#21
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Congratulations Bob. I wish the news was better and it sucked so I wouldn't have to buy one eventually!
I have been using a VPI 16.5 for 10 years with Audio Intelligent fluid, to great effect. However, I always knew an ultra sonic cleaner was in the plan.
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Main System Basis 2200 Signature/Vector 4/Transfiguration Proteus Ortofon Cadenza Black Allnic H3000/CJ ET5/Mcintosh 501's Thiel CS3.6 Thiel CS6 MIT EVO 2 IC Straightwire Maestro II SC Shunyata Denali SV2 Shunyata Sigma XC Wywires Juice PC’s Kubala Sosna PC’s Dedicated 20 amp lines Porter Ports Arcici Ref Suspense Stand Rives acoustically designed room Shore House Basis 1400 Signature/Hadcock 228/Ortofon Jubilee ARC PH 5/Meridian 200/Meridian 263 DAC CJ Premier 14/Classe CA200/Thiel 3.6 Wywires Silver IC/Stereolab Diablo SC/MIT Z cord II |
#22
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Nice pickup! I was skeptical of RCMs when I first began the journey. I went from a Spin Clean to a Okki Nokki to a Klaudio. Great improvements each step of the way and you've gotta love the results and ease of use with ultrasonic compared to more manual methods.
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#23
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Congratulations Bob, that unit really seems very effective. One question, which is more general about cleaners with this configuration: is there any risk of the fluid dripping down to the label while it is wet and spinning?
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Sources: Vinyl: Clearaudio Innovation Wood turntable with 9" Universal tonearm, Da Vinci V2 cartridge, Stillpoints SS & Stillpoints clamp, McIntosh MVP 901, Apple Mac mini via Benchmark DAC 1, Aurender N100C via Schiit Yggdrasil Control: McIntosh C1100, Mcintosh MX151 Power: Mcintosh MC2301s (front), McIntosh MC501 (center), Mcintosh MC402 (rear) Speakers: Sonus Faber Amati Futura (front and back), SF Vox center Power/connections: PS Audio Power Port receptacles, RGPC 400 pro (2) WireWorld interconnects and speaker cable |
#24
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Quote:
So what you see as the record exits the bath can best be compared to what one notices after wiping a countertop with a damp dish cloth. A very light coating of water on the countertop, until it dries minutes later. With the Audio Desk PRO, once the record leaves the bath, the light coating of water that remains prior to drying isn't enough to induce a drip onto the label. Best Sir, Bob
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Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters. Preamp:VAC Statement (on order) (Silver Flake) Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver) Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's. Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974). Vibration Control:TT on HRS M3X2-1921 shelf. Speakers:Wilson Audio Alexia V (on order in Ferrari Argento Silver/Parchment grills sitting on Acoustic Diode Kit). Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock. Power Distribution:Ansuz Mainz D3 Distributor & Ansuz Mainz C2 1M Power Cable Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers. Speaker Cables:2M Nordost Odin 2 Supreme Reference on Nordost Sort Lifts. Signal Cables:Nordost Odin XLR's on dCS DAC & Amps. Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC. Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital Ethernet Cable: WireWorld Platinum 1M Starlight® 8 Twinax Headphones:Vintage Koss Pro IV AA. RCM: Audio Desk PRO Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Power Amp & Preamp & Space Tech Labs ATT-3.02 tube test sets. Last edited by vintage_tube; 03-21-2018 at 12:54 PM. |
#25
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Thanks Bob, the video I watched seemed to confirm what you said, but your description is exactly the answer needed. One could imagine having to stand by with an absorbent towel or cloth, which would just introduce fibers onto the record! (OK, I'll refrain from bad "circular" jokes and puns).
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Sources: Vinyl: Clearaudio Innovation Wood turntable with 9" Universal tonearm, Da Vinci V2 cartridge, Stillpoints SS & Stillpoints clamp, McIntosh MVP 901, Apple Mac mini via Benchmark DAC 1, Aurender N100C via Schiit Yggdrasil Control: McIntosh C1100, Mcintosh MX151 Power: Mcintosh MC2301s (front), McIntosh MC501 (center), Mcintosh MC402 (rear) Speakers: Sonus Faber Amati Futura (front and back), SF Vox center Power/connections: PS Audio Power Port receptacles, RGPC 400 pro (2) WireWorld interconnects and speaker cable |
#26
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Vintage Tubes and Record Cleaning, LLC
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#27
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Having cleaned maybe 75 records -- I just love this machine and with it's ease, I've often thought what took me so long. A push by several AA members, specifically Aditya (docmd1020) put me on the straight & narrow.
The simplicity of design, even though complex to incorporate in a small box, negates the operator from the labor intensive RCM's. Ensure the record is slotted correctly & spinning after the water bath fills up & walk away & do something else like peruse AA, check the mail, prep dinner, enjoy a song or surf MD/ED/AS or whatever. If you can swallow the price, it's Highly Recommended. Best Sirs, Bob
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Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters. Preamp:VAC Statement (on order) (Silver Flake) Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver) Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's. Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974). Vibration Control:TT on HRS M3X2-1921 shelf. Speakers:Wilson Audio Alexia V (on order in Ferrari Argento Silver/Parchment grills sitting on Acoustic Diode Kit). Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock. Power Distribution:Ansuz Mainz D3 Distributor & Ansuz Mainz C2 1M Power Cable Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers. Speaker Cables:2M Nordost Odin 2 Supreme Reference on Nordost Sort Lifts. Signal Cables:Nordost Odin XLR's on dCS DAC & Amps. Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC. Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital Ethernet Cable: WireWorld Platinum 1M Starlight® 8 Twinax Headphones:Vintage Koss Pro IV AA. RCM: Audio Desk PRO Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Power Amp & Preamp & Space Tech Labs ATT-3.02 tube test sets. Last edited by vintage_tube; 03-20-2018 at 10:00 PM. |
#28
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Even though I'll drain the Audio Desk PRO after a cleaning marathon & put it away in the closet on the hardwood floor.
I was thinking; what about cleaning several and putting it away filled with a litre of fluid/concentrate mixture and say, tomorrow use it again for a half dozen or more? Definitely don't want for whatever reason or Murphy's Law to see a litre of water on the hardwoods & out into the hallway. So, purchased this at the local grocery store. Should do the trick & if it leaks, with the Audio Desk PRO sitting comfortably within, it's definitely large enough to hold a litre of fluid. Best Sirs, Bob
__________________
Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters. Preamp:VAC Statement (on order) (Silver Flake) Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver) Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's. Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974). Vibration Control:TT on HRS M3X2-1921 shelf. Speakers:Wilson Audio Alexia V (on order in Ferrari Argento Silver/Parchment grills sitting on Acoustic Diode Kit). Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock. Power Distribution:Ansuz Mainz D3 Distributor & Ansuz Mainz C2 1M Power Cable Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers. Speaker Cables:2M Nordost Odin 2 Supreme Reference on Nordost Sort Lifts. Signal Cables:Nordost Odin XLR's on dCS DAC & Amps. Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC. Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital Ethernet Cable: WireWorld Platinum 1M Starlight® 8 Twinax Headphones:Vintage Koss Pro IV AA. RCM: Audio Desk PRO Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Power Amp & Preamp & Space Tech Labs ATT-3.02 tube test sets. Last edited by vintage_tube; 03-23-2018 at 04:15 PM. |
#29
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You’re much more careful than I. I probably use it 8 or 10 times a week (sometimes more on a good week) and leave it filled during the interim. Likely not optimal, but it does fine.
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