AudioAficionado.org  

Go Back   AudioAficionado.org > Manufacturers Forums > Wireworld Cables

Wireworld Cables A World Of Difference

Reply
 
Thread Tools Display Modes
  #51  
Old 06-17-2009, 10:12 AM
Alberto's Avatar
Alberto Alberto is offline
Chief Toneologist
 
Join Date: Apr 2009
Location: San Francisco Bay Area
Posts: 2,174
Default

Quote:
Originally Posted by schaefer11 View Post
Not trying to be a wise guy, but I have never found cable changes to be audible, unless they were broken and not passing a signal! I have never understood how you prevent all of the cheap copper wire in voice coils, transformers, internal wiring and printed circuit board traces etc. from messing up whatever good the expensive cables are supposed to be doing?
Grossly simplified explanation I have been using (but one which most people get):

Think of the power cable as a 2-way antenna: it picks ups and emits EMF (electro-magnetic fields).

Because of its concentration of other cables (power, interconnects, and speakers) and the electronic components themselves (which have transformers, etc.) the typical audio rack is an EMF nightmare. That EMF garbage can, and does end-up in the signal path unless some measures are taken.

You can prove this to yourself by passing a cheap phono cable (connected to a phono input) near some components and cords, you will probably hear hums, buzzes, hashing noise etc. The effect is very audible with the phono cable and input because the phono signal is very weak and its greatly amplified, but exactly the same thing happens with any conductor/cable - even though it's not as obvious with stronger signals.

A good cable uses both shielding and conductor "geometry" to minimize EMF effects. It radiates less "junk" and picks up less "junk".

This explanation also addresses the reason why the power cord makes a difference even though there are 100s of feet of other cheap copper cable leading to it: it's the proximity of the cables to other cables and components that makes a difference. The effect of EMF fields follows the inverse square law (1/X^2); the effect at 24" of distance (say from the components to the power outlet) is 576 (i.e. 24^2) times weaker than it is a 1" distance (the back of your rack).

I hope this helps to explain why we probably hear what we think we hear .

Alberto
Reply With Quote
  #52  
Old 06-17-2009, 10:25 AM
docdownload's Avatar
docdownload docdownload is online now
Senior Member


 
Join Date: Jun 2009
Location: Port St. Lucie, FL
Posts: 395
Default

Yes I have run # 10 wire And this circut can only be used by my amps. Becuase of the atomatic turn system only one circuit works for me. And as a CGC I am aware of the NEC. How much in round terms would 4 power plugs cost?? (need pig tail type
Reply With Quote
  #53  
Old 06-17-2009, 11:12 AM
schaefer11's Avatar
schaefer11 schaefer11 is offline
Member
 
Join Date: Jun 2009
Location: Woodstock, Maryland
Posts: 865
Default

Quote:
Originally Posted by Alberto View Post
Grossly simplified explanation I have been using (but one which most people get):

Think of the power cable as a 2-way antenna: it picks ups and emits EMF (electro-magnetic fields).

Because of its concentration of other cables (power, interconnects, and speakers) and the electronic components themselves (which have transformers, etc.) the typical audio rack is an EMF nightmare. That EMF garbage can, and does end-up in the signal path unless some measures are taken.

You can prove this to yourself by passing a cheap phono cable (connected to a phono input) near some components and cords, you will probably hear hums, buzzes, hashing noise etc. The effect is very audible with the phono cable and input because the phono signal is very weak and its greatly amplified, but exactly the same thing happens with any conductor/cable - even though it's not as obvious with stronger signals.

A good cable uses both shielding and conductor "geometry" to minimize EMF effects. It radiates less "junk" and picks up less "junk".

This explanation also addresses the reason why the power cord makes a difference even though there are 100s of feet of other cheap copper cable leading to it: it's the proximity of the cables to other cables and components that makes a difference. The effect of EMF fields follows the inverse square law (1/X^2); the effect at 24" of distance (say from the components to the power outlet) is 576 (i.e. 24^2) times weaker than it is a 1" distance (the back of your rack).

I hope this helps to explain why we probably hear what we think we hear .

Alberto
Thank you for an answer other than "trust me". So I can infer that if one person hears a bigger difference than another using the same cable(s), there is a good chance they have a bigger EMF problem?
__________________
Kevin
Reply With Quote
  #54  
Old 06-17-2009, 12:01 PM
-E-'s Avatar
-E- -E- is offline
Media Server Aficionado



 
Join Date: Apr 2009
Location: East Bay SF, CA
Posts: 7,055
Default

If you cant trust us, trust Alberto, our resident explainer with a very cool accent.

__________________
Main: McIntosh XRT1K MDA1000 MC402 | JL F113 | Bryston BUC-1 | WireWorld Cabling | RGPC1200C | PPP
Office: Bel Canto S300iu 24/96 | KEF LS50 | REL R218 | WW Mini Eclipse | 18 TB Media Server
Mobile: McIntosh MX406 MDA5000 MCD4000 MCC420M | JM Lab/Focal Utopia
Reply With Quote
  #55  
Old 06-17-2009, 12:22 PM
schaefer11's Avatar
schaefer11 schaefer11 is offline
Member
 
Join Date: Jun 2009
Location: Woodstock, Maryland
Posts: 865
Default

Quote:
Originally Posted by Vesuvius View Post
If you cant trust us, trust Alberto, our resident explainer with a very cool accent.

I didn't mean to imply that anyone could not be trusted. But "trust me" didn't really answer what I thought were fairly specific questions. Alberto's answer did. Sorry if I offended anyone, that was not my intention. I appreciate all of the time that has been put into all of the answers to my inquiries.
__________________
Kevin
Reply With Quote
  #56  
Old 06-17-2009, 01:04 PM
mac man's Avatar
mac man mac man is offline
Senior Member
 
Join Date: Apr 2009
Location: Home of Sencore
Posts: 263
Default

Quote:
Originally Posted by schaefer11 View Post
I didn't mean to imply that anyone could not be trusted. But "trust me" didn't really answer what I thought were fairly specific questions. Alberto's answer did. Sorry if I offended anyone, that was not my intention. I appreciate all of the time that has been put into all of the answers to my inquiries.
And to think all this got started because I upgraded my power cord

Good fun guys
Reply With Quote
  #57  
Old 06-17-2009, 01:06 PM
Masterlu's Avatar
Masterlu Masterlu is online now
AA Founder, Legend AV Owner



 
Join Date: Apr 2009
Location: South FL & Cape Cod MA
Posts: 78,535
Default

Your still cool
__________________
Ivan
FLORIDA
MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES
Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES
CAPE COD

MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES
Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES
Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES

Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES
Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES
Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES
Reply With Quote
  #58  
Old 06-17-2009, 01:13 PM
Still-One Still-One is offline
Guest
 
Join Date: Apr 2009
Location: Milford, MI
Posts: 32,465
Default

I like that the whole post has stayed pretty cordial and contained several specific reasons why people feel one way or other.
Isn't this place great.
Reply With Quote
  #59  
Old 06-17-2009, 01:16 PM
Alberto's Avatar
Alberto Alberto is offline
Chief Toneologist
 
Join Date: Apr 2009
Location: San Francisco Bay Area
Posts: 2,174
Default

Quote:
Originally Posted by schaefer11 View Post
Thank you for an answer other than "trust me". So I can infer that if one person hears a bigger difference than another using the same cable(s), there is a good chance they have a bigger EMF problem?
I wish it were that simple. There are many, many, variables at play here. The resolving power of the system, the number and types and concentration/positioning of the components in the rack, the way the cables are "dressed" (i.e positioned to minimize interference), how good your hearing is, how sensitive or bothered you are by certain "noises", etc.

I know, as a fact, that I hear (or at least notice) some sounds that most people don't. In a story I already mentioned, I was at a friend's house, in his living room, and kept hearing this faint "whooshing" sound. It turns out that one of his toilet tanks (in the guest bathroom at least 20 yards away from where we were) had a small leak so the "refill" valve never quite stopped going. He was very surprised I heard it. I was very surprised he hadn't heard it.

For those reasons, only you can determine if the cost of better power cords is worth it or not for your system.

But there's no doubt in my mind that there is a valid scientific explanation behind this power cord thing.

Alberto
Reply With Quote
  #60  
Old 06-17-2009, 01:17 PM
Alberto's Avatar
Alberto Alberto is offline
Chief Toneologist
 
Join Date: Apr 2009
Location: San Francisco Bay Area
Posts: 2,174
Default

Quote:
Originally Posted by Stillone View Post
I like that the whole post has stayed pretty cordial and contained several specific reasons why people feel one way or other.
Isn't this place great.
Yes. We are living up to the Friendly Forum moniker .

Alberto
Reply With Quote
Reply


Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is Off

Forum Jump

Audioaficionado.org tested by Norton Internet Security

All times are GMT -4. The time now is 11:23 AM.



Powered by vBulletin® Version 3.8.10
Copyright ©2000 - 2024, vBulletin Solutions, Inc.
©Copyright 2009-2023 AudioAficionado.org.Privately owned, All Rights Reserved.
Audio Aficionado Sponsors
AudioAficionado Subscriber
AudioAficionado Subscriber
Inspire By Dennis Had
Inspire By Dennis Had
Harmonic Resolution Systems
Harmonic Resolution Systems
Wyred4Sound
Wyred4Sound
Dragonfire Acoustics
Dragonfire Acoustics
GIK Acoustics
GIK Acoustics
Esoteric
Esoteric
AC Infinity
AC Infinity
JL Audio
JL Audio
Add Powr
Add Powr
Accuphase - Soulution
Accuphase - Soulution
Audio by E
Audio by E
Canton
Canton
Bryston
Bryston
WireWorld Cables
WireWorld Cables
Stillpoints
Stillpoints
Bricasti Design
Bricasti Design
Furutech
Furutech
Shunyata Research
Shunyata Research
Legend Audio & Video
Legend Audio & Video