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  #11  
Old 05-15-2013, 05:56 PM
audio bill audio bill is offline
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Puma, very nice work! If I can ask, which lens did you use for these shots with your X-Pro1? I'm trying to hold out for the X-Pro2, but who knows when that will be announced... I'm currently spending all available funds on continual upgrades to my audio system!
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  #12  
Old 05-15-2013, 06:20 PM
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audio.bill... Welcome!
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  #13  
Old 05-15-2013, 06:41 PM
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Quote:
Originally Posted by audio.bill View Post
Puma, very nice work! If I can ask, which lens did you use for these shots with your X-Pro1? I'm trying to hold out for the X-Pro2, but who knows when that will be announced... I'm currently spending all available funds on continual upgrades to my audio system!
These shots were with the Fuji XF 18-55mm/2.8-4R.
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  #14  
Old 05-16-2013, 12:41 AM
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Stephen...I prefer upward tilt on wide angle lenses as it frames a surreal picture.

Like my little lost friend who I caught peeking with furry eyes in the streets of Saltzberg would agree, you never know what's really around that corner unless you venture out & look beyond.

Last edited by MyPal; 05-16-2013 at 09:49 AM.
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  #15  
Old 05-16-2013, 09:19 AM
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Thank you, Julian, that's very nice of you to say.

Actually, Ansel could have done it as well or most likely, better. Also, if he were still alive, he'd be all over digital. The control it affords would be right up his alley; that's why he and Minor White developed the Zone System. But he would also say, and he'd be right, that the box used has nothing to do with creating the image!
Agreed, but I think that the "taking" of the photographs was only a part of Ansel Adam's magic. It was what he did in the darkroom that made his photographs the treasures that they are today . . . and . . . . Stephen, you seem to have some of that magic yourself. Your B&W images show much of the same darkroom genius that so typified Adams - albeit yours is done in a digital darkroom (or Lightroom) rather than one equipped with chemicals and enlargers.
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  #16  
Old 05-16-2013, 09:24 AM
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I have that lens, thanks for showing me what it is capable of
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  #17  
Old 05-16-2013, 03:47 PM
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I have that lens, thanks for showing me what it is capable of
Yeah, I have that lens too - and my photographs still look like snapshots taken by a 12 year old.
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I have a record player and a cd player and some other stuff that sounds pretty good.


MAIN SYSTEM: . . . Audio Physic Caldera III Loudspeakers, Spectral DMC 30SL Preamp, Spectral DMA 250 Amp, Spectral/MIT interconnects and speaker cable, Basis Debut V Vacuum turntable, Walker Precision Speed Controller, Graham tonearm, [B]Koetsu Rosewood or Grado Statement 1 Cartridges, PASS - X-ono Phono Stage, Esoteric K03 CD/SACD Player, Lexicon RT-20 Universal Player, Exact Power EP-15A & SP-15A power regeneration and conditioning devices. Symposium Acoustics Svelte pads & RollerBlock Jr's under speakers. ASC Tube Traps, Arcici Suspense Rack System, OPPO and Cambridge Streaming Devices.


DOWNSTAIRS SYSTEM: . . . Sonus Faber Guarneri Memento Speakers, JL Audio F112 Sub, McIntosh MA7000 Integrated Amp, McIntosh MVP871 Universal Disc Player, OPPO BDP-105 Blu-Ray Player, VPI Scoutmaster with periphery ring clamp, VPI SDS Motor Drive, Koetsu Pro IV, or Clearaudio Discovery Cartridges, Mark Levinson No. 25s phono stage, Wadia 170i Transport with a Meridian Bitstream 203 DAC, VPI HW-17 Pro Record Cleaning Machine, Five Richard Gray RGPC 400 devices scattered around the two systems, Arcici Suspense Rack System, Discovery Essence and Essential Cables, 14,000 ± LPs .
Last edited by AudioNut; 05-16-2013 at 05:13 PM.
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