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JL Audio Ahead of the Curve

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Old 09-10-2010, 09:54 PM
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Default Sound Anchor Subwoofer Stand for Fathom f113




I received my new Sound Anchor subwoofer stand this afternoon, all 70+ pounds of it. It was packed well, bolted to a plywood base in a heavy cardboard shipping box. After unpacking the stand, I installed the four spikes on the bottom of the stand, placed it where my Fathom had been sitting, and proceeded to wrestle the Fathom up and onto the stand. The Fathom f113 is an awkward monster when trying to move it by yourself. I managed to get it on the stand without any damage to the finish, but it was not easy. (Advil tonight).

After reconnecting the left and right line inputs and power cable, plus a thorough cleaning of hand prints on the subwoofer, and a wipe down of the stand to remove dust, I was now ready for an audition. First up, Brian Bromberg, "Never Give Up". Brian's electric bass on this track is a nice test of bass tone, attack, and extension. My immediate impression of the Fathom being elevated seven inches above the carpet was a new sense of depth and width from the lowest octaves in the sound stage, a more three dimensional image to the bass. My second impression was the volume level of the bass from the Fathom was lower in the new elevated position than at floor level. This was quickly resolved with a slight increase of the Fathom's Master Level control. The Sound Anchor subwoofer stand has made a very nice improvement in the dimensional quality of the lowest octaves, and for this alone it is worth the price.

The quality of construction of the Sound Anchor subwoofer stand is impressive. Every piece has been accurately measured, cut and welded with a high degree of mechanical craftsmanship. The fit and finish is impressive, and the solidity of the finished product is in the Sherman Tank category. No light weight materials were employed in this design. Do not, I repeat, do not stub your toe on this stand. Your toe will lose! A vacuum cleaner will be no match for this serious subwoofer stand, either.

The stand is actually larger than I had anticipated in its front to back measurements. The manner in which the front and rear crossbars were attached leaves these steel members jutting forward and rearward past the actual front to rear dimensions of the subwoofer. This certainly creates a solid foundation, but will take some time for my eyes to adjust to the visual impression. One thing I like about the spikes is they pierce the carpet and embed themselves in the sub-floor creating a vibration free stand. A plus is the spikes keep the stand just at the carpet pile height so no deep carpet impressions will form from its placement.

I can recommend the Sound Anchor subwoofer stand. Ivan and Robert have managed to design and produce an attractive, and highly functional subwoofer stand that compliments the visual beauty of the Fathom subwoofers, and improves the three dimensional quality of the lowest octaves in the sound stage. In my opinion, this stand is a winner for anyone with a JL Audio Fathom subwoofer.
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STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario
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VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A

Last edited by jdandy; 01-28-2018 at 06:40 PM.
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Old 09-10-2010, 10:21 PM
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The entire combination of speaker and base is a piece of art. It looks totally right, with rock-solid structure and makes the F113 go from a beautifully finished box to a piece of contemporary furniture. I really like it.
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Old 09-10-2010, 10:45 PM
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What Howard said, plus one. It really does look "right". I like it.

Pete
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Old 09-10-2010, 11:10 PM
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Quote:
Originally Posted by hkval View Post
The entire combination of speaker and base is a piece of art. It looks totally right, with rock-solid structure and makes the F113 go from a beautifully finished box to a piece of contemporary furniture. I really like it.
Howard.......I agree with you. The more I look at the total package the more I like the appearance. It definitely improves the stature of the subwoofer in the room.
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STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario
LIVING ROOM - McIntosh C2300, MC452, MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113
VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A
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Old 09-10-2010, 11:15 PM
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Dan, by tomorrow when you see it again you will think how blah it looked all by itself on the floor.

The stands present the "Throne" for the King of Subs.
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Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1/D1 STACK, G01X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) PS AUDIO P20, WIREWORLD PLATINUM CABLES

Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1 CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000T/PS8, WIREWORLD PLATINUM CABLES
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Old 09-10-2010, 11:24 PM
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Quote:
Originally Posted by Vintage Pete View Post
What Howard said, plus one. It really does look "right". I like it.
Pete.......Thank you. The improvement in bass dimension is a nice treat. I was listening to Dan Seigel earlier, and the acoustic bass was right in the middle of the room and just behind the piano. Very three dimensional presentation.

I think tomorrow I may recalibrate the Fathom to the room. Although I don't think I lost anything by raising the sub, I believe the existing sub curve stored in the Fathom's memory may benefit from new measurements. To my way of thinking, the seven inch elevation achieved by the new subwoofer stand would impact the computed curve in the same manner as if I had moved the sub seven inches one way or the other at floor level. It may or may not prove to be an advantage over what I am hearing right now, but curiosity drives me to see and hear what a new calibration curve might produce with the new subwoofer elevation.
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STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario
LIVING ROOM - McIntosh C2300, MC452, MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113
VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A

Last edited by jdandy; 09-10-2010 at 11:28 PM.
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Old 09-10-2010, 11:41 PM
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Quote:
Originally Posted by Masterlu View Post
Dan, by tomorrow when you see it again you will think how blah it looked all by itself on the floor.

The stands present the "Throne" for the King of Subs.
Ivan.......It is true, and I like that concept. It won't take long to grow accustomed to the new look.
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STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario
LIVING ROOM - McIntosh C2300, MC452, MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113
VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A
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Old 09-10-2010, 11:43 PM
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Great review as always Dan!

I feel the same away about the improvement in soundstage and luv the look!

Enjoy!

Mike
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Old 09-11-2010, 12:07 AM
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Quote:
Originally Posted by KahunaCanuck View Post
Great review as always Dan!

I feel the same away about the improvement in soundstage and luv the look!

Enjoy!

Mike
Where's your pics Mike?
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MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) LUMAGEN RADIANCE SCALER, SONY VPH-G90U PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WIREWORLD PLATINUM CABLES
Reference System: ACCUPHASE A250 AMPS, C3850 PRE-AMP, DP950 CD/SACD TRANSPORT, DC950 DIGITAL PROCESSOR, DG-58 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WIREWORLD PLATINUM CABLES
CAPE COD

MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS, LUMAGEN RADIANCE SCALER, SONY VPH-G90U PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO, FORTRESS SEATING, WIREWORLD PLATINUM CABLES
Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, WIREWORLD PLATINUM CABLES
Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1/D1 STACK, G01X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) PS AUDIO P20, WIREWORLD PLATINUM CABLES

Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1 CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000T/PS8, WIREWORLD PLATINUM CABLES
Bryston/Esoteric System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS, BIT-15(2) AMR-DP777-SE DAC, SILENZIO, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WIREWORLD PLATINUM CABLES
Accuphase/Canton System: ACCUPHASE E650 INTEGRATED, DP560 CD/SACD PLAYER, T1200 FM STEREO TUNER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WIREWORLD GOLD CABLES
Bryston Active System: BP26 PRE-AMP, MPS2 POWER SUPPLY, BAX-1 CROSSOVER, BDA-3 DAC, BDP-3 PLAYER, BCD-3 CD PLAYER, BIT15(2), MODEL T ACTIVE SPEAKERS, 21B3 CUBED AMPS, SILENZIO, TARGET RACK, WIREWORLD SILVER CABLES
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Old 09-11-2010, 12:15 AM
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KahunaCanuck KahunaCanuck is offline
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I took this previously...


...but I will try to get some updated ones done...
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