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  #10021  
Old 08-24-2013, 06:50 PM
Kal Rubinson Kal Rubinson is offline
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Quote:
Originally Posted by Robert_Anderson View Post
I can't wait to try this proven classic on XRCD! I think Charles Munch is the benchmark version, at least for me; what I grew up listening to.
For me, the benchmark is Monteux. I grew up with his SFSO version but the CSO is even better. And that's now on SACD.
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  #10022  
Old 08-24-2013, 07:49 PM
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Quote:
Originally Posted by Robert_Anderson View Post


I can't wait to try this proven classic on XRCD! I think Charles Munch is the benchmark version, at least for me; what I grew up listening to.
Quote:
Originally Posted by Kal Rubinson View Post
For me, the benchmark is Monteux. I grew up with his SFSO version but the CSO is even better. And that's now on SACD.
Tiny albums covers suck! I have no idea what you two are talking about. Maybe it's music for super-vision.
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  #10023  
Old 08-24-2013, 07:57 PM
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Quote:
Originally Posted by Josquin des Prez View Post

Tiny albums covers suck! I have no idea what you two are talking about. Maybe it's music for super-vision.
Hi, Dean. Nice to see you here again.
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  #10024  
Old 08-24-2013, 09:49 PM
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Originally Posted by cma29 View Post
Hi, Dean. Nice to see you here again.
Hi Carlos. Funny thing about finally getting my system as I wanted it. Now I'm not listening to it as much, and lately it's mostly been jazz anyway.

I've been busy with work. On top of that of that I've taken it upon myself to get back in shape, so now some of my former listening time has been replaced with cycling time.
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  #10025  
Old 08-24-2013, 10:06 PM
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Quote:
Originally Posted by Paret View Post
Going to the Fort Worth Symphony tonight for the second day of their three day Festival dedicated to Van Cliburn.
All Russian music.
Your very first post and you favored us with it in the Classical Music thread - Welcome Paret. Please visit again and often.

I wish I had been in Fort Worth tonight for the Van Cliburn Festival. Hope you enjoyed it!
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MAIN SYSTEM: . . . Audio Physic Caldera III Loudspeakers, Spectral DMC 30SL Preamp, Spectral DMA 250 Amp, Spectral/MIT interconnects and speaker cable, Basis Debut V Vacuum turntable, Walker Precision Speed Controller, Graham tonearm, [B]Koetsu Rosewood or Grado Statement 1 Cartridges, PASS - X-ono Phono Stage, Esoteric K03 CD/SACD Player, Lexicon RT-20 Universal Player, Exact Power EP-15A & SP-15A power regeneration and conditioning devices. Symposium Acoustics Svelte pads & RollerBlock Jr's under speakers. ASC Tube Traps, Arcici Suspense Rack System, OPPO and Cambridge Streaming Devices.


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Last edited by AudioNut; 08-25-2013 at 06:29 AM.
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  #10026  
Old 08-25-2013, 12:06 AM
Toccata Toccata is offline
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I wonder if the 2L recording engineers have ever attended a live chamber music concert. If so, I seriously doubt that the two violins were in front of the audience and the cello and viola behind them. Well, that's the sonic perspective presented here! While it adds clarity, this arrangement is just not realistic. Thus, I have to listen to it in stereo instead of m-ch. That aside, the sound is astonishingly present, and Engegård Quartet play fantastically.

Program:
Joseph Haydn: String Quartet in D Op. 76 No. 5
Leif Solberg: String Quartet in B Minor
Edvard Grieg: String Quartet in G Minor Op. 27

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  #10027  
Old 08-25-2013, 01:39 AM
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Listened to Mozart's Requiem on Deutsche Harmonia Mundi. Well done
Nikolaus Harnoncourt
Christine Schafer
Bernard Fink
Kurt Streit
Gerald Findley

SACD

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  #10028  
Old 08-25-2013, 06:35 AM
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Prokofiev - Lieutenant Kije - I have loved this performance since I was a boy.

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  #10029  
Old 08-25-2013, 06:51 AM
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Listening to an elderly LP . . . Famous Oboe Concertos
Leclair, Marcello, Vivaldi and Telemann

Heinz Holliger - Oboe
Members of the Dresden State Orchestra - Vittorio Negri, Conductor


Can't imagine why it is so, but the oboe has long been my favorite instrument and to my mind, no one plays it better than Heinz Holliger.

Problem with the solo oboe is that many recordings fail to reproduce the sound of the instrument properly - and make the instrument sound shrill - more like an alto recorder/flute. Fortunately Philips captured the sound in all its glory in most of their Holliger recordings.

This one is just plain magnificent. These beautiful concertos couldn't sound better! (IMHO). Excellent performances, excellent sound quality. I guess I've had this record since the 1960's and the surfaces are still clean and here I sit in total amazement at the glorious sound.

(The following picture is dedicated to our member Dean, in hopes he can see and read it)

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I have a record player and a cd player and some other stuff that sounds pretty good.


MAIN SYSTEM: . . . Audio Physic Caldera III Loudspeakers, Spectral DMC 30SL Preamp, Spectral DMA 250 Amp, Spectral/MIT interconnects and speaker cable, Basis Debut V Vacuum turntable, Walker Precision Speed Controller, Graham tonearm, [B]Koetsu Rosewood or Grado Statement 1 Cartridges, PASS - X-ono Phono Stage, Esoteric K03 CD/SACD Player, Lexicon RT-20 Universal Player, Exact Power EP-15A & SP-15A power regeneration and conditioning devices. Symposium Acoustics Svelte pads & RollerBlock Jr's under speakers. ASC Tube Traps, Arcici Suspense Rack System, OPPO and Cambridge Streaming Devices.


DOWNSTAIRS SYSTEM: . . . Sonus Faber Guarneri Memento Speakers, JL Audio F112 Sub, McIntosh MA7000 Integrated Amp, McIntosh MVP871 Universal Disc Player, OPPO BDP-105 Blu-Ray Player, VPI Scoutmaster with periphery ring clamp, VPI SDS Motor Drive, Koetsu Pro IV, or Clearaudio Discovery Cartridges, Mark Levinson No. 25s phono stage, Wadia 170i Transport with a Meridian Bitstream 203 DAC, VPI HW-17 Pro Record Cleaning Machine, Five Richard Gray RGPC 400 devices scattered around the two systems, Arcici Suspense Rack System, Discovery Essence and Essential Cables, 14,000 ± LPs .
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  #10030  
Old 08-25-2013, 07:27 AM
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While running through the fields this morning (yes Dean, keep on sporting!), I heard this on the radio:



Strauss - Oboe Concerto & Metamorphosen
ChamberOrchestra of Europe, Heinz Holliger, oboe & conductor.

The oboe concerto struck me as a very nice work.
What what touched me even more deeply is that this piece, one of the last of the composer, was written in '45, for an American soldier-oboe player, who was part of the occupying forces, there in Garmisch-Partenkirchen...
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