#61
|
|||
|
|||
Not derailing as OP waits, lol.
This is a great thread and we all have and love different speakers. No one is taking swipes at others and just saying why we love what we do. Refreshing if you ask me. This is why so many speaker companies do so well. As for room and electronics, they are the most underrated components, lol. Too many dealers don't have great rooms either and they always say, oh they will sound even better in your home. I get so sick of hearing that. You want to sell me a speaker that costs over 5k, then show them off at their best and then let me hear them with lesser components that are in my price range. What if we all buy a less expensive speaker and then want better sound and can afford it. So many seem to run to 'new speakers', but in some cases just upgrading the pre or the source is a better expenditure. I do believe that speakers are the most important piece. Then the pre and the source and the amp and other stuff. That said, if your room sounds like garbage, no system is going to correct for that unless it's a near field speaker system set up. JMHO.... This is why I love the Ayre gear. To me, it's better than 95% of the stuff on the market regardless of cost. It's truly neutral for me and allows me to hear what else is in the system. I feel the same way about the AQ cables I use (balanced of course) and I love my sources and now speakers. I don't want to 'tune' my system with cables or footers or anything else. I always purchase as a system (as poster above said, they have things working together) and the only tweeks are getting cables up off of carpet etc... I don't consider making corrections in the room as tweeks.
__________________
Vandy Quatro&s, Laufer DAC/server, AQ cords |
#62
|
|||
|
|||
Quote:
Both setups are capable of superb sound, but I notice when I play Take Five the snare drum has less snap with the living room setup than with the media room setup. I hope to find a KX-5 Twenty to replace the K-5xeMP, and wonder if that might restore the subdued snap. Of course, I realize the speakers are very different, the 107/2s $6K mid-90 dollars, the LS50s $1.5K in contemporary dollars. db |
#63
|
||||
|
||||
Quote:
My best friend has the K-5xemp with almost an identical rig and he noticed the sound differences immediately with the new KX-5 Twenty. You will need to give it plenty of time to break in before you make a judgment on the improvement. |
#64
|
|||
|
|||
Also, remember on break in, you must break in each input at least 500 hours. EACH one. As great as silver is for leads and what not, it takes forever to break in, lol.
__________________
Vandy Quatro&s, Laufer DAC/server, AQ cords |
#65
|
|||
|
|||
Funny thing is I'm not the OP, haha. GregGale is. Consider me the thread-jacker.
__________________
|
#66
|
|||
|
|||
Quote:
This makes me salivate. My dealer said 6-8 weeks, and I haven't heard from them, so my guess is it will veer toward 8 weeks and possibly longer, I'm afraid. Funny thing is, my K-5xeMP continues to break in on the balanced input I switched to a few months earlier and sound better and better as I'm awaiting my KX-5 Twenty. So if you say the differences are immediate, I'm salivating even more. (And just a side note: all my Ayre gear is in the black finish.)
__________________
|
#67
|
||||
|
||||
You are a man with exceptional taste! I wish mine were all black...it matches everything unlike Silver.
__________________
Amps: First Watt SIT-3, Pass XA25, Valvet E2 SE, LTA Ultralinear, LTA ZOTL 40, ARC 150M, First Watt SIT-1 Mono's, ARC Ref75SE, Luxman M900U, Coda #8, Pass XA30.5, Decware Zen TorII MK4, Line Magnetic 845 Premium, Raven Reflection MK2 Pre-Amps: Luxman 900U, Coda 07X, ARC MP-1 Multi-Channel, Conrad Johnson Met-1 Multi-Channel Disc Spinners: Esoteric K-01XD, Luxman D-10X, Ayre DX5, Oppo 105/205 Speakers: Cube Audio Nenuphar, Fleetwood Deville, Spendor Classic 100, Volti RAZZ, Rosso Fiorentino Certaldo 2, Falcon LS 3/5A, Klipsch Cornwall IV, Harbeth SHL5+, Omega Compact 8, Triangle Comete 40th, Monitor Audio Gold 200, Audio Solutions Figaro M, Harbeth C7 40th, Harbeth P3XD Collector/Dealer of over 9000 Authentic RIAA Gold/Platinum Music Industry Record Awards 1960's-Present. 3600+ Photos of my awards on Facebook page: RIAA AWARD COLLECTORS |
#68
|
|||
|
|||
Quote:
db |
#69
|
||||
|
||||
Quote:
When I got the new one the results were also immediate but did not sound anywhere near as good as the dealer unit did so I questioned whether I made the right decision. I was assured that you must let Ayre equipment break-in which can be a long process but I can tell you the break in is real and it did break in as promised. In the beginning there were times I thought it sounded better than my old unit and than at other times it did not seem as fleshed out, but once it broke-in (100 plus hours) it sounded as good as the dealer unit. One point I was told by Alex their sales manager when I asked him about break-in he said "I have got some bad news for you about break in". He said "each volume position uses a different resistor which must be broken in along with each input separately". So bottom line is be patient and you will be awarded. The KX-5 Twenty is in a completely different league than the old K-5xeMP. |
#70
|
|||
|
|||
Yes, what I was told and it seems to work, is that you turn up the volume as loud as you are able to and it will break in up to that volume. It's crazy and I wonder how many others are like this. I do know that mine gets better and better the longer I listen at hire volumes. I am loving my QX5/20 with it as thats' the only input I"m using now. I am going to sell my Rhea phono stage now that I sold my Basis TT, but the input is broken in also and is marked in blue tape on the back as the input to use if I ever need a second one, lol.
__________________
Vandy Quatro&s, Laufer DAC/server, AQ cords |
|
|
Audio Aficionado Sponsors | |