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So, I am beginning to wonder the same thing about my KT120s....night before last, when I shut off the amp after a first evening of listening to them with real music for the first time, they sounded great. Last night they didn't sound good after all....as if they were distorting on louder passages, notably piano, etc and with dark quality....wondering if this is tube burn-in thing, as they sound good, then bad, then good, etc. until they start to actually sound good, or if I am indeed crazy. Nice thing is it's easy to swap out to the original 6550s to check.
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Lumin P1 streamer/DAC/preamp, Constellation Inspiration integrated TT: Michell Gyro SE MkII, SME V, Koetsu Urushi Vermilion, EAR324. Harbeth 30.2s, REL R-305, Shunyata Alpha V2 ICs, Alpha V2 SPs, Sigma XC, Sigma NRv2, Omega QR-s & Alpha NRv2 PCs, segmented Altaira SG stack w/ Alpha & Omega CGCs, Everest 8000 PD. Remote Server Room: Uptone EtherREGEN, AfterDark Master Clock & LPS, Alita, Battle Angel, (Akasa NUC Roon Core), iFi DC Purifiers (for SMPS used for Alita & router), Shunyata Gemini combo power distributor & Altaira-type CG GP-NR hub, Venom & Alpha CGCs, Shunyata NRv14 power cords for digital components. |
#42
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#43
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Lumin P1 streamer/DAC/preamp, Constellation Inspiration integrated TT: Michell Gyro SE MkII, SME V, Koetsu Urushi Vermilion, EAR324. Harbeth 30.2s, REL R-305, Shunyata Alpha V2 ICs, Alpha V2 SPs, Sigma XC, Sigma NRv2, Omega QR-s & Alpha NRv2 PCs, segmented Altaira SG stack w/ Alpha & Omega CGCs, Everest 8000 PD. Remote Server Room: Uptone EtherREGEN, AfterDark Master Clock & LPS, Alita, Battle Angel, (Akasa NUC Roon Core), iFi DC Purifiers (for SMPS used for Alita & router), Shunyata Gemini combo power distributor & Altaira-type CG GP-NR hub, Venom & Alpha CGCs, Shunyata NRv14 power cords for digital components. |
#44
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Jim Bedroom: Aurender N150-->Bryston BDA-3-->EMIA Elmaformer Cu passive line stage-->conrad-johnson MF2500-->Paradigm Studio 20 v.5 Wireworld Eclipse IC and SC Shunyata Delta D6, Alpha XC, Delta NR v.2, Alpha USB; Altaira CG Hub Stillpoints Aperture II; Ultra SS; Ultra Mini GIK Monster; 242 Butcher Block Acoustics Maple Platforms |
#45
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I would say punchy/dynamic. What does that indicate? Probably just that it's drawing more juice? I don't play too loud normally, but I have been burning in with power amp off and the volume a bit past my normal highest listening level, mindful of the advice to avoid clipping the preamp (which I had never thought was possible, but why take a chance?). That procedure does seem to warm the preamp and Adcom faceplates up more, and I do think it has helped with burn in.
Last edited by bgiliberti; 11-10-2011 at 01:56 PM. |
#46
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I don't know if it is an AC issue or some other issue but it sure ain't the teflons. The Classic SE uses teflons to bypass ploypropelene caps as opposed to the higher end models which use pure teflons throughout the signal pass. They should not had that huge of an impact on the sound quality. In this configuration the teflons bring more air in the highs and tigher bass but the mids are usually not effected that much.
My LP125M SE has 300 hours on it and it sounds absolutly amazing with no regression in sound since about 200 hours. I will write a more complete impression/review in another post. |
#47
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As an example I would swear that the ET-5 sounds better when played every day...as opposed to when several days go by without it being on. Almost as if it in fact "falls back" a bit. I would also swear that my Classic SE did NOT do this. In truth I've wondered this for years, with different gear etc. Why a given system would sound spectacular one day, and far less so another. AC Power? Relative Humidity? Phase of the moon? Position of Earth in relation to other planets? Pretty scary starting down that path. Getting back to reality, (as not much I can do about Earth's position in space anyway) I've accepted (kicking and screaming) that Teflon Caps need to break-in. Do they fall back after a few days of non-use? What about "human factors" ? One of these is when I switch from enjoying the music/system , to evaluating the music/system. I'm always fascinated how I can switch my system from sounding warm, liquid and engaging to dry, flat and lifeless when I start trying to determine for example if power cord A sounds better than power cord B. I don't mean to vector this discussion off track..but this has been a fascinating interest of mine for years now and I had to put my 2cents in! Who remembers the Tice Clock? |
#48
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