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McIntosh Audio A Tradition of Excellence |
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#11
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ProAc makes really great speakers, very musical. I did not listen to the D38 and D80 side by side with the EB1i. But I know them rather well. I would say the EB1i are better to my taste to the D80. They have better dynamics and their bass is more deep and powerful. ProAc may be more charming on some discs, and the medium is maybe more colourful, but all parameters considered, the EB1i are better performers to my ears. Their timing and pace is far better than the ProAc speakers. ProAc have never been acclaimed for dynamics. They are rather tranquille speakers, "easy listening." Everything you put in them, goes out with a brilliant varnish. The sounds are magnified. It's rare to hear a bad sounding disc with ProAc. I would say ProAc are Frank Sinatra. And PMC are Eva Cassidy. I feel more tension with the PMC. They are a bit more alive. That's just a question of taste.... Did not hear the D100 though ! But I would not change even a D38 with a pair of BW 802 : I like ProAc speakers very much !
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There are two means of refuge from the miseries of life: music and cats Albert Schweitzer |
#12
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Last edited by PHC1; 04-21-2009 at 04:02 PM. |
#13
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Usually in France, ProAc speakers are driven by top of the line Naim Audio electronics. The kind of amps you would not qualify as "anemic"... But don't misunderstand me. I did not say ProAc are not dynamic. I said that they are less dynamic than PMC (or other brands, like Wilson Audio, Linn, JM lab etc... )
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There are two means of refuge from the miseries of life: music and cats Albert Schweitzer |
#14
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#16
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klypschpyro,
The MC1.2KW I believe. MCD500 for source, but I am not sure of the preamp, I'm thinking it was the 2300. |
#17
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A colleague has suggested I should also consider the Living Voice OBX-RW's. Great thing is, he's a dealer here in Kingston!!.. I'll let you know who those sound with Mc Gear. |
#18
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An update.
Today, I had the chance to head to Montreal and do a head to head comparson between ProAc's D38 and Sonus Faber Cremona M's. I started by listening to the ProAcs D28 which are the speakers that I had compared to the PMC EB1i's. As I had indicated I was surprised by how favorable the ProAcs had sounded against the PMC's but, that in all due fairness the PMC's were the clear winner. Since I had never heard the D38's I was anxious to find out if they were that much of a stronger performer than the D28's. As I explained my goal to the salesman, he told me that the D38's were far far better. After letting the audio gear warm up and listening to the D28 for about an hour, I asked him to make the switch the D38's, and immediately as Norah Jones begun to sing with her sultry voice, it was apparent that I had stepped into a whole different category. The D38's are formidable speakers, especially when you acknowledge the fact that you get a pair for about 10K Cdn. As I continued to listen and recall my audition of the PMC's, I was left with the conclusion that in terms of sound quality they were at the very least on par, and if I had to choose I would favor the ProAcs and not just because of the price. In my view the imaging these speakers offer is nothing short of spectacular. As I continued to listen to various pieces of music at different sound levels, and true to the ProAc sound, the music was very clear, concise and an excellent sound stage. In that department ProAcs have always excelled. The speakers simply disappear. Since this audio store also carried Sonus Faber and I had read such positive comments about SF here at AA, I wanted to audition these as well. I could have listened to the Amati, but at 35K, there was no point. However, the salesman suggested the Cremona M. Boy was I in for a surprise. I have to admit I thoroughly enjoyed what I heard. This speaker is radically different in approach from what I have heard so far. Talk about a smooth natural sound that doesn't jump out at you, and with pieces of music with acoustic instruments, I was literally stunned. I also very much enjoyed the fact that you enjoy all the music without being tied to the sweet spot. That in my opinion is a very strong plus in favor of this SF speaker. The second surprise was the price the Cremona is at 11K Cdn, definitely placing it in direct competition with the D38 and definitely going to make my choice that much more difficult. The ProAcs are rather big speakers and I do wonder if they will overpower the room. The SF are nowhere near as big as the D38's and would more than likely fit rather quite well in my listening room. I still have to audition the Living Voice OBX RW, which has received raving reviews and it too has come substantially come down in price. I'll update this thread when I do, which should be soon. Last edited by Haurock; 05-29-2009 at 10:21 PM. |
#19
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Rock
Thanks for the update. I agree that SF makes very musical speakers that are very easy to listen to. Look forward as your continue your search. There are so many good speakers out there, it is a difficult decision. Jim |
#20
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Rock, thanks for the update, and keep it coming. Be patient as long as you can to listen as much as possible. Glad you got to hear the SFs. Lots of great quality there.
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Sources: Vinyl: Clearaudio Innovation Wood turntable with 9" Universal tonearm, Da Vinci V2 cartridge, Stillpoints SS & Stillpoints clamp, McIntosh MVP 901, Apple Mac mini via Benchmark DAC 1, Aurender N100C via Schiit Yggdrasil Control: McIntosh C1100, Mcintosh MX151 Power: Mcintosh MC2301s (front), McIntosh MC501 (center), Mcintosh MC402 (rear) Speakers: Sonus Faber Amati Futura (front and back), SF Vox center Power/connections: PS Audio Power Port receptacles, RGPC 400 pro (2) WireWorld interconnects and speaker cable |
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