AudioAficionado.org  

Go Back   AudioAficionado.org > Manufacturers Forums > Wilson Audio

Wilson Audio Authentic Excellence

Reply
 
Thread Tools Display Modes
  #1  
Old 04-02-2012, 12:36 PM
jax4736 jax4736 is offline
Senior Member

 
Join Date: Dec 2011
Location: Washington DC, Metro area
Posts: 456
Default What makes Wilson speakers so special?

As my new Sophia 3's burn in, I'll mention some of my favorite attributes. I love their soundstaging, and bass extension. I think the cabinets must contribute a lot to the overall sound.

The DIY crowd may focus heavily on the drivers in custom speakers, but there's clearly something special going on with the Wilson speakers. I know this, having auditioned many different DIY and commercial speakers.

More than any other speaker, I just want to sit and listen to the music. I'm suddenly finding myself not listening analytically, but just letting the music take over. This is the way it should be.
__________________
System: Shunyata Triton v3/Typhon/DPC-6v2, Defender, Anaconda /Sigma power cords and interconnects, Linn LP12, Ayre P-5xe, dCS Vivaldi full stack, Ayre KX-R Twenty, Ayre MX-R Twenty, Wilson Alexia Series 2 Speakers
Reply With Quote
  #2  
Old 04-02-2012, 12:57 PM
Jerome W's Avatar
Jerome W Jerome W is offline
Member
 
Join Date: Apr 2009
Posts: 13,240
Default

Quote:
Originally Posted by jax4736 View Post
As my new Sophia 3's burn in, I'll mention some of my favorite attributes. I love their soundstaging, and bass extension. I think the cabinets must contribute a lot to the overall sound.

The DIY crowd may focus heavily on the drivers in custom speakers, but there's clearly something special going on with the Wilson speakers. I know this, having auditioned many different DIY and commercial speakers.

More than any other speaker, I just want to sit and listen to the music. I'm suddenly finding myself not listening analytically, but just letting the music take over. This is the way it should be.
Well written.
To me, I would say Imaging, bass control but most of all, a sound which makes me closer to the real performance, either in the recording studio, in the street, in a jazz club, a concert hall or a stadium.
I get both the impression of "being there" and "having the musicians in my room". I never got both of these sensation with any other speaker.
__________________
There are two means of refuge from the miseries of life: music and cats
Albert Schweitzer
Reply With Quote
  #3  
Old 04-02-2012, 01:00 PM
Amfibius's Avatar
Amfibius Amfibius is offline
Senior Member
 
Join Date: Jul 2011
Location: Melbourne, Australia
Posts: 583
Default

What makes a Mercedes-Benz special? Same thing as Wilson. Nothing really fancy - just incredibly solid engineering with no shortcuts.
__________________
Source: Playback Designs MPS-5, Micro-Seiki BL99V, MA505 Mk2, Lyra Dorian, Denon 103D, RCM Sensor Phono Stage. Amplification: Cary SLP-05 pre, Cary CAD-211AE, SGR EL30S power, Marchand XM44. Speakers: Acapella High Violon, JL Audio F110 subwoofer pair. Pictures here
Reply With Quote
  #4  
Old 04-02-2012, 01:42 PM
Franklmu Franklmu is offline
Guest
 
Join Date: Mar 2010
Location: Angoulême (France)
Posts: 447
Default

"it's a kind of magic"

Frank
Reply With Quote
  #5  
Old 04-02-2012, 01:53 PM
LordoftheRingsEE LordoftheRingsEE is offline
Guest
 
Join Date: Apr 2011
Posts: 6,612
Default

Must have some' to do with the thinkin' behind them speakers.
Reply With Quote
  #6  
Old 04-02-2012, 03:47 PM
jax4736 jax4736 is offline
Senior Member

 
Join Date: Dec 2011
Location: Washington DC, Metro area
Posts: 456
Default

I sometimes get into heated debates about Wilson speakers. I bought them simply because I never heard such realistic reproduction of orchestral music before.

I'm not a typical audiophile, because I actually read printed music as I listen, and have absolute pitch, and have been a musician since I was a young child.

I'll never forget the first Wilsons I heard (Sasha W/P). Although I was listening in a nearfield position, I could make out instruments as specific points all over a broad soundfield. I was listening to Mahler's first symphony, a recording by Pierre Boulez. The opening has something difficult for any sound system: low and soft sustained "A"'s spread over the string section. Then the woodwinds come in with this sighing figure (descending fourths). As the various instruments come in, they appear to be coming from center, slightly left of center, slightly right of center, etc.

As I listened to other speakers, I couldn't hear this level of soundstaging. And this wasn't on tubed equipment (I've heard this is good at creating soundstaging too).

