#21
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Well congrats! Your floor is definitely not going to float away now. Gorgeous system!
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#22
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Thank you, I am glad the layout is final, I don't plan on moving them anytime soon. Great username BTW!
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Listening Room – MC2301s, C2300, VPI Prime Sig. Rosewood, w/Fatboy 10” Tonearm, SDS, Periphery Ring, Dynavector DRT XV-1s, Sutherland LittleLOCO Mk2, Harbeth SHL5, Skylan Stands, Synergistic Research: Record Clamp, PowerCell SX, Active Ground Block, Galileo Discovery PCs, Atmosphere X Euphoria ICs, Phono and Speaker Cables, GIK Impression Series Diffusers and Acoustimac DMD Panels, CA Double Matrix Pro Sonic RCM Theater Room - 7.2.4, Marantz SR7012 & MM7025, Klipsch: RF-7 III, RP-450C, RP-160M, R-112SW Atmos: CDT 5800-CII, Sunfire True EQ Sub, Samsung 75” Q60R QLED 4K UHD TV, Sony UBP-X800 4K UHD Blu-ray, VPI Scoutmaster, Clearaudio Maestro, Cambridge Audio 640P, PS Audio PPP Office - Fisher 500C, Denon DP-59L, Audio Technica AT14S Cartridge, Bluesound NODE, Acoustic Research AR-3a, Technics RS 1500 Vintage System - Pioneer SX 1980, Jolida JD100 CD, JBL Studio Monitors 4425 Semper Fidelis Teufel Hunden |
#23
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Outstanding looking system. I am considering going to dual mono tube ams to replace my MC462 solid state. Will have to match up with Sopra 2’s.
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#24
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Now to the tube rolling...
As previously stated, I swapped in the NOS Mullard CV4024s with the stock KT88s about three days in, the Mullards really took my listening experience up a few notches. On Saturday I put in the Gold Lions KT88s and 12AT7s, I listened to music for about 5 hours the first stint then three hour late into the night. I liked what I was hearing but there was this edge or brightness to the music, the sound stage was okay, bass was good but a little thin, things didn't have that flow, something was missing. I decided to swap back in the NOS Mullard CV4024s, instant magic. I have read that many thought the Mullards were really good in the 2301s and I agree. They are a perfect match with the GL KT88s. The music was more engaging, organic and layered, (my feet and fingers were tapping incessantly) there was now a richness and flow to the music, a much wider sound stage with different levels of depth for each instrument. Back up singers could now be heard separately in their individual locations, this was now intoxicating and perfect. Nonetheless, I did order a Siemens ECC801S quad...the reviews were great for these and I wanted to see what they were about. It will be interesting how they compare to the Mullards.
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Listening Room – MC2301s, C2300, VPI Prime Sig. Rosewood, w/Fatboy 10” Tonearm, SDS, Periphery Ring, Dynavector DRT XV-1s, Sutherland LittleLOCO Mk2, Harbeth SHL5, Skylan Stands, Synergistic Research: Record Clamp, PowerCell SX, Active Ground Block, Galileo Discovery PCs, Atmosphere X Euphoria ICs, Phono and Speaker Cables, GIK Impression Series Diffusers and Acoustimac DMD Panels, CA Double Matrix Pro Sonic RCM Theater Room - 7.2.4, Marantz SR7012 & MM7025, Klipsch: RF-7 III, RP-450C, RP-160M, R-112SW Atmos: CDT 5800-CII, Sunfire True EQ Sub, Samsung 75” Q60R QLED 4K UHD TV, Sony UBP-X800 4K UHD Blu-ray, VPI Scoutmaster, Clearaudio Maestro, Cambridge Audio 640P, PS Audio PPP Office - Fisher 500C, Denon DP-59L, Audio Technica AT14S Cartridge, Bluesound NODE, Acoustic Research AR-3a, Technics RS 1500 Vintage System - Pioneer SX 1980, Jolida JD100 CD, JBL Studio Monitors 4425 Semper Fidelis Teufel Hunden |
#25
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Outstanding!
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Ivan FLORIDA MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES CAPE COD MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES |
#26
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I don't think you could go wrong with a dual mono tube set up as long as you have enough power to drive your current set of speakers. I considered the MC462 also, but was afraid I would miss out on something and I love the fact that tube rolling gets you exactly the sound you want.
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Listening Room – MC2301s, C2300, VPI Prime Sig. Rosewood, w/Fatboy 10” Tonearm, SDS, Periphery Ring, Dynavector DRT XV-1s, Sutherland LittleLOCO Mk2, Harbeth SHL5, Skylan Stands, Synergistic Research: Record Clamp, PowerCell SX, Active Ground Block, Galileo Discovery PCs, Atmosphere X Euphoria ICs, Phono and Speaker Cables, GIK Impression Series Diffusers and Acoustimac DMD Panels, CA Double Matrix Pro Sonic RCM Theater Room - 7.2.4, Marantz SR7012 & MM7025, Klipsch: RF-7 III, RP-450C, RP-160M, R-112SW Atmos: CDT 5800-CII, Sunfire True EQ Sub, Samsung 75” Q60R QLED 4K UHD TV, Sony UBP-X800 4K UHD Blu-ray, VPI Scoutmaster, Clearaudio Maestro, Cambridge Audio 640P, PS Audio PPP Office - Fisher 500C, Denon DP-59L, Audio Technica AT14S Cartridge, Bluesound NODE, Acoustic Research AR-3a, Technics RS 1500 Vintage System - Pioneer SX 1980, Jolida JD100 CD, JBL Studio Monitors 4425 Semper Fidelis Teufel Hunden Last edited by MarSanz; 09-25-2023 at 09:28 PM. |
#27
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Clearaudio Ovation with Tracer Dynavector KARAT 17DX Naim Uniti Core Schiit Yggdrasil McIntosh C22/MC275 Wilson TuneTots B&W DB3D Nordost QKore/QBase/Frey 2 Transparent Super IsoAcoustics GAIA II Stax SR-009S with SRM-700T |
#28
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As another tube roller, could not agree more with what you have done & the results. Stock McIntosh tubes are selected primarily for reliability, with SQ being secondary. I put about 200 hours on my C22/MC275 with stock tubes just to insure they were good before rolling in new tubes in both.
