#31
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John.......Thank you for the insight to your current MC75 arrangement. MC75 amps seem to be as scarce as hen's teeth. My MC452 is doing justice to the living room system but the MC75 flame is still flickering.
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#32
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Mc75
I am a current user of the MC75 amplifiers with a C2300 preamp. Speakers are a recent version of Quad electrostatics. My speaker choice shows my preference for midrange honesty, arguably at the expense of other attributes. I appreciate that this combination would not be suitable for everyone, or for all applications. That said, I can, and do, listen for hours without fatigue and without my mind wandering away from the music; it, and not the gear, holds my attention.
If I may advise, allow yourself some slack for straying from your initial MC275; nothing wrong with trying a different approach. But if you miss how that amp worked in your system, you are sure to find a “rightness” with the MC75s. If you can find a pair, I believe your hunch about them will prove correct. Somewhat related: I also have a C22 III. My ears prefer the C2300. Some maintain that it is the same preamp, and it may very well be. But the C2300 strikes me as being slightly less forward than the C22 (same tubes in each). Certainly my preference; the C22 III is a great preamp and I will be keeping it. Finally, I see you had a pair of MC30s in the late 1960s. That’s about the time I started on my McIntosh path. My friends bought beater cars; I bought Mac gear with my high-school part-time job money: a C22 (late production), an MR-71 (same), and an MC240 (same; I sent in for the tube cage). The beater cars are long gone. I still have all of the original Mac gear. And I’ll be keeping the MC75s too. With a little patience, I’m sure you can find a pair. Best wishes! |
#33
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tgmacgrove.......I appreciate the insight on your C2300 and MC75 setup. I would agree the C2300 is a superb tube preamplifier. I have mated it to quite a few different McIntosh amplifiers and it never failed to perform flawlessly. I expect a pair of MC75 tube power amplifiers will fit in perfectly.
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Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A |
#34
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Quote:
I own a pair of 75s and have been curious about the XLR input and output feature. I glanced at the owners manual but didn't get a clear reading for myself on what that's all about. Question: If you wanted to bi-amp with four 75s, could you economize on an expensive long run IC between the preamp and the 75s by running a single IC per channel to the first 75 (with the speaker cable connected to the lows) and then "jumping" via the XLR output to the second 75 (with the speaker cable connected to the highs)? Does anyone know how that works? Last edited by MisterBritt; 09-01-2019 at 01:22 PM. |
#35
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Yes, you could certainly do that. That is unless you elected to also use an electronic crossover network between the amplifiers for each channel.
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#36
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Agreed. Best amps I've ever owned. I use them with the C500T and Dynaudio Confidence C1 Platinum. These speakers are meant to be quite hard to drive, but as my room isn't huge, the MC75 seem to do a fine job. I went through a number of years continually upgrading my Mac system, but I seem to have stopped now.
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Turntable: VPI Prime Signature Cart: Benz Micro LP-S DAC: Lampizator Golden Atlantic Preamp: Mac C500T, Mac MX121 Amps: Mac MC75 * 2 60th Anniv., Mac MC205 Speakers: Dynaudio C1 Platinum, B&W 804S, Totems Headphone amp: Glenn 300B Headphones: LCD-4 |
#37
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Quote:
The preamp connects to the MC75's input and then the MC75's output go to the 275 input. So a cable just long enough between the two amps works. Speakers terminals of the 75's go to the mid/highs and the speaker terminals of the 275 go to the woofers. The 275 is set to stereo. The input sensitivity needs to be set the same for all amps. You will need two runs of speaker wire; I use Belden 10 g purchased from BlueJeans.
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AKA J2Ordan McIntosh/Legacy/VPI/Bricasti/DIYCable |
#38
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Quote:
Quote:
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#39
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they have a set in West Palm Beach, FL at Audio Advisors 561-478-3100 open m-f only.
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#40
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ckebsch.......Welcome to Audio Aficionado. .
Thanks for that information.
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Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A |
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