#21
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#22
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The Bryston BP-2 phono preamp/PS-3 power supply arrived today. The turntable/cartridge came at the end of last week. I spent part of the weekend setting up the cartridge.
I put the newly arrived record of Beethoven Symphony No. 5 (Kleiber/Vienna Philharmonic) on it. It's too early to draw conclusions right now as it will take several days for the TT/cartridge/preamp/PS to run/burn in. But I can say already the soundstaging and presence is absolutely incredible.
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Primary System (Always in flux): Analog Source: Rega RP10 Phono Preamp: Bryston BP2/PS3 Digital Software: Roon, Tidal Streaming Digital Music Server: Melco N1A/2 Digital Sources: Totaldac d1-twelve SE MkII (factory upgraded from MKI) with "live power" 4 output power supply, Oppo UDP-205 Preamplifier: Rogue Audio RP-9 (factory upgraded from RP-7) Amplifier: Vandersteen M5-HPA Speakers: Vandersteen Quatro Wood CT w/IsoAcoustics Gaia 1 feet Cabling: WW Platinum Starlight 7 digital wires, Totaldac Gigafilter USB filter, AQ Sky XLR, AQ Fire RCA Speaker Cables: AudioQuest Oak spades ---> bi-wire spades Power Cables: Esprit PC (for DAC), 2 WW Platinum Electra PC (Preamp/Phono Preamp), AQ NRG10 (Melco N1A/2), AQ Blizzard (Quatro Wood CT built-in subs) Power Conditioning: 2 AQ Niagara 1000, 3 Oyaide R1 outlets Sound Treatments: 23 ASC Tube Traps and 10 Panels Last edited by ylee; 03-13-2018 at 08:38 PM. |
#23
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Very nice turntable.
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#24
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My initial impression so far is the Rega RP10/Grado Statement 2/Bryston BP2 combo is virtually identical in terms of detail retrieval as my DAC, with a very slight edge in terms of soundstaging, smoothness, and palpability - qualities vinyl is known for. I've compared my records to recordings in my digital library (24 bit, 96 or 192kHz FLAC files). This comparison makes me very happy, because with the vaunted advantage vinyl has over digital my DAC is proving to hold its ground in musicality, and because the Totaldac is renowned for its performance in the digital domain the RP10 is demonstrating it can go toe-to-toe with one of the best DACs in the world as far as delivering insight into the music. Anyone looking for a $12k vinyl rig I highly recommend this combination. From reviews by industry luminaries such as Michael Fremer (re: the RP10) and Harry Weisfeld (re: the Grado), these units are competitive with far more expensive options. Ivan can set you up with a good deal too.
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Primary System (Always in flux): Analog Source: Rega RP10 Phono Preamp: Bryston BP2/PS3 Digital Software: Roon, Tidal Streaming Digital Music Server: Melco N1A/2 Digital Sources: Totaldac d1-twelve SE MkII (factory upgraded from MKI) with "live power" 4 output power supply, Oppo UDP-205 Preamplifier: Rogue Audio RP-9 (factory upgraded from RP-7) Amplifier: Vandersteen M5-HPA Speakers: Vandersteen Quatro Wood CT w/IsoAcoustics Gaia 1 feet Cabling: WW Platinum Starlight 7 digital wires, Totaldac Gigafilter USB filter, AQ Sky XLR, AQ Fire RCA Speaker Cables: AudioQuest Oak spades ---> bi-wire spades Power Cables: Esprit PC (for DAC), 2 WW Platinum Electra PC (Preamp/Phono Preamp), AQ NRG10 (Melco N1A/2), AQ Blizzard (Quatro Wood CT built-in subs) Power Conditioning: 2 AQ Niagara 1000, 3 Oyaide R1 outlets Sound Treatments: 23 ASC Tube Traps and 10 Panels Last edited by ylee; 03-14-2018 at 02:21 PM. |
#25
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^ second that statement by PierreB. I am partial to Regas,
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“Life is what happens to you while you’re busy making other plans” |
#26
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Thanks everyone. I am extremely happy.
After installing the cartridge and setting the tracking force (which was pretty easy), it took me a couple days to tweak the anti-skating adjustment (which affects channel balance) by comparing imaging/soundstaging between the RP10 and my DAC using their respective media of the same pieces/songs. I think I'm done with this as imaging from both sources seem pretty identical. Setting up a turntable is a very mechanical process, whereas setting up a DAC is almost entirely via software. The two paradigms couldn't be more different. I am really enjoying my turntable. I've taken out my old 45s and LPs I had lying around for 30 - 40 years. Listening to them today with the fidelity my vinyl rig provides is a revelation. Little did I know in my teen years the sound quality that hid in those grooves! It's interesting that my DAC cost 3 times as much as my vinyl system. They're extremely close in performance. I guess this shows the inherent advantage of vinyl. While the gap between vinyl and digital has closed considerably, achieving similar performance requires you to spend considerably more for digital.
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Primary System (Always in flux): Analog Source: Rega RP10 Phono Preamp: Bryston BP2/PS3 Digital Software: Roon, Tidal Streaming Digital Music Server: Melco N1A/2 Digital Sources: Totaldac d1-twelve SE MkII (factory upgraded from MKI) with "live power" 4 output power supply, Oppo UDP-205 Preamplifier: Rogue Audio RP-9 (factory upgraded from RP-7) Amplifier: Vandersteen M5-HPA Speakers: Vandersteen Quatro Wood CT w/IsoAcoustics Gaia 1 feet Cabling: WW Platinum Starlight 7 digital wires, Totaldac Gigafilter USB filter, AQ Sky XLR, AQ Fire RCA Speaker Cables: AudioQuest Oak spades ---> bi-wire spades Power Cables: Esprit PC (for DAC), 2 WW Platinum Electra PC (Preamp/Phono Preamp), AQ NRG10 (Melco N1A/2), AQ Blizzard (Quatro Wood CT built-in subs) Power Conditioning: 2 AQ Niagara 1000, 3 Oyaide R1 outlets Sound Treatments: 23 ASC Tube Traps and 10 Panels Last edited by ylee; 03-16-2018 at 01:03 AM. |
#27
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#28
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The answer to that is it depends on how you spend your money. The Rega RP10, at roughly $5k, easily plays on a level with 5-figure tables. Once people get past their prejudices about Rega as an entry- or mid-level brand, and the thinking that they have to have adjustable VTA (in some tables yes, but not all), they’ll find one of the real bargains of hi-if. You’ll need to spend a lot more on digital to beat it when set up with a great cartridge. Michael Fremer said, “...in every way it’s up there with the best I’ve reviewed...”
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Tony D'Agostino Momentum S250 MxV & HD pre; Linn Klimax Organik DSM, SonicTransporter, EtherRegen; Acoustic Signature Typhoon Neo, Koetsu RSP, Boulder 1108; Sf Il Cremonese; Shunyata Everest, Altaira, Sigma & Alpha v2 |
#29
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Nice setup!!
I have 2 of the on-the-fly VTA tonearms (Graham Phantom, Clearaudio Universal). Once I set VTA to a level I like (usually with cartridge body parallel), I never feel the need to change it again or fine-tune. I certainly don't want to tweak VTA "on the fly" between records; what a pain! In fact I wish my CA arm didn't have the VTA riser option, I think it might compromise rigidity. |
#30
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As for Fremer's comment, borderline useless since we all know of his 'vinyl bias' ! Again, Analog or Digital greatness is in the mastering ........... |
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