|
Bryston Audio Unlimited, Unprecedented, Unequalled |
|
Thread Tools | Display Modes |
#11
|
||||
|
||||
t0tor0... Welcome!
__________________
Ivan FLORIDA MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES CAPE COD MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES |
#12
|
|||
|
|||
Quote:
Hi, No differences other than crossover points. james |
#13
|
||||
|
||||
In reading the Bryston 10B Sub literature, it appears that the XLR connections do not use the conventional pin arrangment. My preamp only outputs via XLR (as far as I know in the conventional arrangement). My subs (a pair of JL Audio Fathom 113's) contemplate a single cable to the left/mono input (XLR) in each sub even when setting up "stereo" subs. Will the unconventional XLR pin set-up in the Bryston 10B Sub work with my gear?
|
#14
|
|||
|
|||
i think so.
i am running accuphase C2800 into the F113s now. the pins of the XLR are also inverted. so just change the phase of F113 to 180 instead of 0. alternatively, can also do an "invert phase" on the preamp side if there is such a function. |
#15
|
|||
|
|||
hi all,
i just got my bryston 10b yesterday so will be playing around. may i know what is a typical crossover setting which you guys settled on eventually? i have a F113 + 805 Signature. Seems like setting a low pass at 70 and high pass at 90 both @ 12dB slope fit in the best. I am quite surprise as I though both cutoff frequency has to match. anyone else using a different cut-off for both high and low pass or even different slopes? thnx!!! |
#16
|
|||
|
|||
Quote:
The advantage of the 10B is you can in fact overlap or stagger the crossover points - every room is different and play around until it sounds correct. Usually you start with 18dB on the low pass and 6 on the high pass at 80Hz in both directions. Then increase the high pass to 12 then 18 and listen for plucked instruments like double bass or drums - something with a great low frequency transient. The best setting will be the one that gives you the best transient response at the crossover point as that means the phase relationships between the Mains and the Subs are working correctly. Then play around with the crossover point - try 70 then 60 etc. The lower the crossover point usually the better but a lot will depend on standing wave issues in a specfic room and the power handling of your main speakers. james Last edited by James Tanner - Bryston; 04-11-2012 at 01:45 PM. |
|
|
Audio Aficionado Sponsors | |