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Tubes & Valves Upgrades, Spares & General Comments |
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#1
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Anyone compared chryoed vs non chryo kt 120s
I like the extra "torque" like ability to do work that my kt 120's have over my 6550's in my c-j pr 12 mono blocks. But they are chryoed and have a little hardness especially when matched with chryoed 5751's and 6fq7's. Right now I am running non chryo small tubes and there is a hint of hardness but at the same time a measure of c-j typical warmth and sweetness; not too much in either direction. This sweet and sour type of combination is a very enjoyable. sound stage is excellent with this combo with no 6550s much improved
I wonder what some non chroed kt 120's would sound like if anyone has already compared. maybe i will buy a second set of 120's and compare . Chryo vs non chryo. Last edited by rlw3; 10-07-2012 at 05:13 PM. |
#2
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I am not a proponent of cryo'ing tubes -- I don't quite buy the fact that it helps in anyway. IMO, it weakens the internal structure/filament of tube by doing so. Have a chemist and an tube engineer gather in one place and show me otherwise and I could be swayed.
Someone dreamt up a way to make money -- like a 'hot stamper.' Best Bob
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Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters. Preamp:VAC Statement (on order) (Silver Flake) Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver) Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's. Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974). Vibration Control:TT on HRS M3X2-1921 shelf. Speakers:Wilson Audio Alexia V (on order in Ferrari Argento Silver/Parchment grills sitting on Acoustic Diode Kit). Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock. Power Distribution:Ansuz Mainz D3 Distributor & Ansuz Mainz C2 1M Power Cable Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers. Speaker Cables:2M Nordost Odin 2 Supreme Reference on Nordost Sort Lifts. (on Order) Signal Cables:Nordost Odin XLR's on dCS DAC & Amps. Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC. Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital Ethernet Cable: WireWorld Platinum 1M Starlight® 8 Twinax Headphones:Vintage Koss Pro IV AA. RCM: Audio Desk PRO Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Power Amp & Preamp & Space Tech Labs ATT-3.02 tube test sets. |
#3
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Quote:
This was not a thread asking whether or not one likes chryoed tubes. To my knowledge there has been no discussion that chryoing weakens the internal parts of a tube. If anyone knows of some articles that show this negative please share their title so we all can read it. I hope to get some kt120s that are not chryoed and report back on this thread. Then i will review chryo vs non chryo tubes on my cj act 2.2 and then on my art audio phono -6h30p and 6n1p respectively I am open minded as the biggest benefit of tubes outside of their native quality of sound is their ability to be exchanged, thus changing the voicing. thanks, ray |
#4
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No, but I heard cryoed tubes are invincible!
What happens to the molecular state when the tube is powered & heats up again...Is this the subsequent annealing process that consolidates the benefit of cryo dipping? Any metallurgists out there that would care to weigh in & offer some science to the dubious premium of cryo treating 40 year old tubes for example? I do think that Herbie's tube Dampeners offer better results than a naked tube though. Last edited by MyPal; 10-08-2012 at 12:33 PM. |
#5
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I've also used cryoed 6H30π-EB's and thought they offered a small improvement over the stock version of that tube but overall, not nearly the same improvement that the 6H30π-DR yields over the -EB (either version). Just my 2˘ but then it always come down to one person's opinion. Last edited by Joe Appierto; 10-08-2012 at 12:31 PM. Reason: Correction |
#6
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Lumin P1 streamer/DAC/preamp, Constellation Inspiration integrated TT: Michell Gyro SE MkII, SME V, Koetsu Urushi Vermilion, EAR324. Harbeth 30.2s, REL R-305, Shunyata Alpha V2 ICs, Alpha V2 SPs, Sigma XC, Sigma NRv2, Omega QR-s & Alpha NRv2 PCs, segmented Altaira SG stack w/ Alpha & Omega CGCs, Everest 8000 PD. Remote Server Room: Uptone EtherREGEN, AfterDark Master Clock & LPS, Alita, Battle Angel, (Akasa NUC Roon Core), iFi DC Purifiers (for SMPS used for Alita & router), Shunyata Gemini combo power distributor & Altaira-type CG GP-NR hub, Venom & Alpha CGCs, Shunyata NRv14 power cords for digital components. |
#7
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Extra charge for chryoing tubes was $6 each at upscale so they are not getting rich. Used all chyro thru out pr 12 was too much. Really like the way a little hardness/speed of decay from chryo kt120 offsets the typical cj richness/slowness from 6550 when paired with non chryo 5751 and 6fq7s
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#8
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Never tried them myself but heard them at other places. Always seemed like people are hearing what they expect to hear. I never heard much difference certainly not for the better, if anything they were drier sounding.
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#9
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[QUOTE=rlw3;375672[/QUOTE]
Parden me Ray, but your last couple words is what opened the door to my opinion --- "Chryo vs non chryo". Next time I'll try and read thru the tea leaves. Best Bob
__________________
Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters. Preamp:VAC Statement (on order) (Silver Flake) Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver) Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's. Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974). Vibration Control:TT on HRS M3X2-1921 shelf. Speakers:Wilson Audio Alexia V (on order in Ferrari Argento Silver/Parchment grills sitting on Acoustic Diode Kit). Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock. Power Distribution:Ansuz Mainz D3 Distributor & Ansuz Mainz C2 1M Power Cable Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers. Speaker Cables:2M Nordost Odin 2 Supreme Reference on Nordost Sort Lifts. (on Order) Signal Cables:Nordost Odin XLR's on dCS DAC & Amps. Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC. Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital Ethernet Cable: WireWorld Platinum 1M Starlight® 8 Twinax Headphones:Vintage Koss Pro IV AA. RCM: Audio Desk PRO Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Power Amp & Preamp & Space Tech Labs ATT-3.02 tube test sets. |
#10
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thanks bob
just trying to do some useful apples to apples comparisons where only one variable is different. just ordered the tubes from upscale who sez they will exchange chryo for non chryo 120s if i call them after getting 50 hrs on them. upscale audio gives great service IMO |
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