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  #21  
Old 04-04-2010, 09:44 AM
PHC1 PHC1 is offline
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Originally Posted by 1KW View Post
Here are a few pictures taken from one of the windows in my 2 channel room with the nikon 18-200 today. They were shot with natural light and you can see the difference in early morning light starting at sunrise over about an hour. This is why I love to take pictures at sunrise and sunset, look at the change in the color of the sky.
David you must be an early bird.
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  #22  
Old 04-05-2010, 06:10 PM
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Ivan, I will have the 70-200 VRII tomorrow. I have been holding off for quite a while but finally decided to pull the trigger. I am looking forward to playing with it, I will let you know what I think. I have a D300s and 90% of the time have the 24-70mm on it.

I also have the 18-200mm but I wanted the 2.8!

Bob
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  #23  
Old 04-05-2010, 06:35 PM
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Quote:
Originally Posted by Bob View Post
Ivan, I will have the 70-200 VRII tomorrow. I have been holding off for quite a while but finally decided to pull the trigger. I am looking forward to playing with it, I will let you know what I think. I have a D300s and 90% of the time have the 24-70mm on it.

I also have the 18-200mm but I wanted the 2.8!

Bob
Cool!

Please do Bob
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  #24  
Old 04-05-2010, 08:25 PM
TommyC TommyC is offline
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The 80-200 is 2 generations before the current VRII. I would get the VRII. According to many reviews, the VRII performs quite a bit better on full frame camera that you own compared to the VRI or 80-200.

The best feature on the VRII would be the new VR technology. You gain almost 4 stops handheld!
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  #25  
Old 04-05-2010, 08:28 PM
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Why do you guys feel you need the 2.8 with the extra weight ? You can adjust the iso to 800-1600 on a 3.5 and get the same effect. I guess what I am asking is how often to you shoot at 2.8 ?
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  #26  
Old 04-05-2010, 08:34 PM
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Quote:
Originally Posted by 1KW View Post
Why do you guys feel you need the 2.8 with the extra weight ? You can adjust the iso to 800-1600 on a 3.5 and get the same effect. I guess what I am asking is how often to you shoot at 2.8 ?
Noise reduction?
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Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES
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Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES
Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES

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Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES
Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES
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  #27  
Old 04-06-2010, 12:17 AM
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I decided to go for the Nikon 70-200mm f/2.8G ED VR II
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Ivan
FLORIDA
MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES
Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES
CAPE COD

MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES
Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES
Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES

Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES
Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES
Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES
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  #28  
Old 04-06-2010, 02:18 AM
TommyC TommyC is offline
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Quote:
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I decided to go for the Nikon 70-200mm f/2.8G ED VR II
You'll love it. Enjoy.
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  #29  
Old 04-07-2010, 03:57 AM
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Quote:
Originally Posted by Masterlu View Post
I decided to go for the Nikon 70-200mm f/2.8G ED VR II
Sorry to be so late to the party Ivan. Definitely get the AFS 70-200 VR.

I have the original AFS 70-200 F2.8 DX lens one without VR and the glass is actually better than the subsequent iterations but the newest one is very nice nevertheless. The original one is very hard to find new and commands a big premium.

The 80-200 without AFS is a bit of a dinosaur, noisy, slow and has been around since when I was using a F90-X film Nikon.

The 70-200 is a beautiful lens and one I will take 100% with me on holidays because focal length and big aperture gives you great out of focus backgrounds and flattens the picture as well. The other one I take is the AFS17-35 F 2.8 and a 50mm F1.4 (non-AFS). The 14-24 F2.8 is a also a great lens but less practical because it is domed and it is a G lens.

In general I only buy F2.8 or bigger lenses because I found I was not happy with the quality and brightness of the small apaerture lenses. Nikon uses its best glass in the big aperture lenses. I have a 80-400 VR lens which I never use because it is just too dar, slow and poor quality. A 70-200 with an extender will beat it any day

howie

here's a few photos with a 70-200. I downloaded them to my iphone and then emailed them back to myself so not sure if that will change the resolution.









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  #30  
Old 04-07-2010, 07:26 AM
1KW 1KW is offline
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Nice shots Howie,

You will get better bokeh ie the blur, or the aesthetic quality of the blur, in out-of-focus areas of an image with the 70-200 . The 50 1.4 on a DX body becomes a nice portrait lens ie 75 mm with nice bokeh for same reason . I have read the 70-200 is famous for that effect. Enjoy Ivan, looking forward to your pictures with it.
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