tape stages; Zellaton Plural EVO speakers; VPI Vanquish Turntable, VPI 12-inch Fat Boy gimbal arm and SAT LM-12 arm; Lyra Atlas SL Lambda, Fuuga mk.2, vdh Colibri Master Signature cartridges; Technics 1506/FM heads; Various cables including TA, MIT, Kubala-Sosna, Skogrand, Viero L3 Equilibrio speaker cables, Audience, SRA Craz 3 rack, Isobase and OHIO Class XL+2.1 platforms.
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