#11
|
||||
|
||||
Quote:
I commented about the piece some months ago, after I had been in the dealership the day they opened the box on their first MC452. My initial impression and current impression remains favorable. I have gone back to listen several times. The dealer's MC452 is set up with gear that is comparable to my own. Having gotten passed the excitement of the piece being new, I have had one reservation or concern: whether the forward nature of the sound (which includes the positive attribute of a larger sound stage) might get fatiguing after a while. My listening habits include occasionally pushing the amplifier toward maximum output level. And of course, one of the things about McIntosh that I have always enjoyed is that you can push the amplifiers to maximum output and generally what you get is simply maximum music. The sound is astonishingly never fatiguing. I qualify my concerns by recognizing that building amplifiers like the MC452 is exactly what McIntosh has traditionally done best, and it seems hard to believe that any McIntosh amplifier would deviate from this tradition. In any event, I would appreciate your additional comments and the comments of others. Thanks, and congratulations on the two new pieces (MCD1100) of gear. |
#12
|
|||
|
|||
Your excellent description of the character of the 452 convinces me of a perfect scenario "match made in heaven" complement with the MCD1100. The forward, not objectionable, presentation of the 452 will be softened and humanized with a fullness of vocal depth and, not only the location of each secondary instrument on the stage, but whether it is 3 or 4 feet in front or back, left or right of the main performer. I would guess that the new amps from Mac were tweaked with the new technology in the 1100's.
I think you are going to be awed with your new combination. Howard |
#13
|
|||
|
|||
Dan
As always, you have provided us with a thorough and well thought out review. If I understand your comments about the 452's "new" sound, the new design might be McIntosh's attempt to improve the pace of their amps. I have always perceived Mac amps to be slower but more musical when compared to something like Krell. Maybe the 452 is a slight nudge to the quicker side. Sounds good to me. Jim |
#14
|
||||
|
||||
Massimo.......I like the idea of a mathematical equation, or ratio being assigned to demonstrate how the amplifiers compare. I would say that your analysis is accurate.
__________________
Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A |
#15
|
||||
|
||||
Fantastic review Dan. You provide exactly the kind of information that many of us care about - how does it sound compared to what we are familiar with. I am not surprised that the McIntosh is moving the sonic signature "forward" - in both senses of the word.
There would be little point in introducing new amps that sound just like the older amps (except, perhaps, for 50 more watts/ch), so McIntosh had to decide in which sonic direction to go. Going toward a more relaxed and less forward sound might have please a small minority - but got them "killed" by most professional reviewers (with the possible exception of Art Dudley) and turned off the majority of potential buyers, so they had to go in the other direction. That's why I am not surprised by your review. I would have been surprised if you had heard something different than what you did. Based on your description, they managed to make the amp sound more "modern" while maintaining the sense of musicality and low listening fatigue that has made many of us McIntosh fans. In other words, it still sounds like a McIntosh (and not a Krell or, say, a Mark-Levinson.) I look forward to future updates on your experience with the MC452, and thanks again for a great review that told us (or at least me) exactly what we wanted to know! Alberto |
#16
|
||||
|
||||
Quote:
The MC452 has only been in my studio system for eleven days, with the first nine days going through its break in period. I kept an open mind during this time so that I would not have a preconceived notion of it's sound before I began critical listening for the evaluation and review. The 452 may very well continue to settle, although it has definitely arrived at a more permanent sound than during the first week of play. Yesterday was the first day I spent extended time auditioning the new MC452. In all, I think I spent six hours in the sweet spot listening to a dozen different CD's and SACD's. During that time I was aware of the amplifier's new presence being more forward than the 501's, but the quality of the sound was spectacular. I did not find myself wanting to reduce the volume, or turn the amp off. I interpret this to mean I was not fatigued by my listening experience. The MC452 can best be described as powerful, dynamically quick, accurate resolution, articulate, with a very detailed sound that is presented in a slightly forward manner from other McIntosh amplifiers. I don't find this new distinguished quality objectionable, only slightly different than my long tempered listening habits with many other McIntosh amplifiers. The MC452 is not fatiguing, in fact it is quite exciting. Yes, it makes your toe tap and your head bounce, too.
__________________
Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A Last edited by jdandy; 01-05-2013 at 05:48 PM. |
#17
|
||||
|
||||
Quote:
__________________
Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A |
#18
|
||||
|
||||
Quote:
__________________
Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A |
#19
|
||||
|
||||
Quote:
__________________
Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A |
#20
|
||||
|
||||
Excellent review Dan! Thanks!
McIntosh should pay you to review their products. Your review was concise, informative and a pleasure to read. Outstanding job!
__________________
HAROLD... Pioneer Elite 7.1 Rcvr, (2)MC402 Power Amps, MC58 Multi Channel Amp, Vienna Beethovens and Oratorio Center, Boston Surrounds, (3)Outlaw Subs,(2)PS Audio PPP, Panasonic LCD Proj, Oppo Blu-ray, AppleTV, WireWorld Silver Electra Power Cords. |
|
|
Audio Aficionado Sponsors | |