My current system uses Ayre "5" series electronics, and the Wilson Sophia 3's. If I close my eyes, I can't figure out where the speakers are. I just hear a wide, deep, and tall mass of sound.

Another thing Wilson "gets right" for me is loud orchestral passages ("tutti" passages) where most of the instruments are playing. With Wilson speakers, on good recordings, I hear the component instruments rather than some big, composite sound. I think they get this right more than any other speaker I've heard. I heard it in the Sophia, Sasha, and MAXX. I've not yet heard the Alexandria (X2 or XLF).

It's amazing too, how they reveal the character of upstream components. I love the Ayre/Wilson combo, but was less than pleased with a Boulder/Sophia combination I heard. Everything else was the same. These speakers are chameleons....
__________________
System: Shunyata Triton v3/Typhon/DPC-6v2, Defender, Anaconda /Sigma power cords and interconnects, Linn LP12, Ayre P-5xe, dCS Vivaldi full stack, Ayre KX-R Twenty, Ayre MX-R Twenty, Wilson Alexia Series 2 Speakers
Reply With Quote
  #7  
Old 04-02-2012, 05:13 PM
Volks Volks is offline
Guest
 
Join Date: Sep 2009
Location: CANADA/ALBERTA
Posts: 4,326
Default

Quote:
Originally Posted by jax4736 View Post
I sometimes get into heated debates about Wilson speakers.
Most of the times i hear people debating about Wilson usually has more to do with their "Looks" then their sound...........seems people either love them or hate them looks wise.
Reply With Quote
  #8  
Old 04-02-2012, 05:22 PM
jdandy's Avatar
jdandy jdandy is offline
Merry Christmas to all



 
Join Date: Apr 2009
Location: North Central Florida
Posts: 53,224
Default

jax4736.......I can appreciate your enthusiasm for the Wilson Sophia 3 speakers. There are many happy and thoroughly satisfied Wilson owners for sure, but being "so special" is not a particular trait that is owned exclusively by Wilson. There are many wonderful loudspeakers from a number of other prestigious manufacturers that are thrilling their owners, too. Happy listening, no matter what your choice of loudspeaker may be.
__________________
Dan



STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario
LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113
VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A
Reply With Quote
  #9  
Old 04-02-2012, 11:13 PM
Amfibius's Avatar
Amfibius Amfibius is offline
Senior Member
 
Join Date: Jul 2011
Location: Melbourne, Australia
Posts: 583
Default

Quote:
Originally Posted by jax4736 View Post
I'm not a typical audiophile, because I actually read printed music as I listen, and have absolute pitch, and have been a musician since I was a young child.
Hey, I do that too Except that I don't have perfect pitch
__________________
Source: Playback Designs MPS-5, Micro-Seiki BL99V, MA505 Mk2, Lyra Dorian, Denon 103D, RCM Sensor Phono Stage. Amplification: Cary SLP-05 pre, Cary CAD-211AE, SGR EL30S power, Marchand XM44. Speakers: Acapella High Violon, JL Audio F110 subwoofer pair. Pictures here
Reply With Quote
  #10  
Old 04-03-2012, 10:38 PM
Dukester's Avatar
Dukester Dukester is offline
Member
 
Join Date: Oct 2011
Location: AZ/HI
Posts: 40
Default

jax4736, I made the mistake of auditioning the S3's...now my current set-up's days are numbered. I too felt they 'disappeared' and seemed 'engulfed' by the imaging and depth of soundstage...wow. Hope to one day experience them in my home...congrats!
__________________
C2300 MC302 Oppo105 SBTouch B&W803/HTM2Diamond/M1 REL-G1
Reply With Quote
Reply


Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is Off

Forum Jump

Audioaficionado.org tested by Norton Internet Security

All times are GMT -4. The time now is 11:17 AM.



Powered by vBulletin® Version 3.8.10
Copyright ©2000 - 2024, vBulletin Solutions, Inc.
©Copyright 2009-2023 AudioAficionado.org.Privately owned, All Rights Reserved.
Audio Aficionado Sponsors
AudioAficionado Subscriber
AudioAficionado Subscriber
Inspire By Dennis Had
Inspire By Dennis Had
Harmonic Resolution Systems
Harmonic Resolution Systems
Wyred4Sound
Wyred4Sound
Dragonfire Acoustics
Dragonfire Acoustics
GIK Acoustics
GIK Acoustics
Esoteric
Esoteric
AC Infinity
AC Infinity
JL Audio
JL Audio
Add Powr
Add Powr
Accuphase - Soulution
Accuphase - Soulution
Audio by E
Audio by E
Canton
Canton
Bryston
Bryston
WireWorld Cables
WireWorld Cables
Stillpoints
Stillpoints
Bricasti Design
Bricasti Design
Furutech
Furutech
Shunyata Research
Shunyata Research
Legend Audio & Video
Legend Audio & Video