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Audio Research State of the Art Audio Reproduction |
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#11
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Serge...I would have thought the VSi60 is a bit underpowered for the Sophia 3s. Sounds like you are quite taken with the Tannoys. Are you going to check out something up the line from them? How are you liking the Ref 5/MC2301 combo? Thx
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#12
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Yes, Tannoy has really struck a bell with me. I will be looking into the higher up models that may possibly replace the Sophia 3s in my "analog room". My "analog room" seems to be a bit too intimate/smaller than optimal to fully let the Sophia 3s come out and play. When I temporarily had the Sophia 3s in the much bigger room in my basement, they were truly in another league... Unfortunately I can't use that room for yet another system.
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#13
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Serge...what do you think is being most limited in the S3's performance with the current placement in your analog room? I know in your old place you had the S2's and the Sasha's on a long wall placement, fairly wide apart with a good amount of toe-in. I am assuming you got much more width in the soundstage in that set-up but perhaps not as much depth (i am surmising here). In your current set-up where the S3's are on the short-wall with more distance between the listening position and the speaker, what are you finding is being limited in the S3's performance? I would suspect stage width is not as expansive but if you pull the speakers into the room you should be able to get more depth in the sound field. Or is it something completely different? Perhaps the way the bass is loading the room? Just curious. Thanks.
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#14
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#15
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The VSi60 has been returned. What a sweet little amp. I do have to say that I would have loved to do an MC275 vs VSi60 shootout. Going from memory, the 275 sounded a bit more dynamic and a bit more resolving over all but that was with a higher end preamp in place. I did not see any provisions for using the amp only section of the VSi60 so I used it as an integrated only and could not use the Ref 5 preamp with it..
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#16
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Nice Avatar Serge!
__________________
Ivan FLORIDA MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES CAPE COD MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES |
#17
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#18
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#19
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I know this thread is old, but it seemed the best place to ask for a newbie.
Just got a new VSi60 with KT120 tubes. Anyone have any experience with break in time for this unit? Do improvements just accumulate or are there any periods of retreat? Thanks. -Adam (new to this site) |
#20
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If it is anything like their amps and pre-amps count on 500 to 600 for full break in. Before that it should sound good, but a bit inconsistent
Good luck it's a great amp and welcome.
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VPI Scoutmaster; JMW-9 Signature; Shelter 7000 Bryston BDA2 + BDP2; ARC PH5; ARC Ref 5; ARC Ref 150, Equi=Tech Son of Q Wilson Sophia 3; Transparent - cables XLO - cables; Aural Symphonics - cords; Shunyata - cords |
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