Enjoy the music.
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Glenn... Canton Reference 9 Clearaudio SM Pro Focal Bathys JLA 10" Dominion Kuzma Stabi S w/MC & MM Magnepan 1,7i McIntosh MA8950 & MR88 Oppo 203 Roon Nucleus Rose Hifi RS150B Shunyata Gemini-4 Sony ST-A6B, TA-F6B, ST-J75 & PS-X75 Sorane SA1.2 & TA-1L Stillpoints LP1v2 WW Pt, Au & Ag Last edited by Formerly YB-2; 09-26-2023 at 08:43 PM. |
#29
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At 91db efficient, unless you are trying to fill a large room with loud music, Any 40wpc or larger tube amp should do a good job.
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Glenn... Canton Reference 9 Clearaudio SM Pro Focal Bathys JLA 10" Dominion Kuzma Stabi S w/MC & MM Magnepan 1,7i McIntosh MA8950 & MR88 Oppo 203 Roon Nucleus Rose Hifi RS150B Shunyata Gemini-4 Sony ST-A6B, TA-F6B, ST-J75 & PS-X75 Sorane SA1.2 & TA-1L Stillpoints LP1v2 WW Pt, Au & Ag |
#30
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MarSanz, absolute congrats on the 2301's! As I understand it, the 2301 was Dan's all time favorite amp. It was also Harry Pearson's of TAS all time favorite tube amp. It is super that Mac has two high powered tube amps that are unity coupled but otherwise very different in design. I know that my Mac friend prefers the 3500.
For me, not being a tube aficionado, and not into tube rolling in the least, I like that there is no option to roll tubes with the 3500 very much. ARC goes to great lengths to match their tubes and this may be a reason their amps sound so good. I don't know. I have learned that the red tubes and blue tubes are Mac's attempt to match the tubes in a 3500. The caveat is not to mix tubes in a 3500. Use either all reds or blues in the amp. I don't think the 2301 has the power to handle my XVX but certainly has the power to drive any conceivable speaker other than a speaker like an XVX. As to the sound quality, I am sure it is comparable to the 3500. I like the new binding posts and the better protection circuitry of the 3500 but this has zero to do with sonics. I like the looks of both amps equally well. I think the 3500 will sound more like a vintage Mac tube amp. However, the 2301 may very well sound better than the sound of a vintage Mac tube amp. I just don't think you can go wrong with either. I think the mids and highs of my 3500 are smoother than my 1.25's but the main difference is in the bass. The blend between my Thor and XVX is perfect using my 3500's because the 3500 produces a fatter/slower bass with my XVX than the 1.25's. The Thor bass is slightly fatter than XVX bass. So the fatter XVX bass just blends perfectly and the effect is very noticeable. Everything in the high end is a matter of taste. I have never liked ultra tight bass. For my tastes the extremely full upper bass produced by my 3500's suites me very well. One might think that I am sacrificing resolution, but this is not the case at all. I actually have significantly better bass resolution. I will never experience the bass of a 2301 but I am sure that it is equal or superior to the bass of a 3500. Again, absolute congrats on your new 2301's! Best Charles
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__________________________________________ Charles Updated System: Wilson McIntosh Audioquest Amps: McIntosh MC3500MKII (2); McIntosh MC1.25KW (2); MC2.1KW An (1) Preamp: C-12000 An Sources: MCD12000 An; MVP881; MVP851; MR87; Marantz 510LV; ASUS laptop Speakers: Wilson Audio Specialties Chronosonic XVX Sub-woofer: Wilson Audio Specialties Thor’s Hammer (1); Wilson ActivXO Stereo Electronic Crossover Cables main system: Audioquest WEL Signature speaker cables; balanced IC (preamp to main amps); WEL Signature digital coaxial cable for MVP 881/MCD12000; Audioquest Diamond optical (1) for tuner, (1) for MVP 851 DVD player, and (1) for LD player for total of (3); Audioquest Diamond USB cable; Dragon power cords (5 HC cords and 3 source cords for total of 8); Thunder HC power cord for MR87 tuner Cables subwoofer system: Audioquest Redwood speaker cable (1); Wolf balanced subwoofer IC; Wind balanced IC from preamp to ActivXO; Hurricane HC (3); Hurricane Source (1); Dragon HC (1) power cords Power conditioners: Audioquest Niagara 7000 (1) and Niagara 5000 (3); (4) dedicated 20-amp lines. Isolation: Wilson Pedestals; Bassocontinuo McIntosh Ultra Feet; X-material plinth Cabinet: Double Custom Woodwork & Design (CWD) Acoustic Treatments: Room and Echo Tunes Last edited by Charles; 09-27-2023 at 01:13 PM. |
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