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  #21  
Old 11-11-2012, 03:52 PM
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That was nice of them.

Quote:
Originally Posted by mraudio View Post
Here is my new Beatles BoxSet!!! Wasn't due for delivery until Tuesday, but the vinyl gods, (and FEDEX) have always been pretty good to me.

Haven't opened it yet, but it sure is pretty.
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  #22  
Old 11-11-2012, 04:47 PM
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Originally Posted by vintage_tube View Post
Guess I am spoiled. To me, just another box set of music. I have the BC-13 which is the crown jewel in Beatles box sets & the MFSL box set which is also nice. So, this will be a third.

Best

Bob
Yes you are Bob

I'll take that BC-13 box off you. It is now obsolete
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  #23  
Old 11-11-2012, 08:55 PM
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Quote:
Originally Posted by turntable View Post
I'll take that BC-13 box off you. It is now obsolete
The only day I could possibly ship it to Syndey is Monday, the 12th. No other day works into my schedule.

Shucks -- post offices closed tomorrow.

Best

Bob
__________________
Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters.
Preamp:VAC Statement (on order) (Silver Flake)
Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver)
Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's.
Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974).
Vibration Control:TT on HRS M3X2-1921 shelf.
Speakers:Wilson Audio Alexia V (on order in Ferrari Argento Silver/Parchment grills sitting on Acoustic Diode Kit).
Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock.
Power Distribution:Ansuz Mainz D3 Distributor & Ansuz Mainz C2 1M Power Cable
Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers.
Speaker Cables:2M Nordost Odin 2 Supreme Reference on Nordost Sort Lifts.
Signal Cables:Nordost Odin XLR's on dCS DAC & Amps.
Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC.
Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital
Ethernet Cable: WireWorld Platinum 1M Starlight® 8 Twinax
Headphones:Vintage Koss Pro IV AA.
RCM: Audio Desk PRO
Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Power Amp & Preamp & Space Tech Labs ATT-3.02 tube test sets.
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  #24  
Old 11-11-2012, 09:10 PM
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Default Interview: Beatles remastering engineer says vinyl set closer to original sound

Interview: Beatles remastering engineer says vinyl set closer to original sound - National Beatles | Examiner.com

Best

Bob
__________________
Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters.
Preamp:VAC Statement (on order) (Silver Flake)
Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver)
Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's.
Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974).
Vibration Control:TT on HRS M3X2-1921 shelf.
Speakers:Wilson Audio Alexia V (on order in Ferrari Argento Silver/Parchment grills sitting on Acoustic Diode Kit).
Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock.
Power Distribution:Ansuz Mainz D3 Distributor & Ansuz Mainz C2 1M Power Cable
Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers.
Speaker Cables:2M Nordost Odin 2 Supreme Reference on Nordost Sort Lifts.
Signal Cables:Nordost Odin XLR's on dCS DAC & Amps.
Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC.
Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital
Ethernet Cable: WireWorld Platinum 1M Starlight® 8 Twinax
Headphones:Vintage Koss Pro IV AA.
RCM: Audio Desk PRO
Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Power Amp & Preamp & Space Tech Labs ATT-3.02 tube test sets.
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  #25  
Old 11-12-2012, 05:13 PM
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Mine should be arriving any day, so excited!!
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  #26  
Old 11-12-2012, 07:35 PM
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Quote:
Originally Posted by Whart View Post
Aren't those remastered from digital files?
Yes, they are cut from 24 bit digital masters. They did not want to take the time and effort to redo them in a pure analog mastering chain, which is a shame. I wish they would have just released the 24 bit digital audio as FLAC audio files. I just never get the point of cutting vinyl from digital masters.
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  #27  
Old 11-12-2012, 07:38 PM
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Quote:
Originally Posted by RaceTripper View Post
They did not want to take the time and effort to redo them in a pure analog mastering chain, which is a shame.
That's an incorrect statement Dean.

Best

Bob
__________________
Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters.
Preamp:VAC Statement (on order) (Silver Flake)
Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver)
Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's.
Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974).
Vibration Control:TT on HRS M3X2-1921 shelf.
Speakers:Wilson Audio Alexia V (on order in Ferrari Argento Silver/Parchment grills sitting on Acoustic Diode Kit).
Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock.
Power Distribution:Ansuz Mainz D3 Distributor & Ansuz Mainz C2 1M Power Cable
Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers.
Speaker Cables:2M Nordost Odin 2 Supreme Reference on Nordost Sort Lifts.
Signal Cables:Nordost Odin XLR's on dCS DAC & Amps.
Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC.
Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital
Ethernet Cable: WireWorld Platinum 1M Starlight® 8 Twinax
Headphones:Vintage Koss Pro IV AA.
RCM: Audio Desk PRO
Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Power Amp & Preamp & Space Tech Labs ATT-3.02 tube test sets.
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  #28  
Old 11-12-2012, 07:40 PM
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Quote:
Originally Posted by vintage_tube View Post
That's an incorrect statement Dean.

Best

Bob
How so? I read they didn't want to go back and redo all the work of building master from the tapes, and all the work that entails.
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  #29  
Old 11-12-2012, 07:52 PM
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Quote:
Originally Posted by RaceTripper View Post
How so? I read they didn't want to go back and redo all the work of building master from the tapes, and all the work that entails.
"While many of us had hoped for an AAA release, that was simply not possible. My contact at EMI in the UK told me how difficult it was getting the estates of John (Yoko) and George (Olivia) plus Paul and Ringo to sign off on the 192/24 bit masters produced for the CD reissues.

Issuing the vinyl from the original tapes would require them to audition test pressings and sign off again, which would have been even more difficult that okaying CDs. Besides, I was told, everyone felt important consistency within the catalog.

So the box was mastered to lacquers at Abbey Road using the original 192k/24 bit files. Clearly these will sound far superior to the CD versions, just as the 44.1K/24 bit Apple USB "dongle" version sounded better than the CD."

Best

Bob
__________________
Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters.
Preamp:VAC Statement (on order) (Silver Flake)
Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver)
Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's.
Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974).
Vibration Control:TT on HRS M3X2-1921 shelf.
Speakers:Wilson Audio Alexia V (on order in Ferrari Argento Silver/Parchment grills sitting on Acoustic Diode Kit).
Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock.
Power Distribution:Ansuz Mainz D3 Distributor & Ansuz Mainz C2 1M Power Cable
Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers.
Speaker Cables:2M Nordost Odin 2 Supreme Reference on Nordost Sort Lifts.
Signal Cables:Nordost Odin XLR's on dCS DAC & Amps.
Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC.
Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital
Ethernet Cable: WireWorld Platinum 1M Starlight® 8 Twinax
Headphones:Vintage Koss Pro IV AA.
RCM: Audio Desk PRO
Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Power Amp & Preamp & Space Tech Labs ATT-3.02 tube test sets.
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  #30  
Old 11-12-2012, 08:02 PM
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Quote:
Originally Posted by vintage_tube View Post
"While many of us had hoped for an AAA release, that was simply not possible. My contact at EMI in the UK told me how difficult it was getting the estates of John (Yoko) and George (Olivia) plus Paul and Ringo to sign off on the 192/24 bit masters produced for the CD reissues.

Issuing the vinyl from the original tapes would require them to audition test pressings and sign off again, which would have been even more difficult that okaying CDs. Besides, I was told, everyone felt important consistency within the catalog.

So the box was mastered to lacquers at Abbey Road using the original 192k/24 bit files. Clearly these will sound far superior to the CD versions, just as the 44.1K/24 bit Apple USB "dongle" version sounded better than the CD."

Best

Bob
OK. Thanks for the info.

But I still don't get cutting it to vinyl (so I did not buy it). I would still rather see them as 24/192 FLAC files for streaming.
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