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#1
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Rack between speakers or off to side?
As I've been considering changes to my system, I'm thinking more about tweaks and set up before new gear.
Currently only my amps are between the speakers. The equipment racks are along the side wall about equal to my listening chair. I'm using a 5 meter balanced Transparent Reference interconnect. The upside of this set up is a wide open space between the speakers with nothing to distract from the illusion of the musicians being in front of me. The downside of this set up is a very long interconnect. For those with the option of setting up your gear as you want, what choices have you made and what do you see as the trade-offs? I know many folks don't have the option given the system is also used for home theater or is a multiple use room and other considerations take priority.
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SF Stradivari, Aric Audio Motherlode XL preamp and Super KT Parallel amps; Pass XP 27, Raven One TT, Graham Phantom II arm, Lyra Etna Lamda, Airtight PC1, Bryston 3.14 DAC, Transparent Reference & Wireworld, dedicated treated room 17 X 34 X 9 |
#2
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Let's not forget that microphone cables are typically much, much, longer and the fragile microphone signal has to travel as far as 300 feet in some cases. |
#3
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Jim Smith, a well know setup expert recommends keeping your rack to the side as it provides for a better sound stage.
Most seem to use low profile racks with amps between with no issues. If you have the room, keep the rack to the side and as Serge says, don’t worry about long runs of the your Interconnects.
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Main Equipment: Kharma Elegance dB11-S, JL Audio F113v2 X 2, Block Audio Line & Mono SE Amplification, Bricasti M21 DAC, Antipodes Kala K-50 Server, Clearaudio Performance SE. Satisfy tonearm & Maestro Wood MM cartridge. Power: Shunyata Everest 8000, Sigma XC v2, Sigma NR v2, Block Audio PCs, Defender, ADDPowr Wizard Grounding: Shunyata Altaira CGS - 4 X Alpha CGS cables, Network : Supra Cat 8+, Twin (Nenon) Modified Buffalo GS2016 Switches, Keces P3 LPSU, Cables: Wireworld Platinum 8 USB, Wireworld Platinum Eclipse 8 Speaker cables, 6M & 1M Tubulus Concentus ICs, Other:Two PSI Audio AVAA C20, Multiple GIK products, Stillpoint Apertures, Stillpoint Minis and Ultra SS, Three 20 Amp lines, Furutech GTX - Gold outlets, Adona Rack |
#4
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Sources: Vinyl: Clearaudio Innovation Wood turntable with 9" Universal tonearm, Da Vinci V2 cartridge, Stillpoints SS & Stillpoints clamp, McIntosh MVP 901, Apple Mac mini via Benchmark DAC 1, Aurender N100C via Schiit Yggdrasil Control: McIntosh C1100, Mcintosh MX151 Power: Mcintosh MC2301s (front), McIntosh MC501 (center), Mcintosh MC402 (rear) Speakers: Sonus Faber Amati Futura (front and back), SF Vox center Power/connections: PS Audio Power Port receptacles, RGPC 400 pro (2) WireWorld interconnects and speaker cable |
#5
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George |
#6
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Thanks all for your input and advice. It was Jim Smith's book that prompted me to move the gear out from between speakers in the first place. I agree that it can help to improve the soundstage, imaging and perception of live performers in my listening room.
However, it leads me to wonder why I see pictures of some people's home systems costing many times the price of mine with racks of gear placed between highly expensive large speakers. Seems like all that could be limiting the performance of the system including perceptions of the soundstage as well as mechanical feedback to the equipment like a turntable.
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SF Stradivari, Aric Audio Motherlode XL preamp and Super KT Parallel amps; Pass XP 27, Raven One TT, Graham Phantom II arm, Lyra Etna Lamda, Airtight PC1, Bryston 3.14 DAC, Transparent Reference & Wireworld, dedicated treated room 17 X 34 X 9 |
#7
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Just because they can, doesn’t mean they should.
Most all of us have to make some compromises in our rooms/systems.
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Main Equipment: Kharma Elegance dB11-S, JL Audio F113v2 X 2, Block Audio Line & Mono SE Amplification, Bricasti M21 DAC, Antipodes Kala K-50 Server, Clearaudio Performance SE. Satisfy tonearm & Maestro Wood MM cartridge. Power: Shunyata Everest 8000, Sigma XC v2, Sigma NR v2, Block Audio PCs, Defender, ADDPowr Wizard Grounding: Shunyata Altaira CGS - 4 X Alpha CGS cables, Network : Supra Cat 8+, Twin (Nenon) Modified Buffalo GS2016 Switches, Keces P3 LPSU, Cables: Wireworld Platinum 8 USB, Wireworld Platinum Eclipse 8 Speaker cables, 6M & 1M Tubulus Concentus ICs, Other:Two PSI Audio AVAA C20, Multiple GIK products, Stillpoint Apertures, Stillpoint Minis and Ultra SS, Three 20 Amp lines, Furutech GTX - Gold outlets, Adona Rack |
#8
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SF Stradivari, Aric Audio Motherlode XL preamp and Super KT Parallel amps; Pass XP 27, Raven One TT, Graham Phantom II arm, Lyra Etna Lamda, Airtight PC1, Bryston 3.14 DAC, Transparent Reference & Wireworld, dedicated treated room 17 X 34 X 9 |
#9
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I have done/have systems both ways (gear in center & gear off to the side) I have not concluded one is clearly superior to the other.
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Ivan FLORIDA MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES CAPE COD MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES |
#10
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I have had it both ways. When I had ribbon speakers off to the side. For the last ten years or so between the speakers. I haven’t noticed a difference... but I did no experimentation or moved back and forth to determine small differences. I like having the equipment straight ahead to see volume... gauges, inputs, and I like the way it looks. I don’t like the cost of long runs of interconnects. So this is my preference.
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George Main: Aurender W20SE music streamer, ARC REF 9SE DAC / CD, Linn LP 12, Koetsu Rosewood SignCartrige, ARC REF 3 Phono Stage, ARC REF 6SE Preamp, ARC 160s amp, Sonus Faber Amati Traditional Speakers,Transparent Ultra IC & SC Library:Aurender N100, Ayre QB9 2020 DAC, Woo WA5-LE amp upgraded tubes, Focal Utopia HP, Sennheiser 800s HP, LCD HP. Last edited by George Prentice; 01-03-2021 at 03:35 AM. |
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