#11
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I agree the low end is an issue with stand-mounts. If a sub will fit, I recommend it with any of these
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Clearaudio Ovation with Tracer Dynavector KARAT 17DX Naim Uniti Core Schiit Yggdrasil McIntosh C22/MC275 Wilson TuneTots B&W DB3D Nordost QKore/QBase/Frey 2 Transparent Super IsoAcoustics GAIA II Stax SR-009S with SRM-700T |
#12
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Bass is not an "issue", it is a "blessing" with stand mounted speakers. What can be achieved with stand mounted speakers and a good quality sub, appropriate for the size of the listening space, is what full range speakers that are poorly matched to the size of the room can only dream of.
Good luck dealing with speakers that couple heavily to the walls and/or excite room modes and create standing waves that obliterate the purity of the midrange on every bass note. With a well designed, adjustable sub, all that can be dialed in to much greater satisfaction. A crossover such as a Bryston 10B-SUB between the preamp and amp and to split the signal before it even gets to the amps is the best way to go but now we are getting into a complicated setup... Would be cheaper to find a more appropriate room than getting into crossovers and a stereo pair of subs |
#13
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Quote:
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#14
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and the XR50 is just about one of the only 3 way "Book shelf" speakers out there.
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#15
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It is indeed but you are not going to get the same quality bass performance and efficiency typical of floorstanding units.
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#16
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of course not, in a perfect world, I'd have the room size / space for XR100's... or something else in the price range. But for being "Bookshelf" these are amazing... a large part of this is their 81db sensitivity rating... they are engineered for bass.
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#17
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That’s an overgeneralization. There are very high quality stand mounted speakers with bass articulation and perceived bass qualities that far exceed some lesser/poorer design floorstanding models. Quantity is never an indication of quality and I’ll take a speaker that sings down to 35-40 Hz and signs off cleanly than a speaker that tries to reach and plumb 20 Hz and fails miserably with bloated, poorly controlled and overly ripe bass because of the trade offs of drivers vs cost. Not to mention that clean 20 Hz requires a room of at least 28 feet long (half wave). Everything under that is a compromise at best. 20 Hz is a 56 ft wavelength.
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#18
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Quote:
while using a dB meter with a bar chart that reads the SPL at various frequencies, I've seen how much 20hz-40hz is coming out of these "little" speakers ... cleanly mind you, even though they're not rated for lower than 40hz. Last edited by SAM992; 11-27-2020 at 01:50 PM. |
#19
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Our ears are also not linear but closer to logorithmic in terms of sensitivity to frequencies with the midrange of our 20-20KHz or more like 20-12Khz past 50 years of age Many animals sense lower frequencies as well as higher frequencies much better. Survival. We don’t process lower frequencies as well. Fletcher Munson knew that with his studies of the subject since the 1930’s. Hence we had loudness buttons to compensate for that fact. At lower levels, we feel we need our bass to be turned up. So why fight nature? First, I have always advocated and will continue to be an advocate for speakers that focus on midrange qualities. It is what we are most sensitive to. As we age, the tweeters become less critical but can still be irritating, even at 12KHz, so I still prefer silk or soft dome to metal. My preference. Secondly and very important that speakers do not overpower the rooms they are placed in or the glorious midrange you paid for will be ruined with bass overhang and bloat. I prefer a smaller, tastier portion of filet mignon to a huge but tasteless hunk of steak at a restaurant. Quality to quantity. Don’t worry about the bass and full range. Worry about the type of sound that appeals to your ears on your favorite music and human voice. A speaker like that will be enjoyed for a very long time. As far as bass, Santa can always drop by one Xmas and solve that problem with a nice sub or two if one has been exceptionally good. As far as measurements... Any 2 way speaker with a mid-bass driver can reach 20Hz. The output level however will be some perhaps 12-24dB down at that point and useless to our ears. We are not perfect and neither are our speakers. My own Harbeth 30.2 will reach 20 Hz and make a very audible rumble still but it will be significantly down from the 32Hz where they are still in the game. That’s fine for now. I will be adding subs but it is not a pressing priority for me. I’m enjoying them as is with a very musical and engaging response in my 30x30 ft room which can accommodate any full range speaker. Last edited by PHC1; 11-27-2020 at 02:50 PM. |
#20
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FYI - today on Instagram Sonus Faber posted, "Something new is finally coming, a project thought up in our head many years ago that now exists as part of the Sonus Faber Heritage Line. Stay tuned on our channels for more!" Might want to wait and see what they have up their sleeve.
I highly recommend the Sonus Faber Guarneri Tradition speaker. One of the most elegantly designed bookshelf speakers on the market can also reproduce instruments and voices gracefully. I believe this speaker will matched well with the MA12000 because of the tube pre-amplification section and the newer McIntosh amplifier design. Note: I would switch out the McIntosh Tubes in the pre-amp section for Gold Lions. I found more clarity within instruments and voices with the gold lions in place.
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Solid State System: PS Audio Dectet - Innous Zen MK3 - Schiit Audio Yggdrasil - WireWorld Eclipse 8 Cables - McIntosh C48 & MC452 - Sonus Faber Guarneri Tradition - JL Audio F110v1 (2) - Stillpoints Tube System: PS Audio Dectet - McIntosh MR88 - Innous ZenMini - Chord Qutest - WireWorld Eclipse 8 Cables - McIntosh C22V & MC275 - Sonus Faber Cremona Auditor - Stillpoints & IsoAcoustics Gaia III |
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