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Audio Research State of the Art Audio Reproduction |
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#11
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#12
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no issues with the Mira2's and the 150 - beautiful together. Now, a pair of 600 watt/channel solid state mono's will drive them harder, but the overall package of the 150 on the Mira2's is really dynamite.
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#13
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thx for the feedback
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#14
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HOUR 66 UPDATE -
Well, Things are definitely still improving - in all the same ways as described earlier - more alive, more space, etc.. Up until now, the DSPRE was in the "soft" setting for the digital filter, and I had not played with turning the displays off of the DSPRE and REF5SE. I just switched to the "sharp" filter on the dspre - better - more resolved and detailed. Also, I shut off the displays and things got a lot quieter and purer. This is the beginning of the system starting to sound "magic". I'll post finding in another day or so. |
#15
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Thanks for the update.
Mike |
#16
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Tropnhunter:
I too was a skeptic re alleged 600 hour break in for ARC gear. Most equipment shows itself well within 50 to 100 hours. But, there is such a huge improvement from 100 hours to 400 hours with ARC Ref gear, esp in the ref 150----that I can no longer question the math. The only way to know is to go through it. At 100 hours, ARC Ref equipment is hinting at what it will be, but in a coarse way. If and when you get to 400 to 600 hours---you too will be a believer.
__________________
Wilson Alexia V, ARC Ref 160M MkII,Ref 40,Ref Phono2SE, Shunyata Triton3, Typhon, Sigma PCs, ICs & SCs, Spectral SDR4000SV (w MIT IC), Belcanto PL1, Oppo 205, Marantz 2270 (tuner only):AudioDesk and VPI record cleaners, Furutech Demag & Destat; Stillpoint Apertures, TechDas AF 3S Premium with SAT CF9 and Kuzma 4pt 9" arms, Lyra Atlas Lambda SL, Dynavector XV1-t stereo and XV1-s mono carts, Miyajima mono, Shure V15VxMR, |
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