#11
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At those prices you have just forfeited your rights to making comments on the cost of Analog.
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#12
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Not something I have any interest in, having sold my Goldmund Studio and 5000 records many moons ago. These days even the hassle of dealing with thousands of silver disks is beyond me. Anything that can't be selected and managed from my iPad is far too much hassle!
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#13
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custodian,
Thanks for the info. Any chance this will become a commercial product ? I am using the Antelope clock & it does make a difference. Regards, Joe Ling
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Source 1 - Bergmann Sleipner + Benz Micro LP-S + ARC ref phono 10 (should have done this ages ago) Source 2 - Avid Acutus SP reference + Thales Reference tone arm + Benz Micro LPS (DS Audio Master 1 broken tip repaired but cost me USD2k. Still having issues - channel imbalance - back to dealer. However, channel issues not withstanding, sounded very very nice. Need to get it back soonest) Source 3 - DCS Vivaldi + Antelope reference clock or Cybershaft Op18 (not floating my boat so far) Source 5 - ROON ROCK with Aurender W20 as NAS & 2 units of SOTM switch with 10M input (the new frontier but still cannot beat CD for now) - ROON endpoint - Vivaldi upsampler Amplification - Naim Statement Speakers - ProAc Carbon 8 + JL FM113 x2 (replacement purchased - Stella Utopia EVO but due to lockdown, could be a year's wait) Purepower 2000 x 2 (&$@#% but sounds nice) Shunyata Denali X 2 |
#14
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Quote:
There is no problem in producing as BVA clock for HiFi use apart from cost. Having looked at costings, I think it would be at least $20k, maybe a bit more. Do you think there would be a market at that level? |
#15
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Anything commercially available at the moment better than the Antelope ?
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Source 1 - Bergmann Sleipner + Benz Micro LP-S + ARC ref phono 10 (should have done this ages ago) Source 2 - Avid Acutus SP reference + Thales Reference tone arm + Benz Micro LPS (DS Audio Master 1 broken tip repaired but cost me USD2k. Still having issues - channel imbalance - back to dealer. However, channel issues not withstanding, sounded very very nice. Need to get it back soonest) Source 3 - DCS Vivaldi + Antelope reference clock or Cybershaft Op18 (not floating my boat so far) Source 5 - ROON ROCK with Aurender W20 as NAS & 2 units of SOTM switch with 10M input (the new frontier but still cannot beat CD for now) - ROON endpoint - Vivaldi upsampler Amplification - Naim Statement Speakers - ProAc Carbon 8 + JL FM113 x2 (replacement purchased - Stella Utopia EVO but due to lockdown, could be a year's wait) Purepower 2000 x 2 (&$@#% but sounds nice) Shunyata Denali X 2 |
#16
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I'll have a look at which rubidium clocks are used in the commercial units and get back to you. From memory, I think the Esoteric one uses a clock with better phase noise but I need to check. There is a commercial BVA clock for HiFi use made in Japan which retails at $35k but I think I could do an equivalent one for half that cost.
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#17
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The longer the BVA clock operates, the better the phase noise performance. I must say the clock change to BVA has produced a staggering improvement in quality.
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#18
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I have been using the Antelope Audio OCX clock master clock and a Stanford Research Systems Rubidium 10MHz oscillator (FS725). A material improvement to the internal clock of my Soulution 745 SACD/CD player. Interconnect and power cables also make a noticeable difference.
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#19
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Davidny... Welcome to AA!
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Ivan FLORIDA MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES CAPE COD MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES |
#20
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Quote:
Using the reference clock input I've always been curious about... Speakers: Rockport Altair 2 Preamp: Robert Koda K10 Amp: Ayre MX-R Cables: Transparent Opus MM2 Spkr, Opus MM2 & Trans Ref MM MM2 Intcnct. Power Shunyata Triton/Typhon, Anaconda Zitron cords (x9) Digital dCS Vivaldi DAC & dCS Scarlatti Clock & Transport with Transparent Reference XL Digital cables Phono: Grand Prix Monaco TT, Schroder LT arm, Jan Allaerts MC2 Finish & Lyra Atlas, Nagra VPS/VFS Racks: Grand Prix Audio Silverstone F1 (x2) |
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