#21
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I feel you have hit the nail on the characteristics of these speakers having owned both.
My view mirrors yours and find the mids up superior to the scala and the big sound staging. I did find however that the scala has a triat which gives a snappier hitting upper bass with the maestro more mellow. It could be room and positioning and Scala much easier in placment for it to show its fundamental sonic character. E.g the footer you recommend may have make a shockingly large difference/improvement. Meastro on the other hand, imho may require much further tweaking in all areas and can attain a much higher sonic score but what seems any flaws in room, placement andassociated gear could make or break it. |
#22
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To add, does more bass come at any expense of slightly subjectively perceived less spped and pace. I would imagine the stillpoints added more highs and less darker.
The natural clearer highs and mids of the maestro does sound a db or two lower but with tremendous naturalness. |
#23
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Quote:
In musical terms, the Scala bass can lean a fraction towards the "hifi" sound but you only notice after hearing the maestro. The Stillpoints are crazy - they actually clear the entire frequency response. You get immediately more resolution across the whole spectrum and things just seem to time even better. It was not a small upgrade at all. Startling - but then I use mine on a heavily carpeted room so maybe that was why. Also bear in mind that one of the lovely things about these speakers is that they take on the character of what you feed them so profoundly. Hearing these with vtl mb450s sounds nothing like devialet. Under blind conditions you would not believe it. |
#24
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Seems my posts doesnt get through.
The Scala is a great speaker too, guess the maestro just trumps it to another level. Naturalness is always the case when going the next level up and losing the brightness and artificial sound is always good. Hope its not just genre related an improvement over time |
#25
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OP have you thought about upgrading to the Devialet D500?
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#26
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Before I changed to Magico, I owned the Focal Electra 1037Be for 4 years, enjoyed them alot especially with E-550/E-560 from Accuphase.
Accuphase and Focal work well together. Olaf
__________________
Moon 700i V2, dCS Rossini, YG Acoustics Hailey, Aurender N10, Ansuz Mainz D2 |
#27
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Many times
Just have not the spare cash @ the moment for that upgrade. Instead, I am pursuing the room treatment route. Expecting a gik monster bass trap today in fact. |
#28
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Driving Scala Utopia III v1 with a pair of LAMM ML2.1.
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#29
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Burmester 909's on a friends system.
__________________
Ivan FLORIDA MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES CAPE COD MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES |
#30
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Uhhhhh yeah, that'll do pig; that'll do.
__________________
Main: McIntosh XRT1K MDA1000 MC402 | JL F113 | Bryston BUC-1 | WireWorld Cabling | RGPC1200C | PPP
Office: Bel Canto S300iu 24/96 | KEF LS50 | REL R218 | WW Mini Eclipse | 18 TB Media Server Mobile: McIntosh MX406 MDA5000 MCD4000 MCC420M | JM Lab/Focal Utopia |
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