AudioAficionado.org  

Go Back   AudioAficionado.org > Turntables & Vinyl > Analog Pressings

Reply
 
Thread Tools Display Modes
  #51  
Old 02-02-2016, 12:48 PM
Whart's Avatar
Whart Whart is offline
Member
 
Join Date: Mar 2012
Posts: 585
Default



A year. It can be a short period of time (if you are in love). Or forever (if you are in prison). For TheVinylPress, it has been productive, fascinating, a learning experience and hugely gratifying. Here's a re-cap. One Year of TheVinylPress - The Vinyl Press
Reply With Quote
  #52  
Old 02-03-2016, 04:59 AM
John49's Avatar
John49 John49 is offline
Senior Member
 
Join Date: Sep 2012
Location: London, UK
Posts: 1,730
Default

Quote:
Originally Posted by Whart View Post
A year. It can be a short period of time (if you are in love). Or forever (if you are in prison). For TheVinylPress, it has been productive, fascinating, a learning experience and hugely gratifying. Here's a re-cap. One Year of TheVinylPress - The Vinyl Press
Thank you Bill, enjoyed the year very much.
__________________
Avid Acutus SP, NO ARM, Benz Micro LP-S, Whest Audio PS.40RDT SE, PS Audio DSMP+DS DAC, Simaudio Moon 700i, Dali Epicon 6, Simaudio Moon Nēo 430HAD, HiFiMan HE-1000v2, Chord Sarum SA XLR, RCA, USB, Chord Sarum speaker, Nordost Vishnu power, Furutech plugs, PS Audio P10+Chord Sarum SA power, Stillpoints Ultra SS, Ultra Mini and LPI, HiFi Racks rack, Audio Desk Systeme PRO+Keith Monks Omni RCM
Reply With Quote
  #53  
Old 02-03-2016, 08:21 PM
Whart's Avatar
Whart Whart is offline
Member
 
Join Date: Mar 2012
Posts: 585
Default

Quote:
Originally Posted by John49 View Post
Thank you Bill, enjoyed the year very much.
Quite welcome, and thanks for the nice note, John. (Anybody with a Monks is obviously OK in my book- )
I'd love to talk about what it's like to buy records 'in the wild' in London and environs these days. I used to travel to London quite a bit back in the day, was mainly buying classical stuff then. Today, it seems like most dealers know that Ebay, Discogs and a few other sites are where all the $ is, but there must still be some good stores for vinyl, no? (You don't have to give away any state secrets here, just more an 'impression'). I should get over to London at some point this year, my trip this summer--largely for business-- was cancelled, and I had planned to catch up with some older music biz folks I know or have corresponded with over the years. Oh, yeah, there's motorcars too! (Aside from the good food in London, i've been more entranced with London in the last few years than NYC, but maybe it's just a greener grass thing). Fact is, I do buy quite a bit of older UK vinyl, but now its rock, folk, prog and other stuff.
be well.
Reply With Quote
  #54  
Old 02-06-2016, 10:04 PM
Whart's Avatar
Whart Whart is offline
Member
 
Join Date: Mar 2012
Posts: 585
Default

Ian Anderson Interview- Early Tull on Vinyl

I recently had the privilege of interviewing Ian Anderson about the formative years of Jethro Tull, when the band, which started as a blues band, was transformed into something that combined folk, minstrel style medieval ballads and other influences with hard driving rock. Here is the interview: Ageless Troubadour- A Chat with Ian Anderson
There is also a companion piece about some of the early recordings and various pressings: Early Tull on Vinyl
Enjoy.
Reply With Quote
  #55  
Old 09-03-2016, 04:34 PM
scirica's Avatar
scirica scirica is offline
Member
 
Join Date: Mar 2014
Location: DFW Metroplex
Posts: 3,788
Default

Quote:
Originally Posted by Whart View Post
Ian Anderson Interview- Early Tull on Vinyl I recently had the privilege of interviewing Ian Anderson about the formative years of Jethro Tull, when the band, which started as a blues band, was transformed into something that combined folk, minstrel style medieval ballads and other influences with hard driving rock. Here is the interview: Ageless Troubadour- A Chat with Ian Anderson There is also a companion piece about some of the early recordings and various pressings: Early Tull on Vinyl Enjoy.
Bill:

Thanks for sharing this, and of course for writing it. I'm a huge Tull fan and also respect (as Ian obviously does) the work of Steven Wilson. I love that he was so complimentary and respectful of what Steve does with these early recordings. Nothing like when one hero of mine mentions another like that. Thanks for asking that questions.

SC
__________________
Analog: VPI Classic Direct (12" Fatboy) with Ortofon A95 cartridge; Ortofon ST-80SE Transformer; McIntosh C2500.
Digital: SilenZio Gen 3 High Performance Media Server; Esoteric K-03X.
Supporting System: McIntosh MX122 A/V Center; MC205 Amplifier; Bryston 14bSST2 Amplifier; PS Audio P10 Power Reconditioner; Revel Salon 2 Mains; Revel Voice 2 CC; JL Audio f113v2 (2); JL Audio CR-1 Crossover; Focal IC1002 Surrounds
Reply With Quote
Reply

Thread Tools
Display Modes

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is Off

Forum Jump

Audioaficionado.org tested by Norton Internet Security

All times are GMT -4. The time now is 06:06 AM.



Powered by vBulletin® Version 3.8.10
Copyright ©2000 - 2024, vBulletin Solutions, Inc.
©Copyright 2009-2023 AudioAficionado.org.Privately owned, All Rights Reserved.
Audio Aficionado Sponsors
AudioAficionado Subscriber
AudioAficionado Subscriber
Inspire By Dennis Had
Inspire By Dennis Had
Harmonic Resolution Systems
Harmonic Resolution Systems
Wyred4Sound
Wyred4Sound
Dragonfire Acoustics
Dragonfire Acoustics
GIK Acoustics
GIK Acoustics
Esoteric
Esoteric
AC Infinity
AC Infinity
JL Audio
JL Audio
Add Powr
Add Powr
Accuphase - Soulution
Accuphase - Soulution
Audio by E
Audio by E
Canton
Canton
Bryston
Bryston
WireWorld Cables
WireWorld Cables
Stillpoints
Stillpoints
Bricasti Design
Bricasti Design
Furutech
Furutech
Shunyata Research
Shunyata Research
Legend Audio & Video
Legend Audio & Video