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The difference a DAC makes
I have been trying to determine the importance of the actual DAC chip in what we hear compared to the implementation. I would appreciate any advice or help that any of our AA friends can offer.
We all know that the same music sounds different when played through different components. Vinyl has characteristics not found in digital. The higher def the digital, the better it sounds. Well, I think that every now and then something comes along that makes such a profound change in the way we do things that it should be recognized accordingly. The overwhelming reason we have reached 7 billion people on the planet is antibiotics. I think that listening to digital music has been profoundly changed by the improvement in timing implemented by the guys who designed the ESS 7018 chip. The MCD500 was so much better than its predecessors because of the switch from Burr Brown to Sabre. I never got a MEN220 because it digitized your analog signal processed it and converted it back to analog. The DACs in it are no where near the ones in the MCD1100. The MCD500 has an earlier version of the Sabre chip but it was leaps and bounds above its predecessors. Now to the next question, what role does the chip itself play. The Oppo 95 uses the same chip as the MCD1100. Audiolabs MDAC and 8200CDQ use the same chip. If we have enough guys interested, we can compare components and determine the degree of difference is in implementations of the ESS 9018 chip. I believe the end result will be that even though the transport and rest of the circuits are important, the chip because of its drastic improvement in timing is the main factor and therefore we should encourage future development at MAC to go that way. The replacement for the MX151 could implement them and make it the best processor yet to be built. Thoughts? |
#2
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Not only you need to be set up for listening to various DACs only (very though to do, but some guru people do), but everyone has different preferences on sound characteristics (goes with personal emotions and our own particular set of ears).
* You can find online some special places where they analyse just various DACs only (nothing else), by listening to them and their variances according to the listener's taste. Just like that it is impossible to answer your question. But I do know that a quad-differential balanced DAC implementation usually sounds best. Then dual-differential balanced (dos DACs per channel). Good DACs: The one you just mentioned above, - ESS ES9018 Sabre 32-bit/192kHz DAC. - Burr-Brown PCM-1704k (K grade is the very best, the highest grade). ...24/96 - Burr-Brown TI PCM-1792. ...24/192 (Or DSD-1792) ...Among some of the best between many more. And use two, or four DACs per channel in a differential fully balanced implementation for the very best results with the lowest noise floor. ...Pitch Dark background. Last edited by LordoftheRingsEE; 04-27-2012 at 10:11 PM. Reason: typos |
#3
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I used to think it was the DAC chipset itself that was key and have been a fan of the ESS Sabre series, both the 9016 and 9018, but having owned and very much liked a Schiit Bifrost, I think the AKM chipset can sound very good, too. Also, the analog output end of a DAC component has a LOT to do with the final overall sound.
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Lumin P1 streamer/DAC/preamp, Constellation Inspiration integrated TT: Michell Gyro SE MkII, SME V, Koetsu Urushi Vermilion, EAR324. Harbeth 30.2s, REL R-305, Shunyata Alpha V2 ICs, Alpha V2 SPs, Sigma XC, Sigma NRv2, Omega QR-s & Alpha NRv2 PCs, segmented Altaira SG stack w/ Alpha & Omega CGCs, Everest 8000 PD. Remote Server Room: Uptone EtherREGEN, AfterDark Master Clock & LPS, Alita, Battle Angel, (Akasa NUC Roon Core), iFi DC Purifiers (for SMPS used for Alita & router), Shunyata Gemini combo power distributor & Altaira-type CG GP-NR hub, Venom & Alpha CGCs, Shunyata NRv14 power cords for digital components. |
#4
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AKM (Asahi Kasei Microdevices) DACs I like too; they are revealing (detailed) and with tight & full bass.
WM (Wolfson Microelectronics) DACs; some of them are also pretty good sounding (in general 'smooth'). And there is the Ring DAC (Arcam, dCS Paganini - Puccini, Meridian, ...). ...A very nice high-end one. Last edited by LordoftheRingsEE; 04-27-2012 at 10:09 PM. Reason: dCS Paganini |
#5
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The chip itself, along with the analog and power supply sections are all equally important when it comes to the overall sound of the unit.
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2CH: W4S DAC-2, W4S STP-SE, W4S SX-500, Custom ScanSpeak/SEAS Towers, Hot Rodded Rega TT and Jolida JD9 Phono Pre, Asynch PC Transport, WireWorld Gold Eclipse 6 XLR HT: Marantz AV7005, W4S Mini MC-5, Custom Waveguide Towers, SVSPB12-Plus/2 |
#6
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Quote:
I would love to see McIntosh do this in their next MX. See the MX160 thread & vote! |
#7
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Do not forget the digital interface.
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#8
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Do not forget the digital interface.
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#9
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also component placement, trace routing, shielding, supply rail decoupling, and overall board layout
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Mains -> RSA_HZ-Crown-Jewel -> RSA_Dmitri -> Lessloss_DFPCs -> Olive_04HD+W4S_DAC2 / Oppo93 -> W4S_STP-SE -> Sanders_Magtech_Monos -> ML_CLXArt+Depthi(x2) -> Todd |
#10
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I have found the analog amplification circuits following the DAC have just as much eefect on the overall sound quality as the DAC itself. Up-sampling and filters also have a big influence on the DAC quality. Bottom line the sound is determined by the DAC as a whole and not by the DAC chip alone in my experience.
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