#11
|
||||
|
||||
Quote:
Quote:
Best, -M |
#12
|
||||
|
||||
Quote:
Folks need to stop listening with their eyes.. There is a reason for every material and component that Shindo is using. It's not necessary to spend money on these sort of tweaks..... You should be thanking me. -M Last edited by pitch perfect; 09-15-2011 at 05:05 PM. Reason: typo |
#13
|
|||
|
|||
Quote:
Jim |
#14
|
|||
|
|||
Matt:
Thanks for your insight. Given your thoughts what does the LingoLab equipment support do? If it causes such an improvement in the sound of ones system, then surely it is acting as some kind of isolation enhancement device? I see it has these big, round feet to support the rack. P.S. I am not a tweeker, I generally let things be and have never really utilized aftermarket footers, spikes or anything. But I have often wondered. |
#15
|
|||
|
|||
From Matt's posts, my impression is that an aftermarket tweak can change the sound, but not improve it.
|
#16
|
|||
|
|||
I guess the difficulty with equipment isolation is that there is little uniformity between the environments in which we place our systems, so we are all going to get slightly different results from different isolation devices. I agree that all isolation devices are probably acting as equalization products – but in some cases a particular equalization may be beneficial in compensating for an environmental deficiency and may consequently appear to “improve” the sound. So there will always be differences of opinion here. Presumably the better the equipment rack is at eliminating the environmental differences the more uniform our results will be. To that end I’m sure we’d all be getting very similar results if we all had the amazing Lingo Labs racks (I can’t imagine how much they cost – perhaps we could get a bulk discount if we all ordered one) Until then various “magic” isolation gizmos will work for some but not for others. In my system – spikes under my turntable platform sound horrible but Herbies tender feet sound fantastic – unfortunately all that speaks to is the deficiencies of my rack rather than the superiority of Herbies feet.
Doug |
#17
|
||||
|
||||
Plink... Welcome!
__________________
Ivan FLORIDA MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES CAPE COD MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES |
#18
|
||||
|
||||
Quote:
The footers, in conjunction with the stand, do a great job at isolating the equipment from the environment, down to about 3Hz from my understanding. It's as if the equipment support is literally 'floating'. It sways slowly and gently if pushed, for example, but is solid in normal use. I provide one of three spring compression ratios to provide proper resistance for a range of weight variations. -Matt |
#19
|
|||
|
|||
Interesting, I didn't know one could purchase the LingoLab footers separately. I wonder if one could modify a box furniture rack to accept these: adding some weight to the lower shelf to get appropriate mass. This might make for a workable, relatively cheaper solution than getting the whole LingoLab rack. Anyone ever looked into that?
Doug |
#20
|
||||
|
||||
Quote:
If you are going to 'do it' at this level, you go all the way... -Matt |
|
|
Audio Aficionado Sponsors | |