#11
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Ivan.......Here's my two reel to reel machines.
Akai GX-636 (1/4 track heads) Revox B77 Mk2 (1/2 track heads)
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Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A |
#12
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A couple of years ago I had ATR services build a "new" Ampex with 1/4 and 1/2 heads, a remote, etc. Got it setup, figured out the tape preamp issues, subscribed to the Tape Project, and enjoyed the whole tape thing, for a while. I kind of soured on it when I later found out that a bunch of "Master Tapes" that I had bought from an overseas source were actually copies of SACD's.
Eventually I figured out that buying hires files and using a good DAC/computer setup was a lot easier to deal with than the RtoR and provided a comparable listening experience so now the Ampex just decorates my room and my closet is full of tapes. On the other hand, I am really liking the high resolution files and my DAC2x. |
#13
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#14
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I don't own or purchase prerecorded reel to reel tapes. I use the Akai GX-636 with 1/4 track heads to make mixed music tapes for my enjoyment, and to transfer client's 1/4 track reel to reel tapes to digital disc. I use the Revox B77 Mk2 with 1/2 track heads to make live studio recordings direct to tape. The Revox B77 really shines recording live.
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Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A |
#15
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#16
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Yes, a couple of years worth. Half were 1/4, the rest 1/2". I felt they were sonically quite good but not always my choice of material.
Then too, I prefer to select individual songs which is easy on a computer and impractical on a tape. |
#17
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Once more audiophiles start buying these tapes, a wider selection will become available.
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#18
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Tony, apart from TTP & Opus3, do you know of any other good software labels?
Great avatar BTW. |
#19
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#20
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Groove Note will be playing three three tapes at the Newport show. There's also Jonathan Horwich/Int. Phonogram. There should also be more tapes from a European record label (that I'm not at liberty to say just yet) coming out in the near future.
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Myles Astor, Senior Editor., Positive-Feedback.com, Goldmund Telos 300 amplifier, Goldmund Mimesis 37S Nextgen preamplifier, Doshi EVO phono and tape stages; Zellaton Plural EVO speakers; VPI Vanquish Turntable, VPI 12-inch Fat Boy gimbal arm and SAT LM-12 arm; Lyra Atlas SL Lambda, Fuuga mk.2, vdh Colibri Master Signature cartridges; Technics 1506/FM heads; Various cables including TA, MIT, Kubala-Sosna, Skogrand, Viero L3 Equilibrio speaker cables, Audience, SRA Craz 3 rack, Isobase and OHIO Class XL+2.1 platforms. |